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Suyono Suyatno
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Humanities Languange, Linguistic, Communication & Media

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Sajak-sajak Realisme Sosialis Lekra: Kajian Tematik Suyono Suyatno
Humaniora Vol 23, No 1 (2011)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (143.01 KB) | DOI: 10.22146/jh.1009

Abstract

Lekra poems basically reflects the aesthetics of socialist realism which is adoped by the Lekra in the art and literature, including also in poetry. The aesthetic of socialist realism seems to be built from the oppositions between capitalist/imperialist--socialist, bourgeois--the proletariat with the partisanship on the part of the latter. To realize the partisanship that belong to the ideology of Marxism and socialism, Lekra also utilizing statements which are hyperbolic. Thus, the actual poems of Lekra identical with the mouthpiece of the communist party who spread propaganda.
Rivalitas Tradisi Modernitas dalam Perspektif Poskolonial: Telaah atas Sejumlah Sajak Abad 20 Suyono Suyatno
Humaniora Vol 24, No 1 (2012)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2281.829 KB) | DOI: 10.22146/jh.1040

Abstract

Since modernity go to Indonesia along with the application of ethical politics of the Dutch colonial government, it can be said of conflict and rivalry between tradition and modernity in this country. A number of poems written in the early to late 20th century reflected the rivalry between tradition and modernity is. With the postcolonial approach is expected to be seen who the party is dominant and the marginalized in the rivalry between tradition and modernity in this country, as reflected in a number of poems.
EKSPRESI ESTETIK POSMODERNIS DALAM MUSEUM PENGHANCUR DOKUMEN KARYA AFRIZAL MALNA (POSTMODERNIST AESTHETIC EXPRESSION IN AFRIZAL MALNAS MUSEUM PENGHANCUR DOKUMEN) Suyono Suyatno
Widyaparwa Vol 45, No 2 (2017)
Publisher : Balai Bahasa Provinsi Daerah Istimewa Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (212.068 KB) | DOI: 10.26499/wdprw.v45i2.152

Abstract

Penelitian ini bertujuan mengungkap jenis ekspresi estetik posmodernis dalam kumpulan sajak Afrizal Malna Museum Penghancur Dokumen. Masalah yang dibahas adalah jenis-jenis ekspresi estetik posmodernis dan jenis ekspresi estetik posmodernis yang dominan dalam Museum Penghancur Dokumen karya Afrizal Malna tersebut. Teori yang digunakan dalam penelitian ini ialah teori posmodernisme. Metode yang digunakan ialah metode kualitatif dengan pendekatan hermeneutik. Hasil penelitian ini memperlihatkan bahwa skizofrenia merupakan jenis ekspresi estetik posmodernis yang dominan dalam Museum Penghancur Dokumen; selain itu, juga terdapat pastiche dan parodi. Simpulan penelitian ini adalah dominannya skizofrenia secara langsung dan tidak langsung merefleksikan kondisi sosiokultural dan politis masyarakat yang secara umum tengah mengidap skizofrenia, yakni kepribadian terbelah dengan orientasi ganda.This research aims to reveal the type of postmodernist aesthetic expression in the poems anthology by Afrizal Malna, Museum Penghancur Dokumen. The problem discussed are the types of postmodernist aesthetic expression contained in Museum Penghancur Dokumen and the dominant type of posmodernist aesthetic expression in AfrizalMalna's poem. The theory used in this research is postmodernism theory. The method uses qualitative method with hermeneutic approach. The result shows that schizophrenia is a dominant type of postmodernist aesthetic expression in Museum Penghancur Dokumen; besides, there are also pastiche and parody. The conclusion shows that the dominance of schizophrenia directly and indirectly reflects socio cultural and political condition of society who commonly suffered from schizophrenia, a split personality with doubled orientation.
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