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All Journal SELONDING Resital: Jurnal Seni Pertunjukan (Journal of Performing Arts) Harmonia: Journal of Research and Education Panggung Sorai: Jurnal Pengkajian dan Penciptaan Musik Tamumatra : Jurnal Seni Pertunjukan Panggung Proceeding of International Conference on Art, Media, and Culture (ICAMAC)
ELA YULAELIAH
Institut Seni Indonesia Yogyakarta
Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences

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Jaipongan in the Dialectic of Tradition and Modernity Yulaeliah, Ela; Saepudin, Asep
Proceeding of International Conference on Art, Media, and Culture (ICAMAC) Vol. 1 No. 1 (2024): Proceeding to The 1st International Conference on Arts, Media, and Culture (ICA
Publisher : Institut Seni Indonesia Padangpanjang

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Abstract

The emergence of modern thinkers in the realm of Sundanese tradition did not always go smoothly, but began with a gap on both sides, both at the level of understanding and in artistic practice. This article aims to describe the process of the gap between supporters of traditional music and modern thinkers, as well as the dialectical process that occurs when a change is made. The dialectical concept developed by Hegel regarding thesis, antithesis, and synthesis is used to uncover problems. Qualitative methods with a case study approach were used in this research. The material object analyzed is Jaipongan art. Data collection was carried out through observation, interviews, literature study, and documentation. The results show that there is a gap/contradiction between supporters of tradition and modern Jaipongan thinkers due to the lack of intense communication between the two parties when changes occur. The dialectical process that occurs between the two is carried out in several ways, including: through creativity, compromise, communication/interaction, and publications carried out by agents of change. This research concludes that dialogue/communication/interaction between adherents of tradition and modernity can essentially create a new culture as a dialectical result of the two. The two will be in harmony if each side has openness in understanding existences outside themselves that have different characters.
IDENTITAS JAKARTA MELALUI KARYA KREATIF LALEILMANINO BERJUDUL DJAKARTA Malya Faiza Ayudira; Ela Yulaeliah; Warsana
Sorai: Jurnal Pengkajian dan Penciptaan Musik Vol. 17 No. 2 (2024): December
Publisher : Institut Seni Indonesia (ISI) Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sorai.v17i2.7216

Abstract

The creativity in the musical work titled "Djakarta", created by the alliance of producers and songwriters: Laleilmanino, was inspired as a gift for Jakarta’s 497th anniversary in 2024. This research aims to understand how musical creativity can represent the cultural identity of a metropolitan city through the fusion of traditional Betawi music (tehyan and kendang) with easily accessible pop music elements. A qualitative method is used to observe the phenomenon of creativity in Laleilmanino’s song "Djakarta." In its creation process, the song demonstrates that "Djakarta" successfully produces a musical product with a pop identity that is catchy yet retains its traditional roots. This fusion led "Djakarta" to be nominated for the 2024 AMI Awards as Best Pop Music Arrangement.
GONDANG UNING-UNINGAN GRUP RAP OLO DALAM UPACARA PERKAWINAN ADAT BATAK TOBA DI YOGYAKARTA Samosir, Joshua Kristopel; Yulaeliah, Ela; Irawan, Cepi
SELONDING Vol 21, No 2 (2025): September 2025
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/sl.v21i2.12446

