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All Journal Jurnal Dakwah Tabligh Jurnal Sasindo Unpam
NOVI SRI PURWANINGSIH
Universitas Pamulang
Religion Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences Other

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POSISI PEREMPUAN DALAM NOVEL MARYAM KARYA OKKY MADASARI DAN ANTOLOGI CERPEN AKAR PULE KARYA OKA RUSMINI VARATISHA ANJANI ABDULLAH; NOVI SRI PURWANINGSIH
Jurnal Dakwah Tabligh Vol 19 No 2 (2018)
Publisher : Fakultas Dakwah dan Komunikasi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24252/jdt.v19i2.7477

Abstract

This research is a response  the idea of women's emancipation in literary works undergoing a change since it was spearheaded by Kartini. The change in the idea of women's emancipation in the last decade (2000-2017) is a very crucial issue to respond to. This is because the idea of emancipation triggered by female authors offers a solution for women to balance themselves with men in accordance with the problems that currently appear in a very complex and diverse manner. Therefore, this research can be categorized as an effort to deal with humanitarian issues, especially for women who continue to be in a minor position to be able to be equal to men according to the principle of justice. Since its emergence, the authors of modern Indonesian literary works have apparently tried to express ideas about women's struggles. Literary works by the Balai Pustaka published in the 1920s have tried to uncover injustices against women because of their customs. While the literary works published around the 1930s and 1990s continued the idea by explaining the potential and capabilities of women both in public and domestic spaces. This shows that there has been a massive response to gender injustice. The female authors are shown to be strong in voicing women's rights, equality values, and other forms of injustice that they still experience. Interestingly, they expressed the idea of equality and emancipation in accordance with the actual and typical problems of each area such as women's issues at the local level relating to cultural customs and norms, women's problems at the urban level that were individualistic and affected by globalization, especially western culture baratan, up to the problems of women who are shackled by fundamentalist religious values.
ANALISIS GENRE DALAM KARYA PRAMOEDYA ANANTA TOER PERIODE 1950-AN Novi Sri Purwaningsih
Jurnal Sasindo UNPAM Vol 5, No 2 (2017): SASINDO UNPAM
Publisher : Universitas Pamulang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (367.398 KB) | DOI: 10.32493/sasindo.v5i2.%p

Abstract

AbstrakSebuah karya tidak pernah dilahirkan dari kekosongan budaya. Kenyataan atau realitas menjadi acuan dan sumber inspirasi bagi penciptanya. Pramoedya Ananta Toer merupakan salah satu sastrawan Indonesia yang tidak pernah memiliki akhir untuk diperbincangkan, baik karena karyanya maupun pandangan dunianya. Penelitian terhadap karya-karyanya tak terhitung lagi jumlahnya dengan berbagai sudut pandang dan isu yang diangkat. Namun, belum banyak penelitian yang memfokuskan pada macam-macam tema (analisis genre) yang diangkat atau diceritakan Pramoedya dalam karya-karyanya. Dengan melihat dari keterjalinan unsur-unsur pembangun prosa pada tiga novelnya, yakni Midah Si Manis Bergigi Emas, Korupsi, dan Calon Arang, peneliti mendapatkan simpulan bahwa karya-karya Pram banyak menyoroti ketimpangan-ketimpangan sosial, percintaan antar kelas sosial, dan menyerang mentalitas salah satu kelas tertentu, priyayi misalnya.Kata kunci: Pandangan Dunia, Genre, Priyayi, Kelas Sosial.
Co-Authors VARATISHA ANJANI ABDULLAH