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NEGOTIATION BETWEEN STAKEHOLDERS OF COMMODIFICATION: Roles and Impacts as Stakeholders in Tebing Breksi Prambanan Bayu Pamungkas; Warto Warto; Mugijatna Mugijatna
Jurnal Antropologi: Isu-Isu Sosial Budaya Vol 21, No 1 (2019): (June)
Publisher : Universitas Andalas

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1149.133 KB) | DOI: 10.25077/jantro.v21.n1.p111-120.2019

Abstract

Commodification practice always deals with 3 parties, which our society, government, and private institution. Considered as cultural preservation, Tebing Breksi becomes an object of commodification in Sambirejo Prambanan since 2014. Its commodification arises several conflicts among its stakeholders due to each stakeholder has their own importance and interest. Compared to other commodification practices, bottom-up tourism management is applied that making the commodification of Tebing Breksi differs to others. This research is remarkable dealing with its findings that differenciate the commodification practice between society and government or private institution. This research aims to find the implication of commodification for tourism field using bottom-up tourism management. Whereas, the main purpose of this research is to describe the negotiation between stakeholders of commodification in Tebing Breksi. The method of this research is ethnography by applying in-depth reporting. The findings of this research prove that negotiation between stakeholders of commodification is the impact of a different way of thinking as well as the group’s interest in each stakeholder. Nevertheless, the changes happen among society in Tebing Breksi confirmed Tebing Breksi as an alternative tourism attraction in Prambanan.
SUBJECTIVITY IN STEPHEN DEDALUS, THE MAIN CHARACTER IN JAMES JOYCE’S A PORTRAIT OF THE ARTIST AS A YOUNG MAN Anisa Rahmatika Sari; Mugijatna Mugijatna
Kajian Linguistik dan Sastra Vol 5, No 1 (2020)
Publisher : Universitas Muhammadiyah Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (540.897 KB) | DOI: 10.23917/kls.v5i1.7852

Abstract

Subjectivity is a philosophical concept of how one, as a subject, gains the sense of identity through the interaction with the external world. The theorization on the conception of subjectivity itself has ranged from the early modern thinkers to post-modern thinkers. This research’s objectives are to describe the struggle of Stephen Dedalus, the main character in James Joyce’s novel entitled A Portrait of The Artist As A Young Man, to gain his identity as a form of subjectivity, and to describe how the model of subjectivity is reflected through the character of Stephen Dedalus. This research is a descriptive qualitative library research with philosophical approach using Descartes, Kant, Freud and Lacan theories. From the analysis, first, it is found out that Stephen Dedalus underwent a journey of figuring himself out through a series of events that profoundly shape his sense of identity. The involvement of many external factors like the field of art, religion, and nationality is important in constructing Stephen Dedalus’ subjectivity. Secondly, by taking into account the theorization on the idea of subjectivity from the early modern philosophers such as Rene Descartes and Immanuel Kant, to the post-modern philosophers such as Sigmund Freud and Jacques Lacan, it can be seen that Stephen Dedalus’ stream of consciousness as the main tool in perceiving his journey of life embodies the early modern conception that subjectivity is grounded on one’s independent consciousness. Keywords: subjectivity, modernity, philosophy