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All Journal Besaung : Jurnal Seni Desain dan Budaya
Rafilosa M.Sn
pascasarjana institut seni indonesia padangpanjang
Arts Social Sciences

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Inyiak Upiak Palatiang Ari Pardi; Martarosa M.Sn; Rafilosa M.Sn
Besaung : Jurnal Seni Desain dan Budaya Vol 4, No 1
Publisher : UNIVERSITAS INDO GLOBAL MANDIRI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36982/jsdb.v4i1.1396

Abstract

Inyiak Upiak Palatiang was born in 1900s in Kubu Gadang Hamlet, Nagari Gunuang, Padang Panjang City, he is famous as a pandeka (swordsman) Minangkabau silat girl who controls the flow of silek gunuang (Silat Gunung). (Interview with grandson Inyiak Upiak Palatiang, Fardizal, 20.00WIB, Padang Panjang, January 8, 2017). Inyiak Upiak Palatiang is a Minangkabau martial arts master, when he is 100 years old, he is still active in preserving and preserving the art of Minangkabau culture, even being a teacher of silek tuo (old martial arts), He is also known as a reliable kicker with various dendang creations besides Inyiak Upiak Palatiang also likes to play art Randai tradition. Based on the explanation of the greatness of Inyiak Upiak Palatiang, pengkarya plans to lift it into a musical masterpiece of the archipelago that will be titled "Inyak Upiak Palatiang", with the reason of the name of Inyiak Upiak Palatiang already representing what he cared for during his life. Background of the phenomenon that has been described, it can be formulated a formulation of the creation of the work, that is how to transform the phenomenon of a female character Inyiak Upiak Palatiang , into a musical composition of the archipelago, which will be divided into two sub-works, namely Upiak and Palatiang.
Transformasi Bentuk Pertunjukan Ronggeng Pasaman Grup Ganto Saroha Kecamatan Duo Koto Kabupaten Pasaman Kurniawan Fernando; Martarosa M.Sn; Rafilosa M.Sn
Besaung : Jurnal Seni Desain dan Budaya Vol 4, No 1
Publisher : UNIVERSITAS INDO GLOBAL MANDIRI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36982/jsdb.v4i1.1397

Abstract

This study aims to determine the transformation of the Ronggeng Pasaman performance of the Ganto Saroha group in Duo Koto District, Pasaman Regency. Ronggeng Pasaman is a performance art consisting of pantun, joget, and music, especially in Simpang Tonang, Pasaman, West Sumatra. The form of the Ronggeng Pasaman show is combining bouncing skills while dancing to the accompaniment of violin and drum music. The show starts at night, and ends until early morning. Currently Ronggeng Pasaman has undergone a transformation, people, especially young people, are less interested and begin to leave their regional arts, so the Ronggeng Pasaman show is rarely displayed. There was anxiety from the artists themselves, then initiatives emerged to attract the attention of the people. So it formed the Ronggeng Pasaman Ganto Saroha group, with the addition of keyboard music instruments in the show. Unlike the Pasaman Ronggeng Performance in general, the Ganto Saroha group does not show male singers with female appearance, but rather singers are real women or men. This study uses qualitative methods, is analytic description, observant participants. The results showed that the transformation carried out by the artists, made the Ronggeng Pasaman performance of the Ganto Saroha group well received and in great demand by all people in Pasaman, and was fully supported by the local government.
Co-Authors Ari Pardi Kurniawan Fernando Martarosa Martarosa