Budi Raharja
Institut Seni Indonesia Yogyakarta

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Musik Iringan Drama Tari Pengembaraan Panji Inukertapati Bermisi Perdamaian dan Toleransi Budi Raharja
Resital: Jurnal Seni Pertunjukan (Journal of Performing Arts) Vol 20, No 1 (2019): April 2019
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (388.091 KB) | DOI: 10.24821/resital.v20i1.3459

Abstract

Tujuan penulisan ini untuk mendeskripsikan musik iringan drama tari berjudul “Pengembaraan Panji Inukertapati Bermisi Perdamaian dan Toleransi.” Drama tari tersebut mengisahkan perjalanan Panji Inukertapati menjelajahi beberapa wilayah Nusantara mencari kekasihnya, Dewi Sekartaji. Pembahasan fokus terhadap dinamika pertunjukan, alasan pemilihan bunyi atau lagu, dan hubungan musik dengan gerak tari. Metode interview, observasi, studi literatur, dan studi dokumen digunakanuntuk pengumpulan datanya. Hasil kesimpulan diketahui bahwa musik iringan drama tari tersebut terdiri atas bunyi Dijerido, bunyi aplikasi program DJ (monster dan drum), dan musik-musik daerah (musik Jawa, musik Melayu, musik Papua, dan musik Bali). Musik-musik tersebut dirangkai dalam struktur dramatik kerucut tunggal, digunakan untuk menciptakan atmofir musikal pertunjukan, dan sebagai pedoman penari memeragakan gerak-gerak tari. Hubungannya dengan gerak tari terbagi ke dalam tiga jenis, yaitu hubungan antara pola melodi dengan pola gerak, hubungan antar frase melodi dengan frase gerak, dan hubungan antar karakter melodi dengan karakter gerak.Accompaniment Music for The Journey of Panji Inukertapati Dance Drama for the Peace and Tolerance Mission. The writing article aimed to describing the accompany music for drama dance entitle Panji Inerktupati Journey in peace and tolerance mission. The performance described Inukertapati the journey and passed some regions in archipelago to looking for his lover, Dewi Sekartaji. The disccusion focus on dinamic performance structure, choosing sound and song reason, and its relationship to the movement. The result is the music consisted of Dijeridu instrument sound combined to electrical sounds and some Indonesian folksong (Javanese music, Malay, Papua, and Balinese music). The musics are arranged in single cone dinamic structure, are used to create performance musical atmosphere and as guidance dancers demonstrate movement; hovewer its relationship to movement are classified in three types: relationship of movement pattern with musical sound pattern; music phrase with movement phrase, and song character with movement character.Keywords: Panji journey; drama dance; musical identity
Pembelajaran Dolanan Jawa Berbasis Pilar-pilar Pendidikan bagi Anak Usia Dini Budi Raharja
Resital: Jurnal Seni Pertunjukan (Journal of Performing Arts) Vol 21, No 3 (2020): Desember 2020
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/resital.v21i3.4611

Abstract

The pillars of education (knowledge, skills, social or cooperation, individual, and spiritual) are used as media to expand the achievements of Javanese dolanan learning, which generally focus on social-emotional aspects only. The results of this study are expected to be used as a reference for stakeholders, especially Kindergarten teachers, as a medium for teaching Javanese dolanan to create a generation who is knowledgeable, has adequate skills, and has a high social spirit, and humble and obedient to worship as well. The experimental research method was used in this study to test the application results. In contrast, the research design is Single Subject Research (SSR) or single subject (group) which functions as an intervention group and a control group to test the intervention results. The research was carried out at Pertiwi 3 Kindergarten, Sinduadi, Mlati, Sleman Yogyakarta by giving a group of school students training to play Javanese dolanan entitled recreation, accompanied by children’s gamelan for six months (twice a week). After having the treatment, their behaviour changes were identified, calculated, and grouped based on the respective development field groups. As a result, Javanese dolanan learning based on educational pillars contains development aspects of the physical, motoric, cognitive, language, artistic, and children social-emotional. In contrast, the number of development materials includes 60 learning development materials.
Pembelajaran Karawitan Jawa Tingkat Dasar Berbasis Multimedia dalam Belended Learning Budi Raharja
Resital: Jurnal Seni Pertunjukan (Journal of Performing Arts) Vol 20, No 3 (2019): Desember 2019
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1005.519 KB) | DOI: 10.24821/resital.v20i3.3842

Abstract

Artikel ini bertujuan untuk mendeskripsikan hasil perancangan multimedia pembelajaran karawitan Jawa tingkat dasar dan penerapannya pada pembelajaran campuran antara tatap muka dengan pembelajaran mandiri. Multimedia pembelajaran ini dirancang untuk mengatasi masalah ketidaksiapan sebagian besar mahasiswa Jurusan Pendidikan Seni Pertunjukan ISI Yogyakarta dalam mengikuti kelas praktik (bersama) karawitan Jawa akibat tidak tersedianya gamelan untuk belajar mandiri yang mudah diakses. Multimedia dibuat melalui tahapan analisis kebutuhan, desain produk, pengembangan desain produk, implementasi, evaluasi, penilaian produk serta diujicobakan pada pembelajaran semester gasal tahun akademi 2019-2020 kelas A. Hasilnya, penggunaan multimedia pembelajaran tersebut dapat meningkatkan frekuensi belajar mahasiswa, mempersingkat waktu penguasaan materi ajar, dan meningkatkan kualitas hasil pembelajarannya Multimedia-Based of Javanese Basic Karawitan Learning in Blended Learning. This article aims to describe the results of the multimedia design of Javanese musical learning at the elementary level and its application to blended learning between face-to-face and independent learning. The learning multimedia is designed to overcome the problem of most students of the Performing Arts Education Department, Institut Seni Indonesia Yogyakarta who joined the Javanese practical class due to the unavailability of gamelan for self-access study. Multimedia was made through the stages of needs analysis, product design, product design development, implementation, evaluation, and product assessment which were tested for class A on the odd semester of 2019-2020 academic year. As a result, the use of multimedia learning can increase the students’ learning frequency, shorten the mastery time of the material teaching, and improve the quality of learning outcomes.Keywords: blended learning; Javanese karawitan; multimedia