I Dewa Gede Kusuma
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SEMANGAT PERLAWANAN MUSIK INDIE (KASUS BALI) Kusuma, I Dewa Gede
Journal of Music Science, Technology, and Industry Vol 1 No 1 (2018)
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (652.363 KB) | DOI: 10.31091/jomsti.v1i1.508

Abstract

  The experience of Serangan Island reclamation is a benchmark for the real failure of reclamation in the Southeast of Bali. The New Order (ORBA) situation during the time of President Soeharto was a separate Serangan Island with the cluster of Bali Island, and then there was a hoarding of coastal areas almost three times the initial area of Serangan Coast. Access to Attack can eventually blend without using a boat or boat. Indigenous peoples pasubayan in southern Bali, eager not to get hit by similar problems experience occurred in Serangan Island. Communities in south Bali are involved in resisting and resisting the reclamation plan through the practice of indie music peacefully, creatively, and without anarchism. This research is conducted by qualitative method in the context of critical culture study. The results show that environmental activists and indie musicians in Bali since 2012 are getting more agitated after the emergence of the issue of the Bay of Benoa reclamation plan. Indie musicians are slowly directing the ideology of their movement to reject the idea of government and developer investors to reclaim the Benoa Bay area of 838 Ha in Tanjung Benoa, Jimbaran, Badung regency, Bali. Indie music has a counter-interest in conveying the social message of the real conditions that occur in society. Indie music movements collaborate with activists and indigenous peoples in conveying resistance messages as an effort to protect Bali's natural environment in the future.
MUSIK INDIEBAGI KALANGAN REMAJA DI KOTA DENPASAR Studi Tentang Antropologi Kesenian I Dewa Gede Kusuma
Humanis Volume 4. No. 1. Juli 2013
Publisher : Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (42.009 KB)

Abstract

This research entitled "Indie Music for Teenagers in Denpasar" with theproblems of study: 1) how the profile of Indie music in Denpasar is, 2) the factors ofteenagers in Denpasar like Indie music, 3) how Indie music on the implications of thebehaviour of teenagers in Denpasar. The foundation of theory used in this research is thetheory of the function of Alan P. Merriam and the aesthetic theory of Beardsley. Thisresearch is qualitative research approach. The informants in this research consist of 6bands and 6 teenagers that is specified by pusposive sampling.The results of the study are: 1) the profile of Indie music in Denpasar isembodied in the form of the band, which until now research amounted 78 Indie bands.Indie music in Denpasar can not be released from the culture background of Balineseartistic activity since childhood honed by sekaa-sekaa or artistic activity groups, 2 Indiemusic is able to provide entertainment, creativity and expression of teenagers. Indiemusic entertainment provides the space of teenagers creativity in music form and torefine the soul through music. 3) the implications of Indie music to teenagers behaviour,in a positive youth increasingly creative and innovative as well as fostering the spirit ofIndie music to be an entrepreneur because through growing creative economy efforts inthe field of sound system, clothing and merchaindase, while the negative implications areteenagers forget traditional art, the affected alcohol and tattoo culture.