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PENGARUH TERAPI BEKAM BASAH TERHADAP TEKANAN DARAH PADA PASIEN HIPERTENSI Ida Rosida; Irma Nurahmi
Coping: Community of Publishing in Nursing Vol 4 No 3 (2016): Desember 2016
Publisher : Program Studi Sarjana Ilmu Keperawatan dan Profesi Ners, Fakultas Kedokteran, Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (364.233 KB)

Abstract

Hypertension often called the silent killer, because hypertension is a disorder of without symptoms, but if overlooked and allowed within a long time can result in permanent damage on vital organs of the body like the brain, the kidneys, and heart. Therefore, necessary treatment to overcome hypertension. The treatment of hypertension is divided into two categories namely pharmacological and non pharmacological. Cupping is one type of complementary therapy non pharmacological that can be used for patients hypertension. The purpose of this research is to find the existence of the influence of wet cupping therapy against of blood pressure in patients hypertension in Rumah Sehat Cordova Tasikmalaya City. Methods used namely pre experimental to a draft one group pretest-posttest design. Total population is 36 people. And samples taken is 20 people by purposive applying a technique of sampling. An instrument used is sphygnomanometer mercury, a stethoscope, and sheets of stuffing. This research using analysis bivariat Wilcoxon test. Wet cupping therapy got having significant influence on blood pressure in patients of hypertension with the value of p value 0,001 ? 0.05 (for BP systolic) and 0,000 ? 0.05 (for BP diastolic). In conclusion, wet cupping may affect blood pressure in patients hypertension. Because of it, hopefully the medical team especially nurse can use complementary therapy wet cupping in dealing with patients hypertension. Keyword : Blood Pressure, Hypertension, Wet Cupping
Women’s Beauty as Erotic Spectacle in The Apothecary Diaries Novel Gladys Raissa Daniastuti Santoso; Akhmad Zakky; Nina Farlina; Ida Rosida
Journal of Translation, Linguistics and Literature Vol. 2 No. 2 (2025): September 2025
Publisher : Prodi Sastra Inggris, Universitas Muhammadiyah Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26714/translite.v2i2.848

Abstract

Natsu Hyuuga’s novel The Apothecary Diaries Volume 1, portrays the lives of harem women confined within the patriarchal structure of the imperial court, where beauty functions as the main determinant of their value and survival. The purpose of this research is to examine how women’s beauty is narrated as an object for male characters and how the narration transforms this beauty into an erotic spectacle that exploits and oppress them. This research, using qualitative textual analysis and Laura Mulvey’s Male Gaze theory, the research shows that women’s beauty in the novel is consistently constructed through male-centered desire. Female characters are described through only their appearances such as clothing, hair, skin, and body while their opinion is silenced, reducing them as visual objects. Furthermore, the narration employs aestheticizes language, symbols and metaphors that eroticizes women into spectacles of desire. However, this eroticization of women functions as a form of exploitation, as women are valued primarily for their beauty and usefulness, then discarded once they lose their functions. These mechanisms reduce women to commodities, exchanged and manipulated to maintain patriarchal authority. In conclusion, beauty in the novel operates as a fragile tool that offers temporary recognition but simultaneously exploits women, reinforcing patriarchal power and restricting their autonomy.
Kecemasan Sosial dan Validasi Daring pada Karakter Link dalam Mainstream (2020) Putri Ghina Khairunnisa; Nina Farlina; Ida Rosida; Akhmad Zakky
Paramasastra : Jurnal Ilmiah Bahasa Sastra dan Pembelajarannya Vol. 13 No. 1 (2026): Paramasastra : Jurnal Ilmiah Bahasa Sastra dan Pembelajarannya
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/paramasastra.v13n1.p156-178

Abstract

This research aimed to analyze how the character Link in Mainstream (2020) experienced and expressed social anxiety within the pressures of digital visibility, using Clark and Wells’ cognitive model of Social Anxiety Disorder as the primary theoretical framework and the Uses and Gratifications (U&G) theory as the supporting framework. Clark and Wells (1995) argued that social anxiety developed through processes such as distorted self-perception, fear of negative evaluation, self-focused attention, and maladaptive safety behaviors. Meanwhile, the U&G theory explained how audiences actively sought entertainment, identity reinforcement, social interaction, and validation, which in turn shaped a content creator’s behavioral patterns. This study employed a qualitative descriptive method by analyzing selected scenes, dialogue, and visual elements that illustrated Link’s psychological tension and online engagement. The findings revealed that Link’s social anxiety manifested through defensive speech, emotional withdrawal, exaggerated self-blame, and heightened sensitivity to public criticism. The analysis also showed that audience gratifications played a major role in influencing Link’s online behavior, pushing him toward extreme actions to maintain attention and approval. Overall, the research concluded that Link’s characterization reflected the destructive interaction between social anxiety and the pursuit of online validation within digital culture. These results contribute to a broader understanding of how films portray psychological vulnerability shaped by digital pressures.