Agus Maladi Irianto
Fakultas Ilmu Budaya, Diponegoro University, Indonesia Jalan Prof. Soedarto Tembalang Semarang, Indonesia

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Journal : HUMANIKA

KEMISKINAN DAN POST-MODERNISME KEBUDAYAAN Irianto, Agus Maladi
HUMANIKA Vol 17, No 1: Juni 2013
Publisher : Faculty of Humanities, Diponegoro University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (126.613 KB) | DOI: 10.14710/humanika.17.1.

Abstract

ABSTRACT This article is a response to the book Death Without Weeping: The Violence of Everyday Life in Brazil, the work of Nancy Scheper-Hughes, University of California Press Berkeley and Los Angeles: 1992. Ethnographic work of the book is more likely to be in line with the thinking of post-modernism, which saw a radical change from an industrial to the postindustrial organized cultural consumption, mass media game, and the development of information technology. In addition to a combination of approaches-symbolic interpretivism approach and historical material- expressed on the issues of marginalization and contestation of power inherent in the post-modernism culture today. Keywords: poverty, marginalization, post-modernism culture
INTEGRASI NASIONAL SEBAGAI PENANGKAL ETNOSENTRISME DI INDONESIA Irianto, Agus Maladi
HUMANIKA Vol 18, No 2: Desember 2013
Publisher : Faculty of Humanities, Diponegoro University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (260.483 KB) | DOI: 10.14710/humanika.18.2.

Abstract

ABSTRACTIntegration includes the meaning of the formation of groups united by a common issue, whether ideological, economic, and social. The overture of national integration movement through the following article tends to create an awareness and a social form that cause many groups with each identity see themselves as one unity: the Indonesian Nation. To create an association in national integration formation, identity has double functions. In addition, the following article is trying to discuss about the challenges for Indonesia to develop the concept of national integration in order to deal with the concept of ethnocentrism, religiousism , and politicalism.Keywords: national integration, ethnocentrism and conflict of interest
MENGEMAS KESENIAN TRADISIONAL DALAM BENTUK INDUSTRI KREATIF: Studi Kasus Kesenian Jathilan Irianto, Agus Maladi
HUMANIKA Vol 22, No 2: Desember 2015
Publisher : Faculty of Humanities, Diponegoro University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (132.774 KB) | DOI: 10.14710/humanika.22.2.66-77

Abstract

The existence of traditional arts are often addressed as the expression and identity of a culture and at the same time it is based on the local wisdom and uniqueness of a  society. Further more, traditional art is exist and developed through the traditions of a society, as well as to support and maintain social collectivity. However, traditional art in this post-modern time is often considered as not in line with the changing of time. Based on those facts, it needs effort to reconstruct, renovate, revitalize and recreate the traditional art which in line with the civilization development as well as the demand of the creative industry. Through the case study of Jathilan Art in Magelang Regency-Central Java, this study is trying to conduct inventory and to identify the problems. From the results of the inventory and identification of the problems, the study also will perform activities of reconstruction, renovation, revitalization and recreation of traditional art. The purpose of this study will produce the  production designing, production packaging, and production marketing of traditional art which in line with the development of creative industry. The results of the  production design, production packaging, and production marketing of traditional arts will make the television show program suitable with the demand of its audiences.