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All Journal Corak : Jurnal Seni Kriya Relief: Journal of Craft
Nofrial Nofrial
ISI Padangpanjang
Arts Humanities Education Social Sciences

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Ukiran Ornamen Tradisional Minangkabau pada Dekorasi Pelaminan Nofrial Nofrial; Purwo Prihatin; Marten Agung Laksono
Corak : Jurnal Seni Kriya Vol 10, No 2 (2021): NOVEMBER 2021
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/corak.v10i2.4581

Abstract

The traditional Minangkabau ornament that has applied to Rumah Gadang currently has experienced product diversification. One of the developments is for the carving of the wedding aisle decoration. This study aims to document the types of motifs, analyzes their development concepts, engraving techniques, and functions of traditional Minangkabau ornaments in the wedding aisle decorations, in Pariaman and Padangpanjang. The method of this study consists of qualitative methods and analytic descriptive analysis with cultural, sociological, and aesthetic approaches. The well-known traditional Minangkabau ornaments in the wedding decorations for instance are Kaluak Paku motifs, Itiak Pulang Patang, Aka Cino Sagagang, Saik Ajik, Pucuak Rabuang and Siriah Gadang. Generally, these ornaments have transformed in shape to adapt the placement media purpose, the practicality of engraving, and its aesthetics. Ornaments are made on spongy rubber media with cutting techniques. The functions of ornaments are to decorate and as an identity of Minangkabau wedding tradition aisle. Ornamen tradisional Minangkabau yang diterapkan pada Rumah Gadang, saat ini telah mengalami diversifikasi produk. Salah satu pengembangannya untuk ukiran dekorasi pelaminan. Penelitian ini mendokumentasikan jenis motif, menganalisis konsep pengembangannya, teknik pembuatan dan fungsi ornamen tradisional Minangkabau pada dekorasi pelaminan, di Pariaman dan Padangpanjang. Melalui metode kualitatif, analisis deskriptif analitik dengan pendekatan budaya, sosiologis dan estetik. Diketahui ornamen tradisional Minangkabau pada dekorasi pelaminan terdiri dari motif Kaluak paku, Itiak pulang patang, Aka cino sagagang, Saik ajik, Pucuak rabuang, and Siriah gadang. Secara umum ornamen tersebut telah mengalami perubahan bentuk, guna penyesuaian media penempatan, kepraktisan pembuatan dan estetikanya. Ornamen dibuat pada media karet spon, teknik sayat dan toreh. Fungsi ornamen untuk penghias dan pemberi ciri khas pelaminan adat Minang.
KURAMBIAK SEBAGAI IDE PENCIPTAAN KRIYA KAYU Hikmatul Lisan; Nofrial Nofrial
Relief : Journal of Craft Vol 6, No 1 (2026): Relief: Journal of Craft
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/relief.v6i1.30714

Abstract

Kurambiak is a traditional weapon originating from the Minangkabau people, used in the martial art of silek (silek) and for self-defense. The kurambiak form is a medium for creating a work of art that is unique in its type. The three kurambiak forms to be created are tiger claw, alang claw, and chicken claw, each with its own unique characteristics. The work focuses on aesthetic value, but also conveys symbolic meaning through shape and color.The creation of the work will utilize aesthetic and symbolic theories. The method of creation will go through three stages. The design stage involves the creation of a draft drawing through sketches, which will then be realized in the design. The realization stage will utilize surian and rengas wood, which will undergo several processes that will include lamination, scrolling, texturing, Shou Sugi Ban, and low-carving techniques. The finishing stage will use printing ink and be coated with melamine lacquer, clear matte.
Co-Authors Hikmatul Lisan Marten Agung Laksono Purwo Prihatin