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All Journal PROMUSIKA: Jurnal Pengkajian, Penyajian, dan Penciptaan Musik Jomantara International Journal of Art and Culture
Ferry Matias
Universitas Pasundan
Arts Humanities Languange, Linguistic, Communication & Media Social Sciences Other

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Post-Pandemic Concert: What Would Have Changed For Orchestral Performance in Indonesia Ferry Matias
PROMUSIKA Vol 9, No 2 (2021): Oktober 2021
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/promusika.v9i2.5182

Abstract

The pre-pandemic era has been established the settled living ecosystem for orchestral musician in Indonesia, nevertheless, due to the government's policy to combat the virus since March 2020 which is applying the social restriction on a large scale, those within creative sectors have totally ceased their activities. As time goes by, online-virtual-concert has enlivened musical creating and performing. It spread globally and was responded as an opportunity by the state representation so did by the private sectors who have developed the platforms to accommodate the musician rights as brought by UNESCO discourses, one of formulated as follows “musicians can express themselves through music and get fair remuneration from it.” The developed platforms had played a big role as a leverage, both during the pandemic and in the post-pandemic as has predicted and discussed in a two-way Focus Group Discussion methods (FGD), it taken from any webinars sessions involved the expert, officials, and the practitioners which concluded that instead of waiting a crisis assumed just taken place for a moment while waiting for the usual state return, it has been realized globally as an evidence as well as a signs that the new living ecosystem for orchestral musicians in Indonesia have just begun to change.
Global Culture Reproduction Through The String Orchestra’ Repertoire Ferry Matias
JOMANTARA Vol 1 No 1 (2021): Vol. 1 No. 1 January 2021
Publisher : Universitas Pasundan

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (188.265 KB) | DOI: 10.23969/jijac.v1i1.3407

Abstract

The selection of repertoire on a musical ensemble is quite important, especially in the context of rehearsal in the non-professional string ensemble community. It is very common if there is a diversity of skill levels in each member. Such diversity will usually be a common obstacle when it comes to determining a shared repertoire. An overly difficult repertoire (advance) will be difficult for some members otherwise an easy one will create a bored atmosphere for members who are already proficient. Even the role of unbalanced work will make some members may struggle while others will become bored so that the rehearsal atmosphere is not conducive. The author observed that there is an interesting repertoire that is often used as an ensemble rehearsal material in the bowed string’s formation, namely Brandenburg Concerto no. III BWV 1048 Part III in G Major by Johan Sebastian Bach for 3 violins, 3 violas, 3 cellos and 1 double bass. This work is often used as an alternative work together in the community environment of string orchestras in Bandung, and based on the observation of the author of this work is often used in several workshops and ensemble learning materials, with a relatively balanced role, this complex-sounding work has techniques and finger positions that can still be reached by players in the skill range level 3-5 ABRSM. The authors collected data through observations, interviews and documentation on Unpas Music Study Program students who had played this work. After being described and analyzed, the authors found that this work had a significant role in improving ensemble skills playing in string ensembles that would indirectly also improve their individual skills especially for advanced entry-level string instrument students.
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