Articles
<![CDATA[THE LURE OF THE IMAGE KEBOHONGAN PADA NARASI PEREMPUAN DALAM SYNGUE SABOUR PIERRE DE PATIENCE KARYA ATIQ RAHIMI ]]>
<![CDATA[Yuli Mahmudah Sentana]]>
<![CDATA[ POETIKA Vol 4, No 2 (2016): Issue 2 ]]>
Publisher : <![CDATA[Literary Studies, Faculty of Cultural Sciences, Universitas Gadjah Mada ]]>
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DOI: 10.22146/poetika.v4i2.15493
<![CDATA[This study aims to determine the position of the author in women narration. With Rahimi’s background as a feminist, he said that with his novel he voiced the voices of Afghan women. Rahimi offered a strong female figure in the middle of the patriarchal shackles who is able to fight the system. The problem of this study is Rahimi’s ambiguity in narrating women. To determine the position of the author, the research uses the concept of the lure of the image belongs to Lidia Curti. The lure of the image is an offer provided by the author to give positions to women that are in fact not provided by them. Based on the research conducted, the results show that Rahimi keeps women as objects in a patriarchal world. In this case he is not able to pull the women out of the patriarchal zone. The space given to women by Rahimi reinforces male power. What Rahimi written in this novel is the lure of the image according to Curti’s concept which explains it as an image of women given by author or known as female gaze.]]>
<![CDATA[Perangkap dan paradoks mitos kecantikan dalam narasi komik One Piece karya Eichiro Oda: Feminisme Naomi Wolf ]]>
<![CDATA[Safrina Arifiani Felayati]]>;
<![CDATA[Yuli Mahmudah Sentana]]>;
<![CDATA[Chendy Sulistyo]]>
<![CDATA[ SULUK: Jurnal Bahasa, Sastra, dan Budaya Vol. 5 No. 1 (2023): Maret ]]>
Publisher : <![CDATA[Program Studi Sastra Indonesia UIN Sunan Ampel Surabaya ]]>
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DOI: 10.15642/suluk.2023.5.1.20-39
<![CDATA[Mitos tentang kecantikan mengukuhkan perempuan sebagai representasi dari keintiman, seksualitas, dan kehidupan sendiri. Naomi Wolf menyebutkan mitos purba tersebut didengungkan dalam peradaban manusia sejak zaman dahulu. Produk-produk kecantikan yang menjamur menunjukan bagaimana kuatnya hegemoni mitos tersebut memengaruhi kehidupan manusia. Tak hanya produk kecantikan tetapi sampai pada ilmu dan kesenian telah lekat dengan mitos kecantikan. Penelitian ini bertujuan untuk mendeskripsikan narasi mengenai mitos kecantikan pada tokoh perempuan (Nami) dalam serial komik One Piece karya Eichiro Oda. Penelitian ini dilakukan menggunakan metode deskriptif kualitatis dengan analisis menggunakan teori mitos kecantikan Naomi Wolf. Hasil penelitian menunjukan bahwa masih kental terdapat mitos kecantikan dalam komik One Piece (khususnya serial 1). Tokoh perempuan dalam komik selalu digambarkan bertubuh sempurna, khususnya Nami—berwajah cantik, dada besar menonjol, pinggang kecil, kaki jenjang. Namun secara paradoksal, di balik tubuh ideal seorang perempuan tersebut ternyata berdiam sifat iblis, sifat jahat seperti licik, serakah dan kejam. Mitos kecantikan ini kental menjadikan perempuan sebagai objek yang menarik sasaran pembaca komik yang notabene maskulin. Hal ini sangat berbeda dengan gambaran maskulinitas, dalam komik kaum adam seolah diperbolehkan bermuka hiu atau berbadan panda.]]>
<![CDATA[PENGENALAN ISTILAH KULINER PRANCIS PADA SISWA SMK N 3 KENDARI PROGRAM TATA BOGA ]]>
<![CDATA[Samsul Samsul]]>;
<![CDATA[Yuli Mahmudah Sentana]]>;
<![CDATA[Muh. Yazid A.R.G]]>
<![CDATA[ Seshiski: Southeast Journal of Language and Literary Studies Vol 2 No 1 (2022): Volume 2, Issue 1, June 2022 ]]>
Publisher : <![CDATA[Himpunan Sarjana Kesusastraan Indonesia, Komisariat Sulawesi Tenggara ]]>
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DOI: 10.53922/seshiski.v2i1.5
<![CDATA[As the world center of culinary, it is not only French food that is global but also its cutting and dicing techniques and French cooking terms.These French culinary terms that have became worldwide in tourims make culinary industry have no choice but to embrace it. As a tourism school, SMKN 3 Kendari must participate on studying it so that its graduates will have the skill that the world need. However, the absence of a French teacher is a problem for SMKN 3 Kendari. Thus, a training was carried out as a learning effort for students, especially for culinary student. This training is not only aiming to increase students' knowledge of French culinary terms but also to make students to be able to pronounce French culinary terms correctly. So that later these skills can be useful for them in the working world.]]>
<![CDATA[WACANA KOLONIAL DALAM CERPEN LAILA KARYA PUTU WIJAYA ]]>
<![CDATA[Yuli Mahmudah Sentana]]>
<![CDATA[ Seshiski: Southeast Journal of Language and Literary Studies Vol 1 No 1 (2021): Volume 1, Issue 1, June 2021 ]]>
Publisher : <![CDATA[Himpunan Sarjana Kesusastraan Indonesia, Komisariat Sulawesi Tenggara ]]>
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DOI: 10.53922/seshiski.v1i1.15
