Ahmad Nuril Huda
Pengurus KNU-B (Komunitas Nahdlatul Ulama-Belanda). e-mail: hasanmumba@yahoo.com

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Fatwa and Political Interest: Understanding the Fatwa of Dewan Syari’ah Pusat of PKS on Islamic Political Party Huda, Ahmad Nuril
ULUL ALBAB Jurnal Studi Islam Vol 11, No 2 (2010): Islamic Studies
Publisher : Universitas Islam Negeri Maulana Malik Ibrahim Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (176.356 KB) | DOI: 10.18860/ua.v0i0.2404

Abstract

Dewan Syari’ah Pusat, atau DSP, Partai Keadilan Sejahtera merupakan sebuah institusi fatwa yang relatif baru, dan satu-satunya institusi fatwa di Indonesia yang didirikan dalam tubuh sebuah partai politik, yang fatwa-fatwanya bersifat mengikat bagi para anggota partai. Dengan menganalisa fatwa DSP tentang partai politik Islam, artikel ini bertujuan untuk mengurai hubungan antara ‘ulama dan politik dalam perkembangan mutakhir Islam keindonesiaan. Artikel ini berusaha untuk mendeskripsikan karakteristik DSP beserta fatwa-fatwanya, dan berusaha mengurai konteks sosial-politik dari fatwa tentang partai politik Islam yang dikeluarkan oleh DSP. Analisa artikel ini menunjukkan bahwa DSP berfungsi sebagai image builder partai, dan sampai batas tertentu, bersamaan dengan pencitraan “koneksi Timur Tengah” dalam tubuh institusi DSP, memberikan legislasi Islami bagi eksistensi partai, terutama dalam hal kebijakan dan platform strategis partai. Selain itu, pengeluaran fatwa DSP tentang partai Islam tidak bisa dilepaskan dari keadaan sosial-politik Islam keindonesiaan dan karena itu menjadi representasi hubungan antara Islam dan politik di Indonesia.
Negotiating Islam with cinema; A theoretical discussion on Indonesian Islamic films Huda, Ahmad Nuril
Wacana, Journal of the Humanities of Indonesia Vol. 14, No. 1
Publisher : UI Scholars Hub

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Abstract

This paper aims at exploring certain negotiations that justify Muslim's cinematic texts and practices. It focuses on the questions about what is Islamic and un-Islamic about film, who and what decides certain films as Islamic, and what are the meanings of cinematic practices of Islam for Muslim society. Furthermore, this paper tries to investigate these questions from a theoretical basis using concepts of Islamic modernity, Islamic Ummah and Public, in order to shed some light on the idea of how a production of an Islamic film may trigger the creation of a political and religious identity.
The Rise of Cinematic Santri in Post-Authoritarian Indonesia: Figure, Field and the Competing Discourse Huda, Ahmad Nuril
Studia Islamika Vol. 30 No. 2 (2023): Studia Islamika
Publisher : Center for Study of Islam and Society (PPIM) Syarif Hidayatullah State Islamic University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36712/sdi.v30i2.16432

Abstract

This article examines the past decade’s cinematic rise among young pious Muslims (santri) affiliated with Nahdlatul Ulama (NU), Indonesia’s largest traditionalist Muslim group. It focuses on the social actors, the fields of cultural production, and the competing discourse central to this rise. Its main argument frames the santri’s turn to cinema as symbolic of various changes and continuities in multiple sectors of NU society’s life. It then situates the fields and discourses of the santri’s cinematic practices in the broader set of power relations, consisting of different, at times conflicting, identities and interests that come with being pious Muslims in public domains. To the extent that the efficacy of filmmaking practices and technologies has enhanced the rivalrous inclination of Islam in the post-Suharto Indonesian public sphere, the article offers an insight into the relationship between image-making practices and the politics of representation in a Southeast Asian Islam context.