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IMPLIKASI IDEOLOGI TRADISI TATA LINGGIH DALAM PELAKSANAN UPACARA DEWA YAJNA DI DESA PAKRAMAN BANYUNING KABUPATEN BULELENG Nyoman Suardika
Maha Widya Bhuwana: Jurnal Pendidikan, Agama dan Budaya Vol 1, No 2 (2018): Vol 1, No 2 2018
Publisher : Sekolah Tinggi Agama Hindu Negeri Mpu Kuturan Singaraja

This Tata Linggih tradition must be carried out the culmination of the Dewa ceremonyin the village of Pakraman banyuning. Because, this tradition is proof of the success or failure ofthe implementation of the Yajna. The characteristic of this tradition is the revelation or advicefrom the couples who are possessed or possessed by the gods who explain the meaning of theimplementation of this Tradition, purpose, and meaning and explain all the problems that occurin a family that carries out this tradition or the entire Banyuning village community if at theemple owned by the Banyuning village. The implementation of the Tata Linggih tradition mustbe carried out at the peak of the Dewa ceremony in the village of Pakraman banyuning. Because,this tradition is proof of the success or failure of the implementation of the Yajna. The characteristicof this tradition is the revelation or advice from the couples who are possessed or possessed bythe gods who explain the meaning of the implementation of this Tradition, purpose, and meaningand explain all the problems that occur in a family that carries out this tradition or the entireBanyuning village community if at the temple owned by the Banyuning village. Of course thistradition is very interesting because as a medium to communicate with God and the gods invarious social and religious problems in the village of Pakraman Banyuing.Keywords: Implications, Ideology, Tata Linggih Traditions

ETIKA HINDU DALAM REPRESENTASI SENI BONDRES DI KOTA SINGARAJA BALI Wayan Sunampan; Nyoman Suardika
Widya Genitri : Jurnal Ilmiah Pendidikan, Agama dan Kebudayaan Hindu Vol 12 No 2 (2021): Widya Genitri: Jurnal Ilmiah Pendidikan, Agama dan Kebudayaan Hindu
Publisher : STAH Dharma Sentana Sulawesi Tengah

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36417/widyagenitri.v12i2.422

The results of this study discuss the form of bondres art representation in the city of Singaraja with an ethical perspective, and focus on several bondres sekaa in the city of Singaraja. This research is a qualitative type with the process of collecting data through observation, interviews, documentation, and online data searches. The data obtained were then analyzed and then presented with a qualitative descriptive. The results of the study show that Bondres art is represented by several things including 1) Characters, 2 Clothing, 3) Plays. The form of representation of Bondres art shows that there is an ethical aspect where Bondres art is used as an educational medium to instill moral values. Although sometimes there is an unethical impression either from the clothes or the dialogue that is delivered.

PEMENTASAN TARI KAKELIK PADA UPACARA PIODALAN DI PURA GEDE PEMAYUN DESA PAKRAMAN BANYUNING KECAMATAN BULELENG KABUPATEN BULELENG (Kajian Bentuk, Fungsi, dan Makna) NYOMAN SUARDIKA
Purwadita : Jurnal Agama dan Budaya Vol 2, No 1 (2018)
Publisher : Sekolah Tinggi Agama Hindu Negeri Mpu Kuturan Singaraja

The people of Pakraman Banyuning Village who have long tradition of performing Kakelik Dance every time doing piodalan ceremony give order to Kakelik Dance as an important dance balih-balihan sea as wali / Bali. The formulation of the problem in this research are: (1) How is the Kakelik Dance Performance at Piodalan Ceremony at Pura Gede Pemayun Desa Pakraman Banyuning Buleleng District Buleleng Regency? (2) What is the Function of Kakelik Dance Performance at Piodalan Ceremony at Pura Gede Pemayun Desa Pakraman Banyuning Buleleng District Buleleng Regency? (3) What is the Meaning of Kakelik Dance Performance at Piodalan Ceremony at Pura Gede Pemayun Desa Pakraman Banyuning Buleleng District Buleleng Regency?. The theory used in this research is the theory of functionality, theory of symbols, aesthetic theory and sacred theory provanalah data method used is the method of observation, in-depth interview and document recording. The results of this research are (1) the Japanese form of Kakelik Dance performed on piodalan agung Pura Gede Pemayun Banyuning done from jaban temple or nista mandala temple then to Jaba Tengah or Madya Mandala and so on to Main Mandala or Offal temple where every step of dancer sow yellow rice with Uang Kepeng. Selian sprinkled rice dancers take keris to appoint the couple in Jaba Tengan and Utama Mandala temple which later become trance or unconscious. (2) Kakelik Dance Function a) Purification Function b) Function of Expression of Gratitude and expression fuji gratitude Ida Sang Hyang Widhi Wasa c) Cultural Arts Preservation Function d) Religious Education Function e) Education Function S). (3) The Meaning of Kakelik Dance is: a) The Meaning of Kakelik Dance Philosophy b) Meaning of Learning Attitudes Bhakti c) The Meaning of Social Education Culture d) Social Meaning e) Meaning Aesthetics is reflected in the ceremony is dance, dance and role in Kakelik Dance only in the pull in the temple Gede Pemayun Kelurahan banyuning is also used as a factor of achieving sanctity in a yajna. 6) The Meaning of Sanctity Dance is seen from the form of dance which is still natural and the characterization and masudnya yyang different from other dances that dare not be staged at the ceremony of Piodalan agung in Pura Gede Pemayun.

