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All Journal Multikultura Kagami : Jurnal Pendidikan dan Bahasa Jepang
Rifqiaulian, Tegar
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Arts Humanities Education Languange, Linguistic, Communication & Media Library & Information Science Social Sciences

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Analisis Penggunaan Kandoushi yang Menyatakan Outou dalam Manga Detektif Conan Volume 98-99 Rifqiaulian, Tegar; Hamdi, Muhammad Ali; Hakim, Ruri Fadhillah
Kagami : Jurnal Pendidikan dan Bahasa Jepang Vol. 16 No. 2 (2025): Kagami: Jurnal Pendidikan dan Bahasa Jepang
Publisher : Universitas Negeri Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/kagami.162.01

Abstract

In Japanese, interjections are known as kandoushi and are divided into kandou (impression), yobiake (call), outou (response), and aisatsugo (greeting). Kandoushi that express outou are kandoushi that express answers and responses to other people's speech. The reason for this research is based on the important role of kandoushi which expresses outou in everyday Japanese conversation. The purpose of this study is to describe the types and forms, usage, and meaning of kandoushi that express outou. The data source in this study is the Detective Conan manga Volume 98-99. The method used in this study is a qualitative descriptive method using a syntactic and semantic approach. The results of this study are that there are 3 types and 13 forms of kandoushi that express outou in the Detective Conan manga volume 98-99 with different usage and meaning. The frequency of occurrence of the types, uses, and meanings of kandoushi expressing outou in the Detective Conan manga volumes 98-99 reflects its use in everyday life.
ACARA <i>SURVIVAL</i> IDOLA DI ASIA TIMUR: SEJARAH DAN DAMPAKNYA SEBAGAI FENOMENA GLOBAL Rifqiaulian, Tegar
Multikultura Vol. 4, No. 4
Publisher : UI Scholars Hub

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Abstract

Idol survival shows are competition-based reality programs in which participants compete through various vocal, dance, and rap challenges to debut in a new idol group. In recent years, this genre has experienced a significant rise in popularity across East Asia. The phenomenon of idol survival shows has become a driving force behind the global popularity of Asian music, particularly within the realms of K-Pop, J-Pop, and C-Pop. This article explores the history, format, and factors contributing to the success of idol survival shows, as well as discusses their impact and controversies. The study finds that the phenomenon originated in South Korea, pioneered by programs such as Produce 101, and spread throughout East Asia through format adaptations. Its popularity is fueled by a unique format that involves active audience participation and interaction. While the genre has had positive impacts, this article also highlights ethical issues, including result manipulation scandals, participant exploitation, and unhealthy fan behavior.
Co-Authors Hamdi, Muhammad Ali Ruri Fadhillah Hakim