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All Journal STUDIA ISLAMIKA Heritage of Nusantara: International Journal of Religious Literature and Heritage
Edwin Wieringa
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Religion Arts Humanities Civil Engineering, Building, Construction & Architecture Education

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Does Traditional Islamic Malay Literature Contain Shi‘itic Elements? ‘Ali and Fātimah in Malay Hikayat Literature Edwin Wieringa
Studia Islamika Vol 3, No 4 (1996): Studia Islamika
Publisher : Center for Study of Islam and Society (PPIM) Syarif Hidayatullah State Islamic University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1491.39 KB) | DOI: 10.15408/sdi.v3i4.795

Abstract

Many experts of classical Malay literature argues that Persian influence is known very well to the traditional Malay literature. This is evident from a number of Malay literary texts are very popular, such as Saga Bakhtiar, Hikayat Amir Hamzah, Hikayat Muhammad Hanafiyah and The Book of the Thousand Known issues is a kind of adaptation or translation even langsungdari Persian texts. Key issue of this paper is wanted to be appointed; whether there is influence in the Persian classical Malay literature was once an indication of the influence of Shiite against Sunni Islam which evolved from the beginning of the archipelago?DOI: 10.15408/sdi.v3i4.795
The Mystical Figure of Haji Ahmad Mutamakin from the Village of Cebolek (Java) Edwin Wieringa
Studia Islamika Vol 5, No 1 (1998): Studia Islamika
Publisher : Center for Study of Islam and Society (PPIM) Syarif Hidayatullah State Islamic University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15408/sdi.v5i1.759

Abstract

History of the Islamization process in rural Javanese society has given birth to a mystic figure named Haji Cebolek Mutamakin of the village; a village in the North Coast region, Pati, Central Java. This figure is estimated to live around the beginning of the 18th century. He is widely known by the public-especially among students through a Java-written book Yasadipura I (1729-1803), a poet Sultan palace Pakubuwana IV, entitled Fiber Cebolek.DOI: 10.15408/sdi.v5i1.759
Malay Graffiti In A Nineteenth-Century Lithographed Bombay Qur’an Edwin Wieringa
Heritage of Nusantara: International Journal of Religious Literature and Heritage Vol. 7 No. 1 (2018): HERITAGE OF NUSANTARA
Publisher : Center for Research and Development of Religious Literature and Heritage

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (4816.082 KB) | DOI: 10.31291/hn.v7i1.516

Abstract

A lithographed copy of the Qur’an, printed in Bombay (Mumbai, India) in 1881, was bought in Sumatra a few years later by a certain K. Bijls, a Malay-speaking Dutchman who made several markings in it which may be regarded as a form of “graffiti”, in the sense of markings asserting his ownership. This same person most probably also added a marginal calligraphic composition to the text, in a manner that is typical of Malay epistolography, perhaps prompted by an element on the printed page that was unfamiliar to him, hence catching his eye and imagination. Keywords: Qur’an, Bombay Islam, Marginalia, Arabic Script. Sebagai tanda untuk menegaskan kepemilikannya terhadap naskah tersebut. Orang yang sama ini mungkin saja juga menambahkan komposisi kaligrafi marjinal pada teks tersebut yang menunjukkan bahwa hal tersebut adalah tipikal epistolografi Melayu yang mungkin diminta oleh halaman yang tidak dikenalnya sehingga menarik pandangan dan imajinasinya. Dengan demikian tanda tanda khusus dan ruang kosong lainnya yang digunakan dalam naskah quran tersebut mungkin merupakan ciri khas dari pembacaan orang orang barat yang tidak pernah dikenal atau didengar oleh orang orang Indonesia. Kata Kunci: Al-Qur’an, Islam Bombay, Marginalia, Kitab Arab.
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