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Koreografi Wayang Wong ‘Rahwana Wirodha’ Samsuri -
PANGGUNG Vol 23, No 3 (2013): Sejarah, Konseptualisasi, dan Praksis Tradisi Kreatif Seni
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (214.936 KB) | DOI: 10.26742/panggung.v23i3.142

Abstract

ABSTRACT This paper is a choreographic aesthetic study which analyzes dance creation as a form of academ- ic study. The character of Rahwana Wirodha is performed in Wayang Wong choreography which is taken from a part of Ramayana story. This study aims to affirm that in creative activity, a choreogra- pher may use any materials as sources of creation, including traditional arts. The result of the study shows that the materials in tradition are not the goal, but the medium to express creative ideas. Keywords: choreography, Wayang Wong  ABSTRAK Tulisan ini merupakan kajian estetis koreografis yang mengupas penciptaan tari seba- gai bentuk kajian akademis. Karakter Rahwana Wirodha ditampilkan dengan koreografi Wayang Wong yang diambil dari penggalan kisah Ramayana. Kajian ini bertujuan untuk menegaskan bahwa dalam aktifitas kreatif, seorang koreografer dapat menggunakan ma- teri apa pun sebagai sumber kreasi, termasuk seni tradisi. Hasil kajian menunjukkan bahwa materi yang sudah ada dalam tradisi merupakan sarana untuk mengungkapkan ide kreatif, bukan merupakan tujuan. Kata kunci: koreografi, Wayang Wong  
Bahasa Positivistime Logis dan Maknanya Bagi Agama : Kajian Pemikiran Rudolf Carnap Samsuri -
Millah: Journal of Religious Studies Vol. III, No. 1, Agustus 2003 Islam Lokal
Publisher : Program Studi Ilmu Agama Islam Program Magister, Universitas Islam Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20885/millah.vol3.iss1.art8

Abstract

This paper explores Rudolf Carnap's thought, an exponentand member of the Vienna Circle, on the logical positivisme philosophy. As most known, the logical positivism has influenced the natural science acceleration. Social and humanity sciences, including religion studies, have been dominated by physicalism of natural science methods which was developed on logical positivism ideas. Carnap's main works concerned on language and logics, semantics, and syntax. On logical positivism, Carnap's thought could be looked at in three sections: verification and confirmation, elimination of metaphysics, and imified of science (scientism). Its implication for religious living is the problem of meaning the religion texts according to logical positivism propositions, which be concluded that the propositions/texts of religion teaching have not meaning if they could be not verified or obeserved.
Koreografi Wayang Wong ‘Rahwana Wirodha’ Samsuri -
PANGGUNG Vol 23 No 3 (2013): Sejarah, Konseptualisasi, dan Praksis Tradisi Kreatif Seni
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v23i3.142

Abstract

ABSTRACT This paper is a choreographic aesthetic study which analyzes dance creation as a form of academ- ic study. The character of Rahwana Wirodha is performed in Wayang Wong choreography which is taken from a part of Ramayana story. This study aims to affirm that in creative activity, a choreogra- pher may use any materials as sources of creation, including traditional arts. The result of the study shows that the materials in tradition are not the goal, but the medium to express creative ideas. Keywords: choreography, Wayang Wong  ABSTRAK Tulisan ini merupakan kajian estetis koreografis yang mengupas penciptaan tari seba- gai bentuk kajian akademis. Karakter Rahwana Wirodha ditampilkan dengan koreografi Wayang Wong yang diambil dari penggalan kisah Ramayana. Kajian ini bertujuan untuk menegaskan bahwa dalam aktifitas kreatif, seorang koreografer dapat menggunakan ma- teri apa pun sebagai sumber kreasi, termasuk seni tradisi. Hasil kajian menunjukkan bahwa materi yang sudah ada dalam tradisi merupakan sarana untuk mengungkapkan ide kreatif, bukan merupakan tujuan. Kata kunci: koreografi, Wayang Wong Â