Abstract

Gondang Uning-uningan merupakan ansambel yang digunakan pada upacara perkawinan adat Batak Toba termasuk di Yogyakarta. Sampai saat ini Gondang Uning-Uningan masih menjadi bentuk solusi dalam mengiringi musik disetiap prosesi upacara perkawinan berlangsung. Ansambel Gondang tidak lepas dari siapa yang memainkannya. Salah satu grup musik Gondang Uning-uningan yang ada di Yogyakarta adalah Grup Musik Rap Olo.Grup Musik Rap Olo merupakan salah satu Grup musik etnis Batak Toba yang sampai saat ini masih eksis khususnya di Yogyakarta. Grup musik Rap Olo sering terlibat mengiringi musik Gondang Uning-uningan pada upacara perkawinan adat Batak Toba di Yogyakarta. Dalam Penelitian ini bertujuan untuk mengetahui bagaimana betuk penyajian Grup Musik Rap Olo dan fungsi Gondang Uning-uningan dalam upacara Perkawinan Batak Toba. Metode yang dingunakan yaitu penelitian kualitatif dan pendekatan etnomusikologis yang dibagi menjadi tekstual dan kotekstual. Berdasarkan hasil pengamatan tekstual dari lagu Sitappar Api merupakan lagu satu bagian yang terdiri dari frase tanya jawab dan motif tanya jawab, sementara itu kajuan kontekstual fungsi Gondang Uning-uningan dalam upacara perkawinan adat Batak Toba di Yogyakarta yaitu sebagai, fungsi hiburan, komunikasi, pengungkapan emosional, norma soial, kesinambungan budaya, dan pengintergrasian masyarakat
Estetika Vokal Marhaban di SUmatera Utara Azmi, Nurul; Irawati, Eli; Yulaeliah, Ela
SELONDING Vol 21, No 2 (2025): September 2025
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/sl.v21i1.12839

Abstract

Penelitian ini bertujuan untuk mendeskripsikan aspek-aspek estetika vokal marhaban yang ada di Sumatera Utara. Teori yang dipakai untuk mendeskripsikan estetika menggunakan Djelatik yaitu wujud atau rupa, bobot atau isi, dan penampilan atau penyajian. Metode yang digunakan dalam penelitian ini adalah metode kualitatif yang menghasilkan data-data deskriptif, menggunakan pendekatan etnomusikologis dan teknik pengumpulan data berupa studi pustaka, observasi, wawancara, dan dokumentasi. Hasil dari penelitian menunjukan bahwa elemen estetis dari vokal mahaban memberikan sebuah deskripsi mengenai kesimbangan dalam tataran sosiologi masyarakat melayu Deli.
Representation of Identity and Politics in the Song "Ojo Dibandingke" at the 77th Indonesian Independence Day State Ceremony at the State Palace Yulaeliah, Ela; Saepudin, Asep; Sukotjo, Sukotjo; Cuenza, Yves P; Ulhage, Ahza Al Amal
Resital: Jurnal Seni Pertunjukan Vol 26, No 2 (2025): Agustus 2025
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/resital.v26i2.17563

Abstract

The purpose of this research is to analyze the representation of identity and political image in the song "Ojo Dibandingke" during the 77th Indonesian Independence Day commemoration in 2022 at the State Palace. The song "Ojo Dibandingke" is a popular dangdut koplo song from 2022. The song was created by Abah Lala, an artist from Banyuwangi. Hall's (1977) representation theory, particularly the constructionist approach and the encoding–decoding model, is used to read how the meaning of the lyrics is produced by the creator (encoding) and interpreted by the users (decoding). A qualitative method with a case study approach was conducted to gather data through webography, documentation, literature review, interviews, and observation. Several interesting points regarding the presentation of the song "Ojo Dibandingke" include: the song "Ojo Dibandingke" is sung by a child who is still underage, dangdut koplo music is not typically performed at state events, and there are altered lyrics that praise the president's name. This research indicates that the use of the song "Ojo Dibandingke" in the 77th Independence Day celebration at the State Palace was not merely an aesthetic choice, but a cultural representation practice laden with political and symbolic meaning. The presence of this song was not just an aesthetic presentation, but an arena for negotiating cultural and political identity in public space.
Co-Authors Agim Gunawan Amir Razak Anak Agung Istri Sri Wiadnyani Asep Saepudin Asep Saepudin Saepudin Cepi Irawan Cuenza, Yves P Eli Irawati I Gusti Agung Komang Diafari Djuni Hartawan Ida Ayu Putu Sri Widnyani Malya Faiza Ayudira Nurul Azmi, Nurul Saepudin, Asep Samosir, Joshua Kristopel Subuh, Subuh Sukotjo, Sukotjo Ulhage, Ahza Al Amal Warsana