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All Journal Jurnal Filsafat Jurnal Kajian Bali Jurnal Filsafat Mozaik: Journal of Art and Architecture
Jean Couteau
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Religion Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences Other

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MEMAKNAI WATUGUNUNG DAN OEDIPUS SANG RAJA SEBAGAI MITOS TENTANG WAKTU YANG MELAMPAUI WAKTU Couteau, Jean
Jurnal Filsafat "WISDOM" Vol 20, No 1 (2010)
Publisher : Fakultas Filsafat, Universitas Gadjah Mada Yogyakarta

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Abstract

AbstractIt is very interesting to compare Oedipus and Watugunung myths. Both of them have a similar narrative basic structure. Yet, they are different in meaning. One hand, the myth of Oedipus symbolizes the West anthropocentrism with the “ Oedipus” figure as a prototype of West human who is separated from the cosmos, rational, and “free” but he is undermined by blindness/ blank. In other hand, the myth of Watugunung can be said as one of determiners of Bali/ Java cosmocentrism with the Watugunung figure as a prototype of human who attempts to live in a harmony with the cosmos rhythm. He is not “free” but he feel enlightened.Thus, “blindness” and “enlightenment”, which are presented in the two narratives, are two points which differentiate among point of view of Greek/ West culture and Bali/ Java culture.Keywords: Watugunung myth, Oedipus myth.
MEMAKNAI WATUGUNUNG DAN OEDIPUS SANG RAJA SEBAGAI MITOS TENTANG WAKTU YANG MELAMPAUI WAKTU Couteau, Jean
Jurnal Filsafat "WISDOM" Vol 20, No 1 (2010)
Publisher : Fakultas Filsafat, Universitas Gadjah Mada Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (205.004 KB) | DOI: 10.22146/jf.3431

Abstract

AbstractIt is very interesting to compare Oedipus and Watugunung myths. Both of them have a similar narrative basic structure. Yet, they are different in meaning. One hand, the myth of Oedipus symbolizes the West anthropocentrism with the “ Oedipus” figure as a prototype of West human who is separated from the cosmos, rational, and “free” but he is undermined by blindness/ blank. In other hand, the myth of Watugunung can be said as one of determiners of Bali/ Java cosmocentrism with the Watugunung figure as a prototype of human who attempts to live in a harmony with the cosmos rhythm. He is not “free” but he feel enlightened.Thus, “blindness” and “enlightenment”, which are presented in the two narratives, are two points which differentiate among point of view of Greek/ West culture and Bali/ Java culture.Keywords: Watugunung myth, Oedipus myth.
Ubud: From The Origins to 19201 Jean Couteau
Jurnal Kajian Bali (Journal of Bali Studies) Vol 3 No 1 (2013): PENULISAN SEJARAH BALI
Publisher : Pusat Kajian Bali Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (949.063 KB)

Abstract

AbstractToday’s historis often tries to weave together unquestionablefacts with a narrative that consciously gives room to pastmyths and legends. The following article about the famous“cultural” resort of Ubud freely applies this approach to history.Myths and legends about the origin of Ubud combine withunquestionable historical facts to convey, beyond the Ubud’sraw history proper, the prevailing athmosphere of Ubud’spre-modern past. Thus the mythical seer Resi Merkandayais made to appear alongside the story of the kembar buncing(fraternal, non-identical twins) of the House of Ubud, and thehistory of Western presence and intervention.
MEMAKNAI WATUGUNUNG DAN OEDIPUS SANG RAJA SEBAGAI MITOS TENTANG WAKTU YANG MELAMPAUI WAKTU Jean Couteau
Jurnal Filsafat "WISDOM" Vol 20, No 1 (2010)
Publisher : Fakultas Filsafat, Universitas Gadjah Mada Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/jf.3431

Abstract

AbstractIt is very interesting to compare Oedipus and Watugunung myths. Both of them have a similar narrative basic structure. Yet, they are different in meaning. One hand, the myth of Oedipus symbolizes the West anthropocentrism with the “ Oedipus” figure as a prototype of West human who is separated from the cosmos, rational, and “free” but he is undermined by blindness/ blank. In other hand, the myth of Watugunung can be said as one of determiners of Bali/ Java cosmocentrism with the Watugunung figure as a prototype of human who attempts to live in a harmony with the cosmos rhythm. He is not “free” but he feel enlightened.Thus, “blindness” and “enlightenment”, which are presented in the two narratives, are two points which differentiate among point of view of Greek/ West culture and Bali/ Java culture.Keywords: Watugunung myth, Oedipus myth.
ANALYSIS THE DIVERSITY AND DESIGN MEANING OF PROBOLINGGO PANDALUNGAN BATIK MOTIFS Nur Mauliska; Couteau, Jean
Mozaik : Journal of Art and Architecture Vol. 2 No. 1 (2024): April 2024
Publisher : Universitas Islam Zainul Hasan Genggong

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55210/zn9nph65

Abstract

This research aims to explore the various batik patterns typical of Probolinggo City that reflect its cultural identity. Through a descriptive qualitative approach, data were collected from primary and secondary sources to provide an in-depth understanding of the uniqueness of the batik patterns. The research findings show that Probolinggo Batik, particularly Pandalungan Batik, creates its own identity image through its unique combination of colors and patterns. Various batiks, such as Batik Manggur, Batik Angin Gending, Batik 1000 Taman, Batik Bherungen, and Batik Kali Banger, each reflect aspects of daily life and cultural heritage of Probolinggo City. Through carefully selected patterns and colors, these batiks not only become beautiful works of art, but also become a reflection of the rich cultural identity and diversity of Probolinggo City. In conclusion, Probolinggo Batik is not just a craft, but also a cultural heritage that depicts the rich nature, social life, and folklore of the city. Thus, these batiks not only perpetuate the cultural heritage, but also become a reflection of the strong local identity and cultural pride of Probolinggo City.
Co-Authors Nur Mauliska