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Musahwi Musahwi
Pendidikan Sosiologi, Fakultas Keguruan dan Ilmu Pendidikan, Universitas Sultan Ageng Tirtayasa
Social Sciences

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Seni Melawan Pedagang Asongan di Kereta Api Lokal Ekonomi Merak-Rangkasbitung Banten Musahwi Musahwi; Minnati Zulfa Anika; Pitriyani Pitriyani
SIMULACRA: JURNAL SOSIOLOGI Vol 1, No 1 (2018)
Publisher : Universitas Trunojoyo Madura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21107/sml.v1i1.4983

Abstract

This study attempts to uncover the resistance of hawkers against the prohibition of selling at stations and trains by taking the locus of Merak-Rangkasbitunglocal train. Specifically the purpose of this study is to uncover the daily hidden resistance that is concealed by hawkers. This kind of resistance model refers to Scott's concept from his theory which is the domination of the art of resistance or noted by the weapon of the weak againts of the elite or the policies which opressed them. In this study, used the qualitative-phenomenology methods. This approach is chosen to reveal the phenomena based on the perspectives of those who experience them directly, with an in-depth expression of the phenomenon of consciousness within them during resistance. The results of this study include: a) disobedience (keepselling) against the law by pretending not to know. b) sellingpretend as passengers. c) negotiating "as if" with the officer, meaning they end up violating, and d) resisting the ban on selling by rebel. The daily, unorganized and invidual resistance to this is done because there is no alternative to the economic solution for them; they have no capital; social, educational, and political. They are weak people, and according to them are increasingly weakened by the policy of the ban.
Komunitas Pengabdi Seni Musik Tradisional Karinding di Kampung Jaha Tangerang Tyas Siti Nur Asiyah; Musahwi Musahwi
SIMULACRA: JURNAL SOSIOLOGI Vol 1, No 2 (2018)
Publisher : Universitas Trunojoyo Madura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21107/sml.v1i2.4991

Abstract

The existence of music as a representation of traditional culture increasingly doubted by various parties. Especially when he has to deal with international music that has a modern genre. In Indonesia, in line with today's global culture, traditional music is slowly being forgotten. Even considered the music peripheral by his own generation because it is not in line with the latest music trends. Is a community of Barak Karinding that plays traditional musical instruments Karinding typical Sundanese, they try to fight the flow. It is important to be studied with regard to the understanding of Karinding musical art, as well as the social values of humanity (local wisdom) that they stretcher in daily life amid the onslaught of global music products today. The type of this research is qualitative, by trying to describe the phenomenon naturally based on the social setting as it is. The results of this study describes among others: a) Karinding music has value, Belief, Patience, Conscious. As a universal message of their music. b) loving art is loving humanity. That is, musical works are not created for the interests of the market as the mindstream of music today, but to develop constructive human beings.
Co-Authors Minnati Zulfa Anika Pitriyani Pitriyani Tyas Siti Nur Asiyah