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All Journal Jurnal Kawistara : Jurnal Ilmiah Sosial dan Humaniora Gelar : Jurnal Seni Budaya Gesture: Jurnal Seni Tari Jurnal Kawistara
Katarina Indah Sulastuti
Institut Seni Indonesia Surakarta
Arts Humanities Decision Sciences, Operations Research & Management Education Environmental Science Languange, Linguistic, Communication & Media Social Sciences

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TARI BEDHAYA ELA-ELA: EKSPLORASI KECERDASAN TUBUH WANITA DAN EKSPRESI BUDAYA JAWA Katarina Indah Sulastuti
Jurnal Kawistara Vol 7, No 1 (2017)
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (22.879 KB) | DOI: 10.22146/kawistara.22576

Abstract

Tulisan ini bertujuan mengungkap eksistensi wanita kaitannya dengan ekspresi budaya Jawa yang terefleksikan melalui kecerdasan tubuhnya di dalam membawakan tari Bedhaya Ela-ela. Tubuh wanita Jawa diidentikan dengan kelemahlembutan, dan dituntut untuk lekat dengan nilai-nilai budayanya. Dalam hal ini wanita Jawa memiliki kedudukan sebagai penyangga pilar budaya Jawa. Bukan hanya tubuh wanita secara fisik tapi juga tubuh psikisnya yang meliputi persepsi, imajinasi, interpretasi, dan pemahaman tentang nilai-nilai budaya Jawa juga dieksplorasi agar tubuhnya mampu mengekspresikan tari Bedhaya Ela-ela sebagai hasil budaya Jawa.Tari Bedhaya Ela-ela merupakan wujud presentasi nilai budaya Jawa, sebagai bentuk ekspresi dari perasaaan atau gejolak batin, ide-gagasan, pemahaman-keyakinan dalam kehidupan sosial masyarakat Jawa, sebagai cerminan nilai etika, religi, dan estetika rasa. Melalui tari Bedhaya Ela-ela, wanita Jawa mampu menunjukkan potensi dan kecerdasan tubuhnya dalam mengekspresikan nilai-nilai budaya.   
The aesthetics of virtual wayang performances during the covid-19 pandemic Sunardi Sunardi; Jaka Rianto; Katarina Indah Sulastuti; Tatik Harpawati; Purbo Asmoro; Ranang Agung Sugihartono
Gelar : Jurnal Seni Budaya Vol 21, No 1 (2023)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/glr.v21i1.4571

Abstract

This paper discusses the aesthetics of virtual wayang performances by puppeteers. The problems studied are: (1) why puppeteers have a new tendency to perform virtual wayang; and (2) the aesthetic style of the virtual wayang performances. Data collection methods by interviews with puppeteers, literature studies about virtual wayang, and observations of wayang virtual performances by puppeteers were analyzed by aesthetic theory. The study results showed that puppeteers used digital platforms to maintain their profession's continuity and economic living conditions. The tendency of virtual wayang to give rise to an aesthetic style of digital puppets is known as aesthetics of taste, with the orientation of wayang performance to meet public tastes. The conclusion results state that the aesthetic style of the virtual wayang performance: (1) the camera as a representation of the audience's eyes; (2) puppeteers are required to be creative, innovative, and productive; (3) the audience has the freedom to determine their tastes; and (4) the importance of collaboration that must be carried out by the puppeteer.
TARI BEDHAYA ELA-ELA: EKSPLORASI KECERDASAN TUBUH WANITA DAN EKSPRESI BUDAYA JAWA Katarina Indah Sulastuti
Jurnal Kawistara Vol 7, No 1 (2017)
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/kawistara.22576

