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Caecilia S. Wijayaputri
Program Studi Arsitektur Universitas Katolik Parahyangan
Civil Engineering, Building, Construction & Architecture

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STUDI RUANG SINEMATIK KOMPLEK SUSTER-SUSTER ST. FRANSISKUS DI SEMARANG Nadira Anandisya; Caecilia S. Wijayaputri
Riset Arsitektur (RISA) Vol 6 No 01 (2022): RISET ARSITEKTUR "RISA"
Publisher : Department of Architecture, Faculty of Engineering Parahyangan Catholic University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26593/risa.v6i01.5429.92-110

Abstract

Abstract - Cinema and Architecture are two art media that dependent on some human senses to give experience and define space compared of other art medium. These two media have been trying to show and convince film viewers or architecture users as a work of art. Both have quality value that will be higher if they can be as close to reality. However, architecture tend to use visual but lack of emotions. As a result, buildings left us as only a viewers without invite us to engaged. Therefore, from cinema to architecture, the thinking of thematic conditions of architecture can be brought together with conceptual, contextual, architectonic, and technical. Ave Maryam (2020) is a film that takes place in Semarang, and Kompleks Susteran St. Fransiskus is the main setting that interesting to studied. From each scene it can clearly describe space with a visual composition to convey a strong spatial experience. Departing from an approach to cinema that is parallel to architecture so that the audience can experience spaces outside the formal architectural experience. The purpose of this study is to identify cinematic themes that can be discussed and reconstruct the cinematic space as a search for understanding the potential and meaning of cinematic in Kompleks Kesusteran St. Fransiskus based on the film Ave Maryam (2020). By using a qualitative descriptive method, from data that achieved by literature studies and film observations. It can be concluded that the existing approaches to architecture and cinema from Ave Maryam (2020) can be interpreted to build a concept that achieves the beauty and experience experienced in architecture such as watching the film. Key Words: cinematic, architecture and film, cinematic approach, Ave Maryam, Komplek Kesusteran St. Fransiskus, Semarang.
PENERAPAN FILOSOFI DESAIN ARSITEK ANDRA MATIN PADA AM RESIDENCE Nicholas -; Caecilia S. Wijayaputri
Riset Arsitektur (RISA) Vol 7 No 04 (2023): RISET ARSITEKTUR "RISA"
Publisher : Department of Architecture, Faculty of Engineering Parahyangan Catholic University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26593/risa.v7i04.7234.371-387

Abstract

Abstract - Design philosophy is an abstraction of determining a character in architectural design. Tolearn and apply the design philosophy to be designed or made, it is necessary to have good parameters or rolemodels in order to create or determine your own design philosophy. One of the architects who has an interestingdesign philosophy and way of designing is architect Andra Matin, where when you see the building he designed,you can feel and see that the building has its own character.The object of study that is considered quite interesting to study is the house of Andra Matin itself,namely AM Residence. AM Residence was chosen because the house is a house that Andra Matin designedwithout any interference from other parties, or it can be said that all ideas or applications of his designphilosophy can be fully implemented there.This research begins by analyzing first who Andra Matin is and what his design philosophy is, then heconducts an interview with Andra Matin. After getting the results from interviews and observing the designphilosophy, a 3D redesign of the building was made, then an analysis was carried out on how to apply AndraMatin's design philosophy to AM Residence, and cross-checked with the theory of form, space, andarrangement from D.K. ching.The purpose of this study is to find out how and also the application of his own design philosophy indesigning a building. After knowing the application of this philosophy will make architecture students have theright starting point in starting an architectural career.Keywords: Andra Matin, Architecture, Design Philosophy.
REPRESENTASI SEJARAH DAN BUDAYA MELALUI ARSITEKTUR RUMAH BOERDERIJ BUITENZORG PADA FILM BUMI MANUSIA Viana Aliyyah; Caecilia S. Wijayaputri
Riset Arsitektur (RISA) Vol 8 No 01 (2024): RISET ARSITEKTUR "RISA"
Publisher : Department of Architecture, Faculty of Engineering Parahyangan Catholic University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26593/risa.v8i01.7534.1-18

Abstract

Abstract - Architecture and Film are two different things but are interrelated and need each other. A film product will certainly not be completed without the role of architecture as a backdrop. Film represents space and time where this medium has a temporal spatial nature from cinematic representations that can be observed through architecture to the characters and events depicted. In addition, the architecture in the film is able to create an environment that brings the audience to a certain period. Films may provide a description of the social and cultural life of a community at a certain time, even the architectural forms and styles used. The film Bumi Manusia (2019) is an adaptation of the legendary novel of the same title which uses the architectural setting of the Dutch colonial era. This film uses space and architectural elements in a cinematic way, especially the Boerderij Buitenzorg house which is the dominant location in the film. In this way, the film Bumi Manusia (2019) can represent history and culture through the architecture of the Boerderij Buitenzorg house and perhaps in influencing the audience's perception of the historical period. The study used qualitative methods with descriptive methods, namely taking data on the object study descriptively and qualitatively analyzing it. The purpose of this study was to identify the elements of the cinematic space in the Boerderij Buitenzorg house. Elements of space can be analyzed using cinematic space tectonic theory through mise-en-scène (cine-spatial) and cinematography. Then identify the characteristics of Dutch colonial architecture on the spatial elements and building facades. Through the analysis of the characteristics of the Boerderij Buitenzorg house, the spatial elements and the building facade in this house do not fully represent the architecture of the Dutch colonial period. Through elements that represent and do not represent Dutch colonial architecture, the film Bumi Manusia (2019) as a film that depicts a historical period, can represent, manipulate, and change the audience's perception of the architectural environment in the Dutch colonial period. Keywords: Cinema and Architecture, The House of Boerderij Buitenzorg, Bumi Manusia Film (2019), Cinematic Architecture, Characteristics of Dutch Colonial Architecture.
Co-Authors Nadira Anandisya Nicholas - Viana Aliyyah