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Nanang Saptono
West Java Archaeological Research Office

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TATA RUANG KOTA CIAMIS PASCAPERDAGANGAN DUNIA ABAD KE-19 – 20 Nanang Saptono
JURNAL PANALUNGTIK Vol. 1 No. 1 (2018): Vol. 1(1) 2018
Publisher : Kemendikbud

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24164/pnk.v1i1.5

Abstract

The capital of Ciamis Regency has experienced several displacements. During the reign of Raden Adipati Aria Kusumadiningrat the development of the capital was encouraged to develop into a city. After the kulturstelsel era, many European capitalists invested in Ciamis. At the beginning of the 20th century economic infrastructure, especially the means of distribution of commodities is much needed. Building economic facilities have sprung up in several locations in Ciamis. Such conditions result in the development of the city. This study aims to get a picture of the spatial layout of Ciamis and the city development process. The research method applied descriptive research. Data collection is done through direct observation in the field and accompanied by the utilization of instrument in the form of ancient maps. In the area of Ciamis City there are still some old building objects that can be used as a spatial bookmark of the city. At a glance the city's development spontaneously, but visible on the basis of existing infrastructure, in the 20th century the city of Ciamis showed a planned city. The growth of Ciamis city is of course influenced by several factors including economic and geographical factors.Keywords: city, layout, planned, industrial area
Hal. i Vol. 3 (2) 2020 Nanang Saptono
JURNAL PANALUNGTIK Vol. 3 No. 2 (2020): Vol. 3 (2) 2020
Publisher : Kemendikbud

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Cover Panalungtik 4(1) Nanang Saptono
JURNAL PANALUNGTIK Vol. 4 No. 1 (2021): Vol. 4(1) 2021
Publisher : Kemendikbud

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Hal i Nanang Saptono
JURNAL PANALUNGTIK Vol. 4 No. 1 (2021): Vol. 4(1) 2021
Publisher : Kemendikbud

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Identifikasi Temuan Arca di Karangnunggal, Tasikmalaya: Identification of the Sculptures Findings in Karangnunggal, Tasikmalaya Nanang Saptono; Endang Widyastuti
JURNAL PANALUNGTIK Vol. 4 No. 2 (2021): Vol. 4(2) 2021
Publisher : Kemendikbud

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24164/pnk.v4i2.71

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Sculptures are archaeological relic that are frequently found. Sculptures from the Hindu-Buddhist period often serves as a medium for worshipping. The characters depicted in the sculpture can be of gods and their pantheons, some are in the form of kings who are depicted as gods. In the area of Karangnunggal, Tasikmalaya, sculpture made of stone were found on a former plantation land that was used during the Dutch era. This article aims to provide an overview of the character that are depicted in the sculpture, the origin style of the creation, and when the sculpture was created. The method used in this research is descriptive research with a comparative approach. Based on its attributes, the Karangnunggal sculpture considered as a sculpture of embodiment. The figure that depicted was Dewi Parwati in Majapahit style. Based on the context of the findings, this sculpture indicates as an art item created at present time.
Hal i. Nanang Saptono
JURNAL PANALUNGTIK Vol. 4 No. 2 (2021): Vol. 4(2) 2021
Publisher : Kemendikbud

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