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HAPPENING ART DALAM AKSI DEMONSTRASI MASSA DI YOGYAKARTA Trie Wahyuni
Imaji Vol 5, No 1 (2007): IMAJI FEBRUARI
Publisher : FBS UNY

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (180.947 KB) | DOI: 10.21831/imaji.v13i2.6693

Abstract

This study is aimed at identifying the forms and the purpose of happening art performance in mass demonstration frequently taking place nowadays. The subject of the study is the primary resources, namely the mass demonstration agents consisting of the activators, the performers and the supporters, as well as the viewers or the society in Yogyakarta watching the performance in the demonstration. The data were collected through observation, documentation, literature and interviews. The study shows that the form of the happening art performance consists of some elements like: 1) duration, 2) performers, 3) make-up, 4) costume, 5) stage, 6) property, 7) dance movements, and 9) verbal expressions. Meanwhile the purpose of performing a happening art is to make the demonstration easy to be understood by the society. Key Words: happening art, mass demonstration
SISTEM PENCATATAN TARI : TINJAUAN ASPEK PERMACAMAN Trie Wahyuni
Imaji Vol 2, No 1 (2004): IMAJI FEBRUARI
Publisher : FBS UNY

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (14881.081 KB) | DOI: 10.21831/imaji.v2i2.6937

Abstract

MOTIVASI DAN PROSES PENCIPTAAN TARI ANAK DI SANGGAR TARI KEMBANG SORE Trie Wahyuni
Jurnal Penelitian Humaniora Vol 14, No 2: Oktober 2009
Publisher : LPPM UNY

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (342.764 KB) | DOI: 10.21831/hum.v14i2.5029

Abstract

The research was aimed to describe the form of presentation, to learn the motivation of children dance creator behind his works with animal theme, and to explore the dance creation processes produced by Kembang Sore Dance Gallery (STKS). The research performed at Yogyakarta on May-October 2007 in qualitative approach. Subject of the research: dance creator produced by STKS, dance instructor, dance wardrobe crew produced by SKTS, STKS members. Data was obtained technically by: observation, documentation study, and deep interview. The results show: Dance works produced by SKTS with animal theme was originated from idea expanding from the imagination of the creator to give the education about animal world to the early children, elementary school, and junior high school. On the other hand, to fulfill dance teachers request joined in children dance training to give teaching materials about animal worlds to the early children, elementary school, and junior high school.  The dance work was categorized into new creation dance form. Creation process used creative process includes some steps they are, investigation exploration directly to the observation object, make improvisation trying possible movements can be expressed suitable with the movement characteristics of early children, elementary school, and junior high school. Sorting evaluation of the movements has been found was adapted with dance theme. Movement sequences created by STKS consisted of 3 components, namely a beginning movement that the moving sequences was improved in intermediate level, sitting movement that the moving sequences was performed in sitting (low level), and the movement after sitting that the moving sequences was performed in intermediate level. All of the components were combined into the harmonic unity, with the repeat of movement, rhythm, realized to give the variation and clarity of design from was shaped of several moving position. The movement dynamics consistent with the tap/accentuation of the accompanied music was arranged and using kendang directly drummed by Untung Mulyono. Person who listen the voice of tabuhan accompanied the dance at a glance will realize the East Java taste. The dynamics of the dancing movement united with the kendang dynamics was drummed by the creator, gives the dynamics and rhythmic tastes. Every dance movements he was created always followed by the kendang code, intended to easy in learn it. Dance wardrobe designed by Siwi and Reki in considering doesn’t disturb the movement, and the choice in bright color of wardrobe was liked by children.
PERAN EKSPLORASI DALAM PROSES KOREOGRAFI Wahyuni, Trie
Diksi Vol. 15 No. 5: DIKSI 1998
Publisher : Fakultas Bahasa, Seni, dan Budaya, Universitas Negeri Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (13591.408 KB) | DOI: 10.21831/diksi.v15i5.6986

Abstract