<![CDATA[This study aims to describe colonial discourses that appear in a short story entitled ‘Laila’ by Putu Wijaya. It is utilizing post-colonial theory to analyze about conditions of the colonizer and colonizeddepicted in the short story. In post-colonial theory, colonized society is defined as a society that is controlled by the colonizer, either geographically, socially, or politically. Post-colonial then is used as a way to explain the actions of colonial power that are hidden behind the attitudes and practices which do not seem to show any practice of colonial authority. The results of this study indicated that the hegemonic behaviors of power by Laila's employer are found against Laila. Another discourse that emerged was the subalternate of Laila's character as the colonized whose voice was increasingly silenced. Laila's character attempts to imitate the dominant group by doing mimicry with ambivalence raised in this short story]]>
<![CDATA[The Image of Java and Its People in Emilie’s Eyes Under the Perspective of New Historicism ]]>
<![CDATA[Sentana, Yuli Mahmudah]]>;
<![CDATA[Felayati, Safrina Arifiani]]>;
<![CDATA[Blace, Léa]]>
<![CDATA[ OKARA: Jurnal Bahasa dan Sastra Vol. 17 No. 2 (2023): OKARA: Jurnal Bahasa dan Sastra ]]>
Publisher : <![CDATA[Center of Language Development, Institut Agama Islam Negeri Madura ]]>
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DOI: 10.19105/ojbs.v17i2.10310
<![CDATA[Emilie Java 1904 by Catherine Van Moppès is a French novel that portrays Indonesia's portrait in Java in 1904, a century of Dutch colonialism in Indonesia. This novel describes Indonesian colonialism through the third lens, a narration from a French person's point of view. This research aims to identify the historiography of Java in 1904, where the Dutch carried out deep colonialism using a new historicism perspective. The qualitative descriptive method was used. The data involved words, phrases, and sentences containing Javanese historiography in the novel. This study found that 1) the Javanese people are friendly, embrace Islam, and have solid ancient beliefs. The nature of Javanese men who still despise women is also reviewed; 2) From the European perspective, Java's conditions are described as exotic and beautiful but chaotic and dangerous; 3) Colonialism is also seen from a neutral side by writing that shows the negative side of priyayi and the arbitrary attitude of the Dutch toward the natives. This novel implies that the Javanese were civilized before the Dutch came, which contradicts the primary purpose of Westerners coming to the East. Otherwise, she also showed the negative and positive side of Java and its people toward the Dutch.]]>
<![CDATA[Rewriting Women in Romance Through Taylor Swift’s Song ]]>
<![CDATA[Sentana, Yuli Mahmudah]]>
<![CDATA[ Proceedings of English Linguistics and Literature Vol. 4 (2024): Reconnecting with Nature through Literature, Language, & Culture ]]>
Publisher : <![CDATA[Universitas Negeri Semarang ]]>
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<![CDATA[Romance is always referred to as a way for men to dominate women through the identity, roles and attitudes that women must carry out in a love relationship. However, in the development of feminism, the breaking of masculine and feminine stereotypes has the effect that love no longer restrains women. As a female singer and songwriter, Taylor Swift tells many romance stories in her songs. This research discusses how Swift rewrites women in romance. The twelve selected songs explain that women know their existence, identity, position, and thoughts in romantic relationships. Gender equality in romance is also expressed in these songs through how women can become subjects in romance. She has the same role, status, desires and rights as men in romance. Women cannot only choose to break up but also take responsibility and face separation as well as men. She dared to separate, did not whine, and could continue life without her lover.]]>
<![CDATA[Movie as a media in improving understanding the cooperative principles and the politeness principles ]]>
<![CDATA[Sentana, Yuli Mahmudah]]>;
<![CDATA[Samsul, Samsul]]>;
<![CDATA[A.R.G., Muh. Yazid]]>
<![CDATA[ Diksi Vol. 30 No. 1: DIKSI MARET 2022 ]]>
Publisher : <![CDATA[Fakultas Bahasa, Seni, dan Budaya, Universitas Negeri Yogyakarta ]]>
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DOI: 10.21831/diksi.v30i1.46408
<![CDATA[The background of this study is the use of the RRRrrr!!! Movie by Alain Chabat as learning media in pragmatic courses, especially on the cooperative principle and the politeness principle. The use of this movie is based on the existence of 51 violations of the cooperative principle and the politeness principle in RRRrrr!!! movie. This research is a mixed research that applies qualitative research and quantitative research. The results showed that the use of this movie increased student learning outcomes by 40.26%. Student responses are also enthusiastic with the results of the 100% questionnaire using this movie as a learning medium. The results of the questionnaire also explained that the examples in the movie were very helpful in understanding the cooperative and politeness principle. Keywords: the cooperative principle, the politeness principle, movie as learning media]]>
