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Yuswadi Saliya
Program Studi Arsitektur Universitas Katolik Parahyangan

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PENGARUH PERUBAHAN FUNGSI PADA KEASLIAN BANGUNAN CAGAR BUDAYA DI BANDUNG STUDI KASUS : GEDUNG TIGAWARNA Yulia B. Harahap; Alwin Saryono; Yuswadi Saliya
Riset Arsitektur (RISA) Vol 6 No 02 (2022): RISET ARSITEKTUR "RISA"
Publisher : Department of Architecture, Faculty of Engineering Parahyangan Catholic University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26593/risa.v6i02.5732.223-239

Abstract

Abstract - The development of the city of Bandung is very rapid with the emergence of modern buildings coloring the face of Bandung in almost all cities, this situation is caused by the increasingly diverse needs of the city, cultural heritage buildings are also affected, because their functions are changed according to the needs of their owners. There are many cultural heritage buildings whose functions have changed but do not pay attention to the authenticity of the buildings so that their condition becomes alarming, of the many cultural heritage buildings in Bandung, only a few of which are still visible in their authenticity even though their functions have changed. This study will raise the issue of the effect of changing functions on the authenticity of cultural heritage buildings with a focus on function and form, with the case study of Gedung Tiga Warna. This qualitative research puts forward a new way of reading that combines the Function-Form-Construction theory and the Preservation theory. The Tiga Warna Building, from the outside, still looks authentic, but many of the interior processing has changed from the original, due to the change in function from residential and office buildings to BTPN bank buildings. However, the original form is sought to be maintained, among others by using the same or similar materials as the original, both exterior and interior. The benefits of this research are expected to contribute to architectural knowledge for the community, input for academics and students of Architecture, as well as input for policy makers in formulating strategies for preserving cultural heritage buildings. Key words : Changes in function, authenticity, heritage building, Gedung Tigawarna.
CERMINAN ARSITEKTUR NUSANTARA PADA TAMPILAN GEDUNG PUSAT ADMINISTRASI UNIVERSITAS INDONESIA, DEPOK Demitra Nur Alia; Yuswadi Saliya
Riset Arsitektur (RISA) Vol 6 No 04 (2022): RISET ARSITEKTUR "RISA"
Publisher : Department of Architecture, Faculty of Engineering Parahyangan Catholic University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26593/risa.v6i04.6152.440-451

Abstract

Abstract - Nusantara architecture is a knowledge passed down from generation to generation in the matter of designing space, in accordance with geoclimatic conditions, which embodies diversity from Sabang to Merauke. Nusantara architecture can be classified as an element of culture in the realm of architectural knowledge. Without realizing it, the essence of the Nusantara Architecture knowledge will always be embedded in Nusantara society, like an identity. The track record of Nusantara Architecture is recorded in the oral society, where stories and objects become the medium used to record and trace the knowledge of Nusantara Architecture. The absence of a written track record gives the impression that Nusantara Architecture has sunk. One of the records of Nusantara Architecture that can be found to this day is the Nusantara Temple, which is iconic and monumental. Temples holds importance and virtue that exceeds other buildings. The brilliance of the architecture of temples can illustrate how rich the culture, civilization, and architecture in the Nusantara. Apart from accommodating certain functions and activities, temples can also be used as a means of expressing Nusantara culture. Nusantara architecture is often regarded as something ancient and out of date. The influence of Western architecture was more easily accepted by the people of the Nusantara, thus encouraging a fusion of culture that faded the touch of Nusantara in Indonesian architecture, resulting in a shift in spatial structure, appearance of form and appearance, to scale and proportion. The current Nusantara Architecture should grow, transform, become global, but still holds strength that comes from the local context. The study aims to examine the concepts of Nusantara Architecture of the object of study, which is an educational building built in the modern era. The research method used is qualitative-descriptive, and is carried out through colleting data, which goes hand in hand with supporting literature studies. In this study, the main theory used is the Nusantara Architecture Theory by Prof. Josef Prijotomo, who was later assisted by the method of Temple Elements. Comparison with the temple will be used as a tool to analyze the object of study, the Central Administration Building of University of Indonesia. Based on this research, it can be concluded that the Central Administration Building of University of Indonesia has the temple elements in its architecture, which includes twelve elements, namely hierarchy, axis, divison of three, geometric composition, rhythm and repetition, perspective effect, symmetry, mimetic, composition, solids-voids, textures – line elements – dark/light effects, biomimetic ornaments, and materials. By fulfilling the temple elements, it can be stated that the Central Administration Building of University of Indonesia reflects the Nusantara Architecture, through a process of transformation with a touch of modern architecture. Keywords: Nusantara Architecture, Temple, Appearance, Universitas Indonesia Administrative Center Building
PERWUJUDAN GAGASAN “COMPLEXITY AND CONTRADICTION IN ARCHITECTURE” OLEH ROBERT VENTURI PADA ARSITEKTUR PURI AGUNG KARANGASEM BALI Ilona Beatrix Hendrata; Yuswadi Saliya
Riset Arsitektur (RISA) Vol 7 No 02 (2023): RISET ARSITEKTUR "RISA"
Publisher : Department of Architecture, Faculty of Engineering Parahyangan Catholic University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26593/risa.v7i02.6604.169-183

