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Dilema Undang-Undang Informasi dan Transaksi Elektronik dalam Praktik Jurnalisme: Tinjauan dari Teori Panoptikon Indi Hikami
Jurnal Studi Jurnalistik Vol 4, No 1 (2022): Jurnal Studi Jurnalistik
Publisher : Fidikom UIN Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15408/jsj.v4i1.25846

Abstract

Law No. 19 of 2016 electronic information and transactions has caused an overlapping issue in journalism. However, there is Law No. 40 of 1999, which regulates and guarantees press freedom. Unfortunately, many journalists have become a victim of the Law itself. Such a condition will distort Indonesia’s public sphere, where journalism is a supportive instrument. As per Foucault’s panopticon theory, the researcher sees this Law as a supervision instrument to monitor the activity of Indonesia’s press so that they do not produce such a critical news point of view and eventually threaten the authorities. This article uses a narrative approach to break down the relationship between Indonesian Electronic Information and Transactions. The result shows that this Law can either be a supervision instrument. Nevertheless, on the other hand, for journalists, this will potentially limit their freedom since the authorities see their activity as a threat to the government.
Digital Labour: Digital Capitalism and the Alienation of YouTube Content Creators Panji Mulkillah Ahmad; Indi Hikami; Biko Nabih Fikri Zufar; Appridzani Syahfrullah
Journal of Asian Social Science Research Vol. 3 No. 2 (2021)
Publisher : Centre for Asian Social Science Research (CASSR), Faculty of Social and Political Sciences, UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (297.312 KB) | DOI: 10.15575/jassr.v3i2.44

Abstract

YouTube is a digital platform that allows content creators to stream their videos in exchange for money earned through the YouTube Partner Program mechanism, motivates many people to join YouTube. However, what they do not realize is the hidden effect YouTube brings in the form of alienation experienced by YouTube content creators as digital labour. This article discusses this phenomenon of alienation experienced by digital labours. Using a qualitative approach with a descriptive research design, it offers a narrative research strategy to examine the narrative and discourse of alienation of content creators on YouTube. The unit of analysis of the study is the content of YouTube creators as digital labour. The findings show that YouTube is mainly a vehicle used by digital capitalism for the sake of profit accumulated by exploiting content creators from the videos they make. Content creators receive disproportionate or even no financial compensation from YouTube for the videos they produce for YouTube. As a result, YouTube content creators as digital labour experienced alienation from their work, their work activities, from themselves as a human species and from other humans.