Ulwan Fakhri Noviadhista
Universitas Brawijaya

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Where Did Indonesian Online Media Pioneer Stand on Internet Shutdown Issue? Reza Safitri; Ulwan Fakhri Noviadhista
Komunikator Vol 12, No 1 (2020)
Publisher : Universitas Muhammadiyah Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18196/jkm.121030

Abstract

In the past few years, the number of countries that implement internet shutdown policy has increased. The Indonesian government has also adopted a similar way. During 2019, the government has slowed or blocked internet access for three times: in May related to protest of Presidential Election in Jakarta; in August related to riots in Papua and West Papua; and in September in Wamena which also related to riots. In fact, besides its beneficial aspects, internet shutdown policy can cost bad to many sectors, including online journalism. This study tried to uncover how Detik.com – as one of the very few pioneers of online journalism in Indonesia – framed news about internet shutdown phenomena in Papua during August 2019. In this constructivist paradigm research, researchers analyzed 34 news samples using framing models from Pan and Kosicki, then discussed the findings with Social Construction of Reality Theory proposed by Berger and Luckmann. Based on the framing analysis done, Detik.com actively shaped the perception of internet shutdown as a positively aimed government’s policy, although still willing to give contrary views in the imbalanced portion. It practices “crab journalism” to keep contributing to society as a media company and adapting to the political situation at the same time.
KOMODIFIKASI IDENTITAS TIONGHOA DALAM HUMOR: STUDI ENCODING/DECODING STUART HALL TENTANG PERTUNJUKAN STAND-UP COMEDY ERNEST PRAKASA Ulwan Fakhri Noviadhista; Bambang Dwi Prasetyo; Antoni
PAPATUNG: Jurnal Ilmu Administrasi Publik, Pemerintahan dan Politik Vol 2 No 3 (2019): JURNAL PAPATUNG Volume 2 Nomor 3 Tahun 2019
Publisher : GoAcademica Research dan Publishing

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (456.282 KB) | DOI: 10.54783/japp.v2i3.28

Abstract

Abstrak Melalui pendekatan Kajian Budaya dan Ekonomi Politik, penelitian ini mengungkap adanya komodifikasi identitas Tionghoa yang diartikulasikan melalui humor oleh Ernest Prakasa, komika Indonesia beretnis Tionghoa, melalui kelima pertunjukan stand-up comedy-nya. Penelitian kualitatif berparadigma konstruktivis-kritis ini mengadopsi model beserta teori encoding/decoding dari Stuart Hall. Pada proses encoding, di samping mencoba mengangkat diskursus tentang identitas melalui humor seperti komika dari identitas marginal lain, Ernest juga memiliki intensi untuk mengkomodifikasi identitasnya. Adapun hasil dari decoding terhadap delapan audiens pertunjukan stand-up comedy Ernest membuktikan bahwa mayoritas atau enam orang di antaranya terklasifikasi sebagai audiens yang berada pada posisi dominan-hegemonis, yakni berpersepsi bahwa humor identitas dari Ernest ditujukan untuk negosiasi identitasnya. Kata kunci: kajian budaya, kajian humor, model encoding/decoding Abstract Through Cultural Studies and Political Economy approach, this research reveals the commodification of Chinese identity that articulated through humor by Ernest Prakasa, a Chinese-Indonesian comic, in his five stand-up comedy shows. This qualitative constructivist-critical paradigm research adopts the models and theories of Stuart Hall’s encoding/decoding. In the encoding process, aside from articulating the identity through humorous discourse like other marginalized comics, Ernest also has the intention to commodify his identity. Meanwhile, the results of decoding eight Ernest’s stand-up comedy shows audiences proved that the six of them are classified as audiences in a dominant-hegemonic position, perceiving that the humor of Ernest's identity is intended to negotiate his identity. Keywords: cultural studies, humor studies, encoding/decoding model