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All Journal DeKaVe ANDHARUPA Jurnal Dimensi DKV Seni Rupa dan Desain
Ellen Agustine Saputra
Universitas Ciputra Surabaya
Arts Humanities Languange, Linguistic, Communication & Media Social Sciences

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KONTEN FOTOGRAFI JURNALISTIK YANG MENJADI VIRAL DI INTERNET Ellen Agustine Saputra
DeKaVe Vol 10, No 2 (2017): Jurnal DeKaVe Vol.10 No.2 2017
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1143.323 KB) | DOI: 10.24821/dkv.v10i2.1991

Abstract

With the presence of the Internet, journalistic photography can provide an opportunity to be more noticed by various societies. Social media and other online media accessed by billions of people each day therefore the spread of journalistic photography are wider. In this case the role of photojournalists becomes more crucial, Rothman (2012) explains that the beginning of motivational photojournalist plunge in the world of journalism due to the insistence in their hearts to announce something that is so important therefore they want to make a change. In this research will be discussed some journalistic photography that raised certain themes using content and structure of journalistic photography with significant results, then become viral on the internet. Some journalistic photography can be viral and some are not. The focus of this research is to find out the reasons and similarities in some journalistic photography that became viral on the Internet. This research uses qualitative content analysis method. Samples were selected based on the virality factor, 4 journalistic photography were taken from various sources and photographed by photographer with different background too. The first photo has been mentioned for 1,890,000 times; the second photo has been mentioned for 32,900,000 times; the third has been accessed for 22,600,000 times and the last has been accessed for 25,270,000,000 times. All four will be discussed based on the theory of journalistic photography, associated with the theory of virality. 
PERANCANGAN CREATIVE JOURNAL SEBAGAI MATERI PENDUKUNG DREAM SETTING CANVAS Ellen Agustine Saputra
Jurnal Dimensi DKV Seni Rupa dan Desain Vol. 4 No. 2 (2019): Jurnal Dimensi DKV Seni Rupa dan Desain
Publisher : Universitas Trisakti

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1570.937 KB) | DOI: 10.25105/jdd.v4i2.5899

Abstract

AbstractCreative Journal Design as the Dream Setting Canvas Supporting Media. Dream Setting Canvas is a dream achievement media for young people’s dream achievement, which has been applied to several empowerment programs in several non-profit organizations such as Wahana Visi Indonesia and East Bali Poverty Project. In its application, Dream Setting Canvas has weaknesses, of which the target audience has difficulty in analyzing dreams, strategies, and time without assistance. Moreover, without understanding the true essence of analyzing dreams, strategies and time, this method is not completely effective in helping young people achieve and realize their dreams. This research used qualitative research methods. Data collection used literature study, exploration, interviews with interviewees as well as distributes surveys both offline and online. The research results showed that the creative journals design could supportthe target audience to understand the topic and definition of each block in the Dream Setting Canvas.    AbstrakPerancangan Creative Journal sebagai Media Pendukung Dream Setting Canvas. Dream Setting Canvas merupakan media pencapaian mimpi anak muda yang sudah diterapkan pada beberapa program empowerment di beberapa organisasi non-Profit seperti Wahana Visi Indonesia dan East Bali Poverty Project. Pada penerapannya, Dream Setting Canvas memiliki kelemahan, di mana target audiens kesusahan dalam menganalisis mimpi, strategi, serta waktu tanpa pendampingan. Selain itu, tanpamemahami esensi sebenarnya dalam menganalisis mimpi, strategi serta waktu, metode ini tidak sepenuhnya efektif dalam membantu anak muda mencapai dan merealisasikan mimpinya. Penelitian ini menggunakan metode penelitian kualitatif. Pengumpulan data menggunakan studi literatur, eksplorasi, wawancara dengan narasumber serta membagikan survei baik secara offline maupun online. Hasil penelitian menunjukkanbahwa perancangan creative journal dapat mendukung target audiens untuk memahami topik dan definisi setiap blok pada Dream Setting Canvas
KAJIAN STRUKTURAL DAN KOMPARATIF FILM BEFORE TRILOGY DAN BOYHOOD KARYA AUTEUR: RICHARD LINKLATER Saputra, Ellen Agustine
ANDHARUPA: Jurnal Desain Komunikasi Visual & Multimedia Vol. 8 No. 01 (2022): March 2022
Publisher : Dian Nuswantoro University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33633/andharupa.v8i01.4654

Abstract

The classic theory of authorship has sparked debate among academics, practitioners, and film critics for many years. In film education, the theory of auterism is widely discussed because it provides an interesting overview of film techniques and styles that is developed by an auteur. Richard Linklater is an auteur serving as director and screenwriter in many of his films. This study uses qualitative research methods with structural and comparative methods, where structural approach is used to deconstruct Richard Linklater’s film through the characters, themes, and visual styles (types of frames and camera movements). The comparative method is used to find similarities and differences in Before Trilogy and Boyhood, also to reveal Richard Linklater’s authorship style. To conclude the research, Richard Linklater is a collaborative auteur. In his experimental approach of filmmaking specificially in the making of Before Trilogy and Boyhood, Richard Linklater always worked collaboratively with actors or editors. The difference between Richard Linklater’s films can be seen through visual aspects of the film, on the contrary, in terms of narrative aspect, Before Trilogy and Boyhood do not have significant differences. Many similarities can be found throughout the narrative aspects of his films.
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