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Kebijakan Redaksi Kompas TV Makassar Dalam Menayangkan Berita Nur Asrianti; Achmad Herman; Andi Akifah
MEDIAKOM : Jurnal Ilmu Komunikasi Vol 2, No 2 (2019): Mediakom Vol 02, No 02, Februari 2019
Publisher : Universitas Muhammadiyah Jember

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32528/mdk.v2i2.1926

Abstract

An editor of electronic media has the authority to determine what news is appropriate to be displayed, and disseminated. Editor of Kompas TV has the right to display and not display a news, there is even news that can air more than once on a different day, there is news that does not show because there is news that aired first and the time is up for the news segment. Kompas TV Makassar also has several terms and conditions in assessing how feasible a news can be displayed so that it can become public consumption. Kompas TV Makassar has never feared the opinions of audiences when they played back the news that had been airedKeywords: Editor, Displaying News, Kompas TV Makassar 
ROLE OF COMMERCIAL RADIO STATIONS IN DISASTER EMERGENCY BROADCASTING (CASE STUDY OF EARTHQUAKE AND TSUNAMI EMERGENCY BROADCASTING PROGRAM IN CENTRAL SULAWESI): Peranan Radio Komersial Dalam Siaran Darurat Bencana (Studi Kasus Siaran Darurat Bencana Gempa Bumi dan Tsunami di Sulawesi Tengah) Stepanus Bo'do; Andi Akifah; Stella Yulian Moa
Jurnal Komunikasi Korporasi dan Media (JASIMA) Vol. 3 No. 1 (2022)
Publisher : Program Studi Komunikasi Fakultas Ilmu Sosial dan Ilmu Politik Universitas Mulawarman

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Abstract

Access to information is essential when a natural disaster occurs. Fast and accurate information can help residents in finding shelters and surviving the disaster. A community of radio stations has been proven to be a reliable medium for important information in disaster-prone areas. However, due to a series of earthquake, tsunami and liquefaction events in Palu and Donggala in September 2018, the role of radio stations community was taken over by private commercial broadcasters. Using a case study strategy, this study aims to determine the role of private local radios in emergency broadcasting during the response, post-disaster recovery and reconstruction period. Data was collected through in-depth interviews and document analysis. The results of the study found that during the handling and recovery period, commercial radio stations switched to functioning as community radio by changing the broadcast program (switching) into fully emergency broadcast radio. The emergency radio broadcasting initiative from the First Response Indonesia agency allows several private commercial radio broadcasts that have been damaged and looted to perform emergency broadcasts for six months. This program fulfills citizens' basic right of information and supports post-disaster handling and recovery efforts. As the program ended, private commercial radio stations struggled to continue to contribute to the reconstruction phase of the disaster. Support to stabilize the community radio stations initiative is required in disaster-prone areas such as Central Sulawesi.
PRAKTEK BERBAGI DALAM KOMUNITAS VIRTUAL DI FACEBOOK: Studi Netnografi pada Komunitas Fotografi Indonesia Haris Pakaya; Stepanus Bo'do; Andi Akifah
Kinesik Vol. 9 No. 3 (2022): December
Publisher : Fakultas Ilmu Sosial dan Ilmu Politik Universitas Tadulako

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22487/ejk.v9i3.282

Abstract

This study aims to describe various cultural practices in the KFI virtual community and interpret the meaning of The Power Of Sharing which is the community's slogan on social media facebook. This study uses a qualitative method with a netnographic approach. Research data obtained from elicit data, archive data, and field notes. Netnography research stages are quite flexible and less time consuming because the research location is in a virtual space and all data is available digitally. The immersive netnography strategy allows researchers to enter into community interactions, by participating in experiencing routines and rituals in the original social setting of the virtual community being studied. The results of the study show that first, sharing is defined specifically by the KFI community, namely sharing knowledge in the context of the art of photography. Second, the practice of sharing culture is developed and practiced together by members of the KFI community through virtual communication mediated by Facebook as a digital network. The spirit and practice of sharing is the original culture of the Internet virtual community, which is the spirit and strength of KFI. Third, the culture of sharing becomes the glue for members of this community in the virtual world. This culture has become the identity of the KFI community that distinguishes it from other communities as well as allows it to establish relationships with other virtual communities.