Abstract

Tulisan ini bertujuan mengungkap eksistensi wanita kaitannya dengan ekspresi budaya Jawa yang terefleksikan melalui kecerdasan tubuhnya di dalam membawakan tari Bedhaya Ela-ela. Tubuh wanita Jawa diidentikan dengan kelemahlembutan, dan dituntut untuk lekat dengan nilai-nilai budayanya. Dalam hal ini wanita Jawa memiliki kedudukan sebagai penyangga pilar budaya Jawa. Bukan hanya tubuh wanita secara fisik tapi juga tubuh psikisnya yang meliputi persepsi, imajinasi, interpretasi, dan pemahaman tentang nilai-nilai budaya Jawa juga dieksplorasi agar tubuhnya mampu mengekspresikan tari Bedhaya Ela-ela sebagai hasil budaya Jawa.Tari Bedhaya Ela-ela merupakan wujud presentasi nilai budaya Jawa, sebagai bentuk ekspresi dari perasaaan atau gejolak batin, ide-gagasan, pemahaman-keyakinan dalam kehidupan sosial masyarakat Jawa, sebagai cerminan nilai etika, religi, dan estetika rasa. Melalui tari Bedhaya Ela-ela, wanita Jawa mampu menunjukkan potensi dan kecerdasan tubuhnya dalam mengekspresikan nilai-nilai budaya.   
Perubahan Penyajian Tari Kretek: Kajian Adaptasi Bentuk dalam Perkembangan Tari Kreasi di Kabupaten Kudus Firda Nadila; Marfi Netri Elyadi; Katarina Indah Sulastuti; Hadawiyah Endah Utami
Gesture: Jurnal Seni Tari Vol. 15 No. 2 (2026): Gesture: Jurnal Seni Tari (October)
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gjst.v15i2.74467

Abstract

This study aims to describe and analyze the changes in the form of Kretek Dance in Kudus Regency. Kretek Dance is a creative dance that has developed in Kudus Regency and has undergone changes in its presentation as a result of changing times. This research focuses on two main issues: (1) the form of Kretek Dance in Kudus Regency and (2) the changes that occur in the form of Kretek Dance. This study applies a descriptive qualitative method with data collection techniques including observation, interviews, literature studies, and documentation. The results indicate that the changes in Kretek Dance are a form of adaptation to maintain its existence and increase its appeal as a contemporary performance while preserving local cultural values and its original meaning. These changes are influenced by both internal factors originating from within the dance itself and external factors from the surrounding environment. The most significant changes are found in several elements of the dance presentation, including the number of dancers, floor patterns, movements, costumes, and properties.
Bentuk Tari dan Penyajian Karakter Tari Topeng Tunggal Betawi di Sanggar Setia Warga Jakarta Timur Sekar Gading Auriel Dwivanti; Marfi Netri Elyadi; Eko Supendi; Katarina Indah Sulastuti
Gesture: Jurnal Seni Tari Vol. 15 No. 2 (2026): Gesture: Jurnal Seni Tari (October)
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gjst.v15i2.74525

Abstract

This research which aims to describe the dance form and character presentation of Betawi Single Mask Dance at Sanggar Seta Warga, East Jakarta. This research employed qualitative approach with descriptive data analysis. The research was conducted on Jalan Dukuh, Kramat Jati, East Jakarta, from December 4, 2022, to November 10, 2024. Data were collected throught observation, interviews, and documentation, then analyzed using the interactive model developed by Miles, Huberman, and Saldaña. The informants consisted of Sabar Bokir as a primary source, Kartini Kisam as a dancer, Sofwan as a suportng source. The findings indicate that the form of Betawi Single Mask Dance comprises several elements, including movements, dancers, makeup, props, floor patterns, and performance venue, which together form a unified performance. Character presentation reveals differences in movement quality among the three mask: the Panji Mask is characterized by smooth, gentle, and graceful movements; the Samba Mask by agile lively, and cheerful movements; and the Jingga Mask by bold, strong, and caurageous movements. These character differences are expressed throught the elements of movement material, energy, time and space. Thus, character in Betawi Single Mask Dance is convyed not only throught the physical appearance of the masks but also throught the dancers movement qualities
Co-Authors Eko Supendi Firda Nadila Hadawiyah Endah Utami Jaka Rianto Marfi Netri Elyadi Purbo Asmoro Ranang Agung Sugihartono Sekar Gading Auriel Dwivanti Sunardi Tatik Harpawati