<![CDATA[The Emotional Dynamics of English Language Education Students Influence the Learning Process ]]>
<![CDATA[Zulfian Misbachul Firdaus]]>;
<![CDATA[Yuli Mahmudah, Sentana]]>;
<![CDATA[Ferra Dian, Andanty]]>
<![CDATA[ Journal of Applied Linguistics and English Education Vol 2 No 1 (2024): Journal of Applied Linguistics and English Education ]]>
Publisher : <![CDATA[Universitas PGRI Adi Buana Surabaya ]]>
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DOI: 10.36456/q3cvvj18
<![CDATA[This study aims to explore professional development specifically focused on English language students in non-teaching professions. More specifically, this study examines the reasons and objectives of students choosing non-teaching professions despite majoring in English language education. This research uses qualitative case studies as its research design, in which interviews with three English language students were conducted by the researcher as a data collection technique. Personal interviews were used to obtain data. From the data collected, the results show that motivation, interest, and finances are the most obvious factors why English language students prefer non-teaching professions. Although there are many options and reasons for them to become teachers, English language students believe that they can consistently choose non-teaching professions with their English language skills. These findings explain the understanding of education students about their reasons and objectives for choosing non-teaching professions.]]>
<![CDATA[The Emotional Dynamics of English Language Education Students Influence the Learning Process ]]>
<![CDATA[Loka, Amanda Mayang Sandya]]>;
<![CDATA[Sentana, Yuli Mahmudah]]>
<![CDATA[ Journal of Applied Linguistics and English Education Vol 2 No 2 (2024): Journal of Applied Linguistics and English Education ]]>
Publisher : <![CDATA[Universitas PGRI Adi Buana Surabaya ]]>
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DOI: 10.36456/6px88v32
<![CDATA[This study aims to analyze how emotional dynamics, particularly heartbreak, affect the learning process of English Education students. The method used is mixed-method, with a sequential exploratory approach, where qualitative data is collected first through interviews with 5 students, then analyzed and continued with quantitative data collection through questionnaires filled out by 55 students. The results showed that heartbreak impacts on various aspects of learning, such as difficulty concentrating, decreased motivation to learn, lack of confidence, and delays in completing academic assignments. In addition, social pressure factors and lack of emotional support also worsen students' conditions. Thus, strategies are needed to help students manage their emotions in order to maintain learning effectiveness. This study confirms that emotional factors should not be ignored in the academic environment]]>
<![CDATA[Perangkap dan paradoks mitos kecantikan dalam narasi komik One Piece karya Eichiro Oda: Feminisme Naomi Wolf ]]>
<![CDATA[Felayati, Safrina Arifiani]]>;
<![CDATA[Sentana, Yuli Mahmudah]]>;
<![CDATA[Sulistyo, Chendy]]>
<![CDATA[ SULUK : Jurnal Bahasa, Sastra, dan Budaya Vol. 5 No. 1 (2023): Maret ]]>
Publisher : <![CDATA[Program Studi Sastra Indonesia UIN Sunan Ampel Surabaya ]]>
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DOI: 10.15642/suluk.2023.5.1.20-39
<![CDATA[Mitos tentang kecantikan mengukuhkan perempuan sebagai representasi dari keintiman, seksualitas, dan kehidupan sendiri. Naomi Wolf menyebutkan mitos purba tersebut didengungkan dalam peradaban manusia sejak zaman dahulu. Produk-produk kecantikan yang menjamur menunjukan bagaimana kuatnya hegemoni mitos tersebut memengaruhi kehidupan manusia. Tak hanya produk kecantikan tetapi sampai pada ilmu dan kesenian telah lekat dengan mitos kecantikan. Penelitian ini bertujuan untuk mendeskripsikan narasi mengenai mitos kecantikan pada tokoh perempuan (Nami) dalam serial komik One Piece karya Eichiro Oda. Penelitian ini dilakukan menggunakan metode deskriptif kualitatis dengan analisis menggunakan teori mitos kecantikan Naomi Wolf. Hasil penelitian menunjukan bahwa masih kental terdapat mitos kecantikan dalam komik One Piece (khususnya serial 1). Tokoh perempuan dalam komik selalu digambarkan bertubuh sempurna, khususnya Nami—berwajah cantik, dada besar menonjol, pinggang kecil, kaki jenjang. Namun secara paradoksal, di balik tubuh ideal seorang perempuan tersebut ternyata berdiam sifat iblis, sifat jahat seperti licik, serakah dan kejam. Mitos kecantikan ini kental menjadikan perempuan sebagai objek yang menarik sasaran pembaca komik yang notabene maskulin. Hal ini sangat berbeda dengan gambaran maskulinitas, dalam komik kaum adam seolah diperbolehkan bermuka hiu atau berbadan panda.]]>
