I. Nyoman Wijaya
Program Studi Imu Sejarah, Fakultas Ilmu Budaya, Universitas Udayana

Published : 2 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 2 Documents
Search

Biografi Sebagai Pintu Masuk Mencermati Peristiwa Remeh Temeh Sehari-Hari Dalam Revolusi Indonesia (1945-1949) di Bali I. Nyoman Wijaya
Jurnal Sejarah Citra Lekha Vol 5, No 1 (2020): Etnisitas, Identitas, dan Kebudayaan
Publisher : Department of History, Faculty of Humanities, Diponegoro University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/jscl.v5i1.28822

Abstract

This study discusses biography as an entry point to talk about trivial everyday events taking place during Indonesia’s physical revolution (1945-1949) in Bali. If in the arena of guerrilla warfare trivial everyday stories can be seen, what about outside the arena? Starting from this central question, this study will attempt to see trivial everyday events in Indonesia’s revolution in Bali, especially events taking place outside the arena of guerrilla warfare. Those events, however, do not stand alone, but they are entwined with Indonesia’s revolution in Bali. Outside the arena of guerilla war, those trivial everyday events can be seen in each stage of Indonesia’s revolution in Bali distributed in various villages. The research results indicate that biographical figures born in the 1930s, aged from 11 to 15-year-old, during the period of guerrilla warfare managed to retell those trivial events. Even though not directly involved in the guerrilla warfare, they were able to provide information about those events, because some of them were actively involved as mail couriers connecting the fighters and their families. Most of the information they provided has not been recorded in the grand narrative of the history of Indonesia’s physical revolution in Bali.
Bagaimana Menulis Biografi Audiovisual Poststrukturalis? I Nyoman Wijaya
Jurnal Sejarah Citra Lekha Vol 6, No 2 (2021): Pendidikan, Kebudayaan, dan Strategi Pertahanan
Publisher : Department of History, Faculty of Humanities, Diponegoro University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/jscl.v6i2.40409

Abstract

Poststructuralist audiovisual biography is written using a poststructuralist historical approach and audiovisual archives. This study presents a new method in writing concise and concise biographies for the purpose of making papers and publication articles. The problem is focused on how the writing technique is? Like poststructuralist history, this biography model departs from the actor's present situation in the past. The goal is to explore the actor’s experience that brought him to where he is now. The actor’s successness or failureness today depend on the capital (resources) he has. Are these resources in accordance with the profession? Resources are formed from habits that have undergone internalization to form habits as a guide for actors in thinking and acting when dealing with social reality. Considering this biography model is relatively unknown to academics and history students in genera. This study also discusses the method to write biography as well as the theory that can be used as a basis for thinking. Thus, Bourdieu's generative structural theory is considered very relevant to be used.