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All Journal Adabiyyat: Jurnal Bahasa dan Sastra Sunan Kalijaga: International Journal of Islamic Civilization Indonesian Journal of Arabic Studies
Uki Sukiman
UIN Sunan Kalijaga Yogyakarta
Arts Humanities Other

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MAKNA FIGURATIF SENJATA DALAM IDIOM BAHASA ARAB (KAJIAN SEMANTIK) Uki Sukiman
Adabiyyāt: Jurnal Bahasa dan Sastra Vol 14, No 2 (2015)
Publisher : Sunan Kalijaga State Islamic University Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (315.177 KB) | DOI: 10.14421/ajbs.2015.14204

Abstract

This study aims to describe the meanings of idioms with weaponry elements in Arabic. The object of study is focused on the Arabic weaponry idiomatic expression. The theory of Semantic field is used to dissect the idiomatic elements. This is useful for finding relationships of meanings, which are formed by the use of elements of the weaponry idioms. The results shows that the weaponry idiomatic elements of guns have meanings mostly out of the war context. The Arabic weaponry idiomatic expression can show some positive and negative attributes, human activities and human relationships with others or with nature.
Word Production (Al-Tawlīd Al-Luġawy) in Arabic: Causes and Types Uki Sukiman
Indonesian Journal of Arabic Studies Vol. 3 No. 1 (2021)
Publisher : UIN Siber Syekh Nurjati Cirebon, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24235/ijas.v3i1.7223

Abstract

Word Production (Called in Arabic by Al-Tawlīd Al-Luġawy) which means inventing new words is one of development of language phenomenon that happens in any languages including Arabic. This phenomenon is a demand of condition that one language is not capable of expressing ideas and emotions and has something to do with communication with non-speaker or other languages. Thus, a language can influence and be influenced. This paper tried to uncover reasons and theories using comparative study so that it is clear for Arabic language researchers to use tawlid in their research. The writer found eight reasons why neology emerged, which are development of civilization, friction between Arab and Non-Arab, administration system after Islamic expansion, translation process from Greek into Arabic, social and political demands, the beauty of expression, and inventing new scientific terms, while Ibrahim Murad stated five theories about neology: phonetic neology, morphological neology, semantic neology, spontaneous neology, and borrowing neology; as Nasruddin suggested five theories such as transfer of meaning, derivation, derivation from Arabization (mu’rab) or loanwords (dakhil), taulid form coinase and structure, metaphor neology, and meaning expansion.التوليد بمعنى إحداث كلمة جديدة  مظهر من مظاهر تطوراللغات منها اللغة العربية.تكون هذه المظاهر من متطلبات الأحوال من عدم كفائة اللغة فى تعبير أفكار صاحب اللغة و مشاعرهم خاصة و نتيجة من تعاملهم مع الآخرين فأثروا وتأثّروا. اهتمّ كثير من علماء اللغة بهذه المظاهر و بحثوا فى أسبابها و دواعىها بل جعلوا قواعدها. فهذه المقالة تعرض جهدهم فى هذا المجال فى اكتشاف تلك أسباب والقواعد بمنهج مقارنة حتى تكون واضحة لمحببي اللغة العربية راجيا استعمالهمم فى بحوثهم و مقالتهم.وجد الكاتب ثمانىة أسباب لظهور التوليد فى اللغة العربية وهي التطور الـحضاري، والاحتكاك بين العرب الأعجم، والـحاجة الـملحة، والنظام الإداري عند العرب بعد الفتوحات الإسلامية، وعملية ترجمة العلوم اليونانية إلى اللغة العربية، والدعاية السياسية والاقتصادية، وجمال التعبير، ووضع الـمصطلحات العلميةكما وجد ابراهيم مراد الذي قدم خمس قواعيد يعني التوليد الصوتي، التوليد الصرفي، التوليد الدلالي، التوليد بالارتجال، التوليد بالانقراضحيث لكل منها فصول كما قدم نصر الدين ست قواعيد وهي انتقال الـمعنى، والاشتقاق، والاشتقاق من الـمعرب أو الدخيل،والتوليد بالنحت والتركيب،والتوليد الـمجازي، والتوسع.
Intertextual Reception of Sinbad’s Story in American Film Adaptations Mutiara Imania Mediana; Uki Sukiman
Sunan Kalijaga: International Journal of Islamic Civilization Vol. 8 No. 1 (2025)
Publisher : Universitas Islam Negeri Sunan Kalijaga

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14421/81hwa788

Abstract

This research examines how the United States received the story of Sinbad from the renowned Arab folklore, One Thousand and One Nights, and represented it in film. In this context, the term film is understood as a film text, referring to its narrative script, dialogues, and scenes that are analyzed through semiotic and linguistic approaches, rather than its technical audiovisual aspects. This research uses Hans Robert Jauss's reception theory to address the variations in reception found in Sinbad films produced in the United States and how the 'Horizon of Expectations' influences these variations. Among Jauss’s three approaches to reception analysis, this research adopts the intertextual approach. Intertextuality posits that each literary work cannot be separated from preceding literary works. This research shows that there are variations in reception across film genres, character portrayals, mysterious creatures featured, values represented in the story, and other aspects. These variations arise from the creativity of filmmakers, the demands of the film market, and efforts to adapt Sinbad's story more relatable to American audiences. Furthermore, the strong influence of Greek mythology and ancient Western seafaring tales further contributed to shaping these adaptations.
Co-Authors Mutiara Imania Mediana