Muslih Aris Handayani
Institut Agama Islam Negeri Ponorogo

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Symbolism and Islamic Values in Students’ Reog Stage at Muharam Celebration Muslih Aris Handayani
Jurnal Dakwah Risalah Vol 31, No 2 (2020): December 2020
Publisher : Universitas Islam Negeri Sultan Syarif Kasim Riau

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24014/jdr.v31i2.11255

Abstract

Signs, symbols, and meanings are important elements in human interaction. This research aims to reveal how the signs, symbols, and meanings related and can be used to describe the relationship among students in Reog culture staging. The results of the study showed that interaction between muslim’s players on the Reog stage forms togetherness, soul sacrifice, struggle, and friendship. This research of signs, symbols, and meanings in the relationship among Islamic students in Reog staging can be obtained that communication is the process of tagging and signification  on signs to obtain a mutual understanding of meaning that involves human creativity in the production, exchange, and meaning process of the signs and symbols.  The islamic values of students in Reog Muharam stage are leadership, togetherness, mutual respect and the means of silaturrahmi of muslim’s community in Ponorogo.
Antara Agama dan Imajinasi: Identitas Simbol Ibadah dalam Perspektif Postkomunikasi, Postspiritualitas, dan Hiperspiritualitas Muslih Aris Handayani; Mukti Ali
Religious: Jurnal Studi Agama-Agama dan Lintas Budaya Vol 4, No 2 (2020)
Publisher : UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (347.022 KB) | DOI: 10.15575/rjsalb.v4i2.8592

Abstract

The practices of worship involve the relationship between humans and themselves, humans and humans, humans and God, and even the relationship between humans and the environment in which they live. With the power of human imagination, when the relationships are practiced properly according to God's direction, then there comes surrender, obedience, and devotion in worshiping God. Spiritual hyperreality or hyperspirituality has created practices of worship that are based on simulating pure rituals as taught by prophets, even though they are ritual formations far from the prophetsnes. Because of the signs of worship practice are based on simulations or self-imaginations, then what appears is falsehood and lies on the signs of the practice of worship. This paper intends to unmask hyperreality in spiritual activities that have been considered sacred. This paper uses semiotics as its approach, especially those introduced by Bartes, Piliang and Baudrillard. this study found that when the practice of worship has been separated from it’s pure rituals as taught by prophets and formed a simulation, the practice of worship is only a means of imaging, style personality, and reproduction machinery.