Abstract

Abstract - Postmodern architecture was initiated around the 1960s, when architects who were supported by the ideas of philosophers and writers saw that modern architecture was no longer in accordance with the times because of the inability to answer the specific cultural context in an architectural work. A character named Robert Venturi is one who plays an important role in the development of Postmodern Architecture with various ideas, the most famous of which is "Less is Bore" which responds to the architectural motto "Less is More" in Modern architecture. Robert Venturi wrote several books, including "Complexity and Contradiction in Architecture" which contains Robert Venturi's Postmodern ideas. Postmodern architecture which has eclectic and hybrid thinking is also developing rapidly in Indonesia, especially on the island of Bali as one of the cultural centers. The architecture that characterizes the island of Bali is the temple as a place of worship and the castle as the residence of the Balinese kingdom. Puri Agung Karangasem is located in the center of Amlapura City, a kingdom in East Bali. It was founded at the end of the 19th century by Anak Agung Anglurah Ktut Karangasem who was appointed as Stadholder II. Puri Agung Karangasem applies the concept of a blend of several cultures in its architecture. Balinese architecture, colonial architecture according to the development period, and there is Chinese influence. This research is qualitative with descriptive-analytical approach. The data that has been collected will be processed by comparing, grouping and summarizing. The study will look for Venturi's ideas in "Complexity and Contradiction in Architecture" which are reflected in the architecture of Puri Agung Karangasem. The results of the study show that many of Venturi's ideas are realized in terms of mass and spatial planning, building figures and ornamentation resulting from acculturation of the three cultures. This proves that before Postmodern Architecture developed in 1960 and Venturi issued the idea, Puri Agung Karangasem on the island of Bali had implemented this concept in the construction of the Puri since more than 60 years earlier. Keyword: Castle, Bali, Robert Venturi, Postmodern Architecture
KAJIAN KRITIS DAMPAK ARSITEKTUR PASCAMODERN PADA PERWUJUDAN TIPOLOGI PERKANTORAN BANGUNAN THE ENERGY JAKARTA Handy Nugraha Witama; Yuswadi Saliya
Riset Arsitektur (RISA) Vol 8 No 01 (2024): RISET ARSITEKTUR "RISA"
Publisher : Department of Architecture, Faculty of Engineering Parahyangan Catholic University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26593/risa.v8i01.7538.68-85

Abstract

Abstract - The rise of architecture in Indonesia undergoes a significant change caused by the influence and existing developments, so the architecture of the archipelago is fading. Those influences caused the need of architectural critique as an objective learning of architecture design in Indonesia, such as responding to contextual and specific typology function. The Energy is a Postmodern office building that’s located in the SCBD Jakarta. This research critically analyse the impact of Postmodern architecture towards the embodiement of The Energy Building office typology, also criticize the suitability to the context of the SCBD area and the effieciency of energy usage. The research focus on the building's shape, exterior appearance, interior, energy efficiency, zonation, activities. This research uses descriptive, comparative, and normative methods with qualitative approach, the data of the object study is analysed by explanations of Postmodern architectural theory relating to the energy efficiency standards and contextual architectural theory in studying the embodiment of The Energy's office typology on the basis of architectural criticism theory. For data gathering by field observation, interview with the developer on The Energy building and literature study. This critical architecture research is sought to give an impact and understanding of the wider comunity and future architecture planning based on architectural theories. The final study results reveal the impact of Postmodern on the realization of The Energy's office typology from the scope of the study is said to be well and appropriate, and is positively integrated with Contextual, and energy efficiency that affect the comfortability of workers’ and rental price. The embodiment of The Energy's typology also develops and adopts from the previous, by following the development of architectural styles and technology, and the characteristics of the people that reflect the sophistication of the era. The outcome of the study produces conclusions and lessons also generate hypotheses for the future embodiment office typology. Keywords: critical study, Postmodern, office typologie, SCBD Jakarta