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All Journal LINGUAL: Journal of Language and Culture Jurnal Ilmu Komunikasi UHO : Jurnal Penelitian Kajian Ilmu Komunikasi dan Informasi Jurnal Penelitian Agama Hindu
Adithiya Wiradinatha Saputra
President University
Religion Arts Humanities Education Languange, Linguistic, Communication & Media Library & Information Science Social Sciences

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Tiwah Ceremony as Hindu Kaharingan Practices in Contemporary Dayak Ngaju Society of Kapuas Regency Adithiya Wiradinatha Saputra; Lambok Hermanto Sihombing
Jurnal Penelitian Agama Hindu Vol 6 No 2 (2022)
Publisher : Jayapangus Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1000.33 KB) | DOI: 10.37329/jpah.v6i2.1523

Abstract

This research discusses about Tiwah ceremony. Tiwah is a ceremony originating from the Dayak tribe in Central Kalimantan to deliver the spirits of the dead to Heaven. In the contemporary that is increasingly developing, the existence of the Tiwah ceremony is very much felt by the existence of social media such as YouTube and Facebook. In this study, we will examine how the influence of social media on the existence of the Tiwah ceremony. This research is very important to do considering the swift currents of modernization which have a big influence on the existence of the ceremony. The purpose of this study is to find out how much influence the social media used by the community has on the traditional ceremony at this time. The data used comes from YouTube and Facebook media about the Tiwah ceremony in Kapuas Regency which was selected randomly based on the number of views, the number of likes, as well as interviews with several informants. This study uses the imagined community theory proposed by Benedict Anderson to understand the sense of nationalism of the people of Kapuas Regency regarding the Tiwah ceremony. Based on our findings, the Dayak Ngaju tribe in Kapuas Regency strongly supports the existence of the Tiwah ceremony through YouTube and Facebook social media with broadcast content, through this indirectly the people in Kapuas Regency strive to continue to introduce the Tiwah ceremony as a form of maintaining and preserving Dayak tribe customs.
The Perception of The Widow in Stand-up Comedy Mega Syalshabillah Lambok Hermanto Sihombing; Adithiya Wiradinatha Saputra
Lingual: Journal of Language and Culture Vol 13 No 1 (2022): Lingual: Journal of Language and Culture
Publisher : English Department, Faculty of Humanities, Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/LJLC.2022.v13.i01.p07

Abstract

This article discusses the perception of widows in the stand-up comedy presented by Mega Syalshabillah. Stand-up comedy is a comedy performance art performed by one performer or who is familiarly called a comic. In her performances, Mega Syalshabillah always uses a theme close to the life of a widow. The depiction she did was a form of answering the negative perception that existed in the public's mind about a widow. In this study, the author will examine how the perception of widows in stand-up comedy delivered by Mega Syalshabillah. Researchers use data sourced from YouTube shows, and this is because the YouTube platform is very close and dominantly used as a means of finding information/watching entertainment by the public. The process for selecting YouTube views is based on the most significant number of views. In practice, the author uses the theory of perception proposed by J. Cohen. The theory of perception that the researcher used aims to see the views and perspectives of a widow due to divorce. Personal branding theory is also used in this study as a supporting theory, and it aims to answer how a comedian promotes himself so that the wider community knows it. The findings obtained from this analysis are that people always have a negative perception of a widow due to divorce; the community first generalizes the bad things about widow status.
VISUAL MEANING ANALYSIS OF ADVERTISEMENT “MARJAN 2022 (RAMADAN 1443 H)” Lambok Hermanto Sihombing; Adithiya Wiradinatha Saputra
Jurnal Ilmu Komunikasi UHO : Jurnal Penelitian Kajian Ilmu Komunikasi dan Informasi Vol 7, No 3 (2022): Edisi Juli
Publisher : Laboratorium Ilmu Komunikasi, Fakultas Ilmu Sosial dan Ilmu Politik (FISIP) Universitas Ha

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.52423/jikuho.v7i3.26228

Abstract

This article discusses the analysis of visual meaning in Marjan 2022 advertisements. Every year, Marjan advertisements always come up with inspirational stories that come from stories of Indonesian people's habits. In 2022, Marjan is back in his advertisement with the theme Dewi Sri sang Pelindung, a figure who likes to help the community indiscriminately. This inspirational story certainly has an explicit meaning that not all levels of society understand what this advertisement means. Business people use advertisements with an explicit meaning to give a distinct impression to the potential target market. Therefore, this article discusses the meaning of the visual messages contained in the Marjan 2022 ad. The data used comes from the Marjan ad impressions broadcast on YouTube, since most people are very close to this platform. Researchers will use qualitative content analysis theory to obtain an accurate analysis to answer these problems. From the analysis results, the meaning contained in the Marjan 2022 advertisement describes the habits of the Indonesian people in all forms of activity that are different from other countries, namely the attitude of togetherness, helping each other, mutual sharing, generosity, and unyielding attitude.
Co-Authors Lambok Hermanto Sihombing