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Conflict of female sex workers in films Moammar Emka’s Jakarta Undercover Daniel Susilo; Olinne Citra Rhamadany; Farida Farida; Irmia Fitriyah
Komunikologi: Jurnal Pengembangan Ilmu Komunikasi dan Sosial Vol 5, No 1 (2021)
Publisher : Fakultas Ilmu Sosial UIN Sumatera Utara Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30829/komunikologi.v5i1.9269

Abstract

AbstractMoammar Emka’s Jakarta Undercover is a movie that was lifted from four series of works by Moammar Emka with the same little. Moammar Emka’s Jakarta Undercover tells the Jakarta city nightlife that is full of surprises, which includes the ambitions of its citizens, various forms of prostitution and parties that claimed to be unknow, to drugs. This film has a mission voice humanity’s value to society. The director, dawn nugros wants to visualize and raise the issue of violence against women, thuggery, poverty, the screams of minorities. The purpose of this research is to find out the conflicts that occur in women of high sex workers. This research is a qualitative research using John Fiske semiotic analysis through The Televison Codes. The results of this study indicate that The Moammar Emka’s Jakarta Undercover movie, represents upper-class commercial sex workers as well some conflicts received by women. And shows the dark side of the Jakarta City, which is carried out by supermodels, officials, and other uppers classes. In addition, this study shows that some of the conflict underlying women work in the world of high class prostitution and invite many risks. That movie also gives a voice to women about gender inequality.
Musik sebagai Pemicu Interaksi: Etnografi Komunikasi tentang Dinamika Penyiar dan Pendengar Remaja di Pro 2 RRI Surabaya Muhammad Dian Prasetiawan; Redi Panuju; Farida Farida
Social Science Academic Vol. 4 No. 1 (2026)
Publisher : Institut Agama Islam Sunan Giri Ponorogo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37680/ssa.10157

Abstract

This study examines the role of music as a trigger for interaction in the communication dynamics between broadcasters and teenage listeners of Pro 2 RRI Surabaya. The study is significant because, amid the rapid growth of digital media, radio continues to maintain audience engagement through a combination of music and participatory interaction. The objective of this research is to understand how music stimulates interaction and how communication dynamics are formed between broadcasters and teenage listeners. This study employs an ethnography of communication approach based on Dell Hymes’ theory to analyze communication events occurring within the context of radio broadcasting. A qualitative research method was used, with data collected through observation, in-depth interviews, and documentation involving broadcasters and listeners of Pro 2 RRI Surabaya. The findings reveal that music functions not only as entertainment but also as a communication medium that encourages listeners to participate through song requests, comments, and interactions across various digital platforms. The communication dynamics identified in this study are characterized by two-way, interactive, and participatory communication conducted through radio broadcasts as well as social media platforms such as WhatsApp, Instagram, and TikTok. The study concludes that music serves as a primary trigger for interaction while strengthening social relationships and emotional closeness between broadcasters and teenage listeners.