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All Journal KONTEMPLASI: JURNAL ILMU-ILMU USHULUDDIN Kontemplasi : Jurnal Ilmu-Ilmu Ushuluddin
Eko Setiawan
Pascasarjana Sosiologi Universitas Brawijaya Malang
Religion Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences Other

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MAKNA FILOSOFI WAYANG PURWA DALAM LAKON DEWA RUCI Eko Setiawan
Kontemplasi: Jurnal Ilmu-Ilmu Ushuluddin Vol 5 No 2 (2017): Jurnal Kontemplasi
Publisher : IAIN Tulungagung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21274/kontem.2017.5.2.399-418

Abstract

Wayang is taken from the Javanese language meaning “shadow” or taken the meaning that puppet is the depiction of life or reflection of human nature that exist in human soul itself. Nature itself is divided into two basic nature, the nature of wrath and the nature of goodness. Dewa Ruci story as one of the Wayang plays is a carangan story, which is rich in very deep philosophical and religious values. This story illustrates a man who has a strong will to find the best way that can bring people to happiness. In search of happiness, it is not easy to do because there will be obstacles and obstacles facing. This is where the aesthetic value is packaged in the story of Dewa Ruci and become the main doctrine of the conception of God, humanity, and human relationship with God. The story of Bima in searching the purple mastery tirto pawitrodimahening suci in the story Dewa Ruci philosophically symbolizes how humans must undergo an inward journey to find his identity or search sangkan paraning dumadi the origin and purpose of human life or manunggaling kawula gusti. In this story contained the mandate of the doctrine of human conception, the conception of God, and how man leads to his God.
MAKNA FILOSOFI WAYANG PURWA DALAM LAKON DEWA RUCI Eko Setiawan
Kontemplasi: Jurnal Ilmu-Ilmu Ushuluddin Vol 5 No 2 (2017): Jurnal Kontemplasi
Publisher : UIN Sayyid Ali Rahmatullah Tulungagung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21274/kontem.2017.5.2.399-418

Abstract

Wayang is taken from the Javanese language meaning “shadow” or taken the meaning that puppet is the depiction of life or reflection of human nature that exist in human soul itself. Nature itself is divided into two basic nature, the nature of wrath and the nature of goodness. Dewa Ruci story as one of the Wayang plays is a carangan story, which is rich in very deep philosophical and religious values. This story illustrates a man who has a strong will to find the best way that can bring people to happiness. In search of happiness, it is not easy to do because there will be obstacles and obstacles facing. This is where the aesthetic value is packaged in the story of Dewa Ruci and become the main doctrine of the conception of God, humanity, and human relationship with God. The story of Bima in searching the purple mastery tirto pawitrodimahening suci in the story Dewa Ruci philosophically symbolizes how humans must undergo an inward journey to find his identity or search sangkan paraning dumadi the origin and purpose of human life or manunggaling kawula gusti. In this story contained the mandate of the doctrine of human conception, the conception of God, and how man leads to his God.
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