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All Journal Lingua Cultura Humaniora
Paramita Ayuningtyas
Bina Nusantara University
Humanities Languange, Linguistic, Communication & Media

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Viewers and Identity Consciousness: The Analysis of the Responses of Green Street’s Viewers Paramita Ayuningtyas
Lingua Cultura Vol. 3 No. 2 (2009): Lingua Cultura Vol. 3 No. 2
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/lc.v3i2.340

Abstract

English and Indonesian have similar rules in the placement of head noun in adjective clause, that is head noun precedes the clause. However, in English it is possible to reduce the clause while in Indonesian it is not possible to do it. This difference causes difficulty for students learning English especially those whose language background is different. Binus University students come from different provinces around Indonesia and thus they have different language backgrounds. The research declares the difference of this background in identifying reduced clause. They are categorized into monolinguals if they only speak Indonesian at home and bilinguals if they speak both Indonesian and their ethnic languages. The purpose of this study is to find out whether bilinguals perform better than monolinguals, or vice versa, in processing reduced clause sentences.  
Deconstructing The Stereotypes Of Women Through A Female Voice In Burial Rites (2013) By Hannah Kent Paramita Ayuningtyas
Lingua Cultura Vol. 9 No. 2 (2015): Lingua Cultura Vol. 9 No. 2
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/lc.v9i2.819

Abstract

Patriarchal society regulates how women should behave and act. If a woman obeys the social rules, she will be labeled as a good woman. On the other hand, if a woman does not follow the social values, she will be immediately categorized as an evil woman and given negative stereotypes. This binary opposition between a good woman and a bad woman is often criticized by the feminists because they think this categorization burdens women. This issue is also highlighted by Hannah Kent in her novel Burial Rites (2013). This novel is set in a rural society in Iceland in the 19th century with its patriarchal values, focusing on a woman named Agnes that will soon be executed. This theme interested the researcher to study Burial Rites more deeply using feminist perspective. Characters, setting and point of view are the intrinsic elements discussed in this research. The result of the analysis shows that through these three elements, Burial Rites describes society’s stereotypes about ‘evil women’ and there is an effort from the author to deconstruct the stereotype through a female voice.
Indonesian Fan Girls’ Perception towards Soft Masculinity as Represented By K-pop Male Idols Paramita Ayuningtyas
Lingua Cultura Vol. 11 No. 1 (2017): Lingua Cultura Vol. 11 No. 1
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/lc.v11i1.1514

Abstract

This article aimed to examine how fan girls perceive this new form of masculinity represented by K-pop male idols (termed as soft masculinity). This research used a mixed method in collecting the data from a questionnaire distributed via e-mail and Line to twenty fan girls from various fandoms in April 2016. The result shows that the respondents are aware that in the entertainment business, gender identity can be modified and presented as a part of marketing strategy. In addition, they only see the soft masculinity delivered by K-pop male idols as a form of performance.
Pessimism Towards Gender Deconstruction in X: A Fabulous Child’s Story by Louis Gould Paramita Ayuningtyas
Humaniora Vol. 5 No. 1 (2014): Humaniora
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/humaniora.v5i1.3010

Abstract

Research focuses on Lois Gould’s complex position in feminism movements as displayed by the pessimistic tone in one of her works. The primary data for this research were taken from the short story X: A Fabulous Child’s Story, published in 1972. The research used qualitative method that lies on library research, and to help analyze the topic, books, websites, and scientific journals were used. Kate Millet’s concept of an androgyny was also applied in order to study further about the character of X. The result of the discussion shows that even though considered progressive for its era for its effort to deconstruct rigid gender divisions, this short story also comes with an irony with its ending. The ending demonstrates that human beings cannot be free from sex and gender barriers. This result supports the idea that Gould is trapped between the feminist and the antifeminist movement. 
Gender Ideology in The Diary Of Adam And Eve by Mark Twain Paramita Ayuningtyas
Humaniora Vol. 2 No. 1 (2011): Humaniora
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/humaniora.v2i1.3027

Abstract

This article aims to show that behind the new version of Genesis by Mark Twain in his novel The Diary of Adam and Eve, there are some patriarchal principles that appear in it. It can be seen from the characterizations of Adam and Eve. By using some concepts from feminism and also focusing on the context of the novel, the analysis shows that patriarchal stereotypes about gender are applied in constructing the characters of Adam and Eve. Not only the content, but the form of the diary is also analyzed with the same method, and the same result is found. Therefore, it can be concluded that in spite of his progressiveness, Mark Twain still held patriarchal values in re-interpreting the tale of human creation.   
The Relation Between Home and Identity in The Girl From The Golden Horn by Kurban Said Paramita Ayuningtyas
Humaniora Vol. 3 No. 1 (2012): Humaniora
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/humaniora.v3i1.3237

Abstract

The focus of this research entitled The Relation between Home and Identity in The Girl from The Golden Horn by Kurban Said is the relation of meaning of home and someone’s perspective of identity. The research is conducted by analyzing the two main characters, Asiadeh and Abdul Kerim, and relating the conflicts they are facing to identity concept by Stuart Hall. Hall mentioned that identity is a process of becoming and also a matter of someone’s position in the world. The discussion points out the identity crisis experienced by Asiadeh and Abdul Kerim when as Easterners, they have to live in Western world. It also shows that the characters finally succeeded in finding their home when they have taken their duty given by their their identity as the part of Ottoman Empire, which is to marry each other. 
The Structural Analysis of Pan’s Labyrinth by Guillermo Del Toro as A Fantastic Film Paramita Ayuningtyas
Humaniora Vol. 6 No. 2 (2015): Humaniora
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/humaniora.v6i2.3323

Abstract

Using structural approach and Tzvetan Todorov’s theory about ‘absolute hesitation’, this research discusses how the narrative and cinematographic elements build Pan’s Labyrinth (2006) as a unique fantastic film. Directed by Guillermo del Toro Pan’s Labyrinth is a film in Spanish about a little girl named Ofelia who has to live in a house in the middle of the forest and experiences many bizarre incidents, including meeting the Faun. The narrative elements discussed in this paper are motives and themes, while the cinematographic elements are settings, lighting and colours. To analyze the data, this research uses a qualitative method that lies on library research. The result of the discussion shows how the intrinsic elements successfully built ‘absolute hesitation’ in Pan’s Labyrinth. Thus, Pan’s Labyrinth can be categorized as a fantastic film with a dark twist that is Del Toro’s irreplaceable characteristic in directing films.
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