Kajian Filosofis Tradisi Aci Keburan Di Pura Hyang Api Desa Adat Kelusa Kecamatan Payangan Kabupaten Gianyar Putu Sukariawan; Nyoman Suardika; Ida Bagus Eka Suadnyana
Vidya Darsan: Jurnal Mahasiswa Filsafat Hindu Vol 4, No 1 (2022)
Publisher : Sekolah Tinggi Agama Hindu Negeri Mpu Kuturan Singaraja

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55115/vidyadarsan.v4i1.2674

Religious tradition is basically a religious institution that has been considered standard by its supporting community. One of the unique traditions in Payangan District, Gianyar Regency is the tradition of aci burial. Aci keburan is a tradition that must be carried out because of the belief that if it is not carried out then the community will be attacked by disease outbreaks (grubug). There is a value contained in the aci keburan tradition in the Kelusa customary village community, which is different from tabuh rah because the aci keburan tradition emphasizes more on religious values and religious values. social. This research will explore the tradition of aci keburan at Hyang Api Temple, Kelusa Village, Payangan District, Gianyar Regency. The issues examined in this study are (1) Why is the Aci Keburan Tradition carried out at the Hyang Api Temple, Kelusa Traditional Village, Payangan District, Gianyar Regency? (2) How is the implementation of the Aci Keburan Tradition at Hyang Api Temple, Kelusa Traditional Village, Payangan District, Gianyar Regency? And (3) What is the philosophical meaning of the Aci Keburan tradition at Hyang Api Temple, Kelusa Traditional Village, Payangan District, Gianyar Regency. This study analyzed two basic theoretical foundations that correlated with each other, namely the theory of religion and the theory of value. Data collection was carried out using observation techniques, interviews, and document studies using the research methodology that had been designed. Data were analyzed and processed descriptively through three stages, namely data reduction, data presentation, and drawing conclusions. The results of this study indicate that the basis for carrying out the aci burial tradition at Hyang Api Temple in Kelusa Traditional Village are (1) mythological basis (2) sociological basis, (3) theological basis, and (4) historical basis. The form of implementing the Aci Keburan Tradition at Hyang Api Temple, Kelusa Traditional Village begins with the preparatory stage, the implementation stage and the final stage of carrying out the aci keburan or panyineban tradition. The philosophical values contained in the aci burial tradition are educational values, socio-cultural values, ethical or ethical values, tattwa values and togetherness values.

ETIKA HINDU DALAM REPRESENTASI SENI BONDRES DI KOTA SINGARAJA BALI Wayan Sunampan; Nyoman Suardika
Widya Genitri : Jurnal Ilmiah Pendidikan, Agama dan Kebudayaan Hindu Vol 12 No 2 (2021): Widya Genitri: Jurnal Ilmiah Pendidikan, Agama dan Kebudayaan Hindu
Publisher : STAH Dharma Sentana Sulawesi Tengah

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36417/widyagenitri.v12i2.422

The results of this study discuss the form of bondres art representation in the city of Singaraja with an ethical perspective, and focus on several bondres sekaa in the city of Singaraja. This research is a qualitative type with the process of collecting data through observation, interviews, documentation, and online data searches. The data obtained were then analyzed and then presented with a qualitative descriptive. The results of the study show that Bondres art is represented by several things including 1) Characters, 2 Clothing, 3) Plays. The form of representation of Bondres art shows that there is an ethical aspect where Bondres art is used as an educational medium to instill moral values. Although sometimes there is an unethical impression either from the clothes or the dialogue that is delivered.

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