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All Journal LITERASI: Jurnal Ilmu-Ilmu Humaniora Jurnal Madah MEDAN MAKNA: Jurnal Ilmu Kebahasaan dan Kesastraan
Saksono Prijanto
Badan Pengembangan dan Pembinaan Bahasa
Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences

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KEPELOPORAN SAPARDI DJOKO DAMONO DAN HAMSAD RANGKUTI DALAM PEMBINAAN PENYAIR MUDA INDONESIA Saksono Prijanto
LITERASI: Indonesian Journal of Humanities Vol 4 No 1 (2014)
Publisher : Faculty of Humanities, Jember University

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Abstract

Great names of Jassin, Gunawan Mohammad, Sapardi Djoko Damono, and Mochtar Lubis as editors of Horizon, gave a quality assurance of literary magazine. However, it should be realized that the ratio of the number of literature pages and literary works was uneven. As a result, not all literary works can be published in Horizon literary magazine. Some newspapers such as –Suara Karya, Berita Buana, Pelita, Kompas, dan Sinar Harapan– provide a rubric of literature, for publishing literary essays and literary works (short stories and poetry). The limited space for literary works of young people to be published in literary magazines or literature section in a newspaper is unable to discourage the spirit of the young people to produce their works. Their hope are open with the presence of Sapardi Djoko Damono (poet) and Hamzad Rangkuti (short story writer) through the Indonesian Poetry Publishing Foundation. They argued that no one may prohibit the birth of a creative process, especially the literary works of the young people. Painstakingly, the two writers have read and selected poetry composed by young poets from all over Indonesia. Collection of poems that have been recommended by two great writers have been published in the form of simple physical (paper stencils) and funded by these young poets. Some of the young poets have published their poem anthologies through sponsorship of the local government of their origins or private companies. Keywords: literary magazines, poetry Indonesia, a young poet, sponsors, newspapers
SI PARASIT LAJANG: POTRET PEREMPUAN METROPOLITAN Saksono Prijanto
Madah: Jurnal Bahasa dan Sastra Vol. 5 No. 1 (2014): Jurnal Madah
Publisher : Balai Bahasa Provinsi Riau

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31503/madah.v5i1.174

Abstract

The presence of novel Saman by Ayu Utami surprised the world of Indonesian literature. Response to readers and literary critics of Saman diverse, both those in favor, cursing and not be silent. Ayu Utami is a productive female novelist because she continuously  has been published novel Saman and Larung (dualogy), Serial Numbers Fu (Manjali and Cakrabirawa and Lalita), and the trilogy (Parasit Lajang, Enrico Love Story, Parasit Lajang—Ex Parasit Lajang). Ayu Utami‟s achievement in writing, among others  are "Mastera Young Writers Award 2009" in 2009. The purpose of  this article is to express the position and idea of young metropolitan woman, their  restless  in seeing the domestic life. I figure (women) in the novel The Parasit Lajang (SPL) minds that  women should have equality to men legally in many ways, especially on marriage. SPL novel deserves to be read and studied intensively, both as evidence of freedom in the creative process of a writer (female) as well as the Indonesian literary enrichment effort for the reader of literature, literary observers, as well as researchers in Indonesian literature. Kehadiran Ayu Utami melalui novel Saman mengagetkan dunia sastra Indonesia. Tanggapan pembaca serta kritikus sastra terhadap Saman beragam, baik mereka yang memihak, memaki, maupun yang diam tidak bersikap. Novelis perempuan ini termasuk produktif karena berturut-turut telah menerbitkan novel Saman dan Larung (dwilogi), Seri Bilangan Fu (Manjali dan Cakrabirawa serta Lalita), dan trilogi (Si Parasit Lajang, Cerita Cinta Enrico, dan Pengakuan Eks Si Parasit Lajang). Prestasi Ayu Utami dalam tulismenulis, antara lain memperoleh ―Penghargaan Sastrawan Muda Mastera 2009‖ pada tahun 2009. Tujuan penulisan artikel ini adalah mengungkapkan sikap dan pandangan hidup perempuan muda metropolitan tersebut, sekaligus kegelisahannya dalam menyikapi suatu kehidupan rumah tangga. Tokoh saya (perempuan) dalam novel Si Parasit Lajang (SPL) berpegang teguh pada sikapnya, yaitu perempuan harus memiliki kesetaraan terhadap laki-laki secara hukum dalam berbagai hal, khususnya tentang perkawinan. Novel SPL layak dibaca dan diteliti secara intensif, baik sebagai bukti kebebasan dalam proses kreatif dari seorang pengarang (perempuan) Indonesia maupun sebagai upaya pengayaan literer bagi pembaca sastra, pengamat sastra, serta peneliti sastra di Indonesia. 
KOMIK RAMAYANA KARYA R.A. KOSASIH: SIKLUS KEHIDUPAN SPRITUAL SRI RAMA DAN DEWI SINTA Saksono Prijanto
MEDAN MAKNA: Jurnal Ilmu Kebahasaan dan Kesastraan Vol 13, No 2 (2015): Vol. 13, No. 2, Desember 2015
Publisher : Balai Bahasa Sumatera Utara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26499/mm.v13i2.1207

Abstract

Unlike the Mahabharata story that featured the “gray” characters, the story of Ramayana is more revealing the “black and white” characters. Through out hundreds of pages, readers witness the action of Sri Rama, Lakshmana and Hanoman in an effort to free the Goddess Sinta from Ravana‟s in solence. The story of Sri Rama is very important because it has a high value, especially in the ethical teachings that in all parts of the story that is internalized. Mean while, the go alof this study is to reconstruct the spiritual life cycle of Sri Rama and Sinta Dewi.To achieve that goal is used methods or semiotic approach. Its application of this semiotic and the theory of functional model such as actants with its chart (narrative syntax) of Greimas. Mean while, the result is that the comic Ramayan are veals the problems of humanity (truth, courage, and chastity), crime (which madegiant), as human well as the teaching of ethics (human relation ship with God and man's relationship with the/other creatures). Ramayana comic masterpiece by R.A. Kosasih is presented as a whole and trim, as well as unique, both in narrative and in the comic depscription techniques.
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