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All Journal JURNAL ITENAS REKARUPA de-lite Jurnal Riset Multidisiplin Edukasi Ar-Rasyid: Jurnal Publikasi Penelitian Ilmiah
Inko Sakti Dewanto
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Pengaruh Budaya Pop Barat Pada Desain Sampul Album Piringan Hitam Musik Pop Indonesia Era 1950an Inko Sakti Dewanto
Jurnal Rekarupa Vol 4, No 1 (2016)
Publisher : FSRD ITENAS

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Berdirinya perusahaan rekaman Irama di Jakarta pada tahun 1951, menjadi penanda awal eksistensi industri musik pop di Indonesia. Era 1950an merupakan dekade bersejarah, karena sebuah sistem telah terbentuk. Format musik rekaman dalam piringan hitamlah yang digunakan dalam fase awal industri ini. Lalu mulai muncul pula kesadaran desain yang turut terbentuk melalui desain sampul album musik. Namun, pada pola visual yang menjadi tren masih terdapat ciri dari gaya pop yang berkembang di barat. Musik serta budaya pop barat pada sejak era ini memang begitu kencang pengaruhnya ke berbagai penjuru dunia. Pendekatan historikal yang dipadukan dengan metode penelitian visual digunakan sebagai instrumen untuk membedah permasalahan tersebut. Tidak terlupa beberapa teori terkait mengenai budaya pop dipergunakan sebagai penguat argumentasi dalam penelitian ini. Hasilnya, ditemukan beberapa dinamika yang menjadi ciri/penanda gaya di era 1970an antara lain dinamika sosial, dinamika perkembangan, dinamika budaya, serta dinamika nilai-nilai. Keempat aspek tersebut distrukturkan dalam sebuah bagan sederhana pada bab simpulan penelitian ini.Kata kunci: desain sampul album musik, piringan hitam, budaya pop.ABSTRACTThe establishment of Irama Records in Jakarta (1951), became an early marker of the existence of pop music industry in Indonesia. The 1950s was a historical decade, because a system has been formed. The format of recorded music in the vinyl was used in the initial phase of this industry. From the physical form of such that recording format, it also emerge the awareness of design that also formed through music album cover design. However, there was still a hallmark of pop style that developed in the west on the visual trend. Since this era, music and western pop culture influence is so strong to the every inch parts of the world. Historical approach, combined with the visual research methods used as an instrument to dissect these problems. Some related theories about pop culture is also used as a reinforcing arguments. The researcher found some dynamics that characterize/mark the style in the 1970s, among others, social dynamics, dynamic development, cultural dynamics, and the dynamics of values. All those aspects are structured in a simple chart in the concluding chapter of this study.Keywords: music album cover design, vinyl, pop culture.
PERANCANGAN TYPEFACE UNTUK MENINGKATKAN CITRA BRAND RAWTYPE RIOT Reza Gamas Firdansyah; Inko Sakti Dewanto
Jurnal Riset Multidisiplin Edukasi Vol. 2 No. 8 (2025): Jurnal Riset Multidisiplin Edukasi (Edisi Agustus 2025)
Publisher : PT. Hasba Edukasi Mandiri

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.71282/jurmie.v2i8.882

Abstract

Visual identity plays a vital role in shaping brand image and competitiveness, especially in the highly dynamic fashion industry. Typography, particularly the font, functions not only as a medium of communication but also as a representation of the brand’s character and values. However, many local brands still rely on generic or pirated fonts, leading to weak differentiation, low credibility, and limited consumer engagement. This study focuses on developing an exclusive font for Rawtype Riot, a Bandung-based fashion brand, as a strategic effort to strengthen its visual identity. Using a qualitative approach, the research employed literature review, observation, in-depth interviews, and benchmarking, supported by a SWOT analysis to examine strengths, weaknesses, opportunities, and threats in custom font development. The findings indicate that Rawtype Riot’s consistency and progressive character create strong potential to pioneer custom typography within Indonesia’s local fashion industry, supported by Bandung’s creative ecosystem. The designed typeface, “Rawsome,” adopts a modern sans-serif style that is simple, solid, and dynamic, effectively reflecting the brand’s identity. The study concludes that exclusive font development enhances visual consistency, builds credibility, and fosters emotional connections with consumers. Moreover, it positions Rawtype Riot as a distinctive and professional brand, reinforcing originality while opening opportunities for broader recognition at both national and global levels.
Analisis Visual Video Campaign Sport for Health Tentang Peran Olahraga Dalam Mendukung Kesehatan Mental Ikhsan Nurfaisal; Inko Sakti Dewanto
Jurnal Riset Multidisiplin Edukasi Vol. 2 No. 8 (2025): Jurnal Riset Multidisiplin Edukasi (Edisi Agustus 2025)
Publisher : PT. Hasba Edukasi Mandiri

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.71282/jurmie.v2i8.885

Abstract

Mental health often receives less attention, even though its role is as important as physical health. Although often considered trivial, mental health has a major impact on overall quality of life. One effective way to overcome mental health problems is to exercise, because when we exercise our bodies release hormones that can help reduce stress and improve mood. Because when we exercise there are many positive impacts, even the benefits of exercise when we are young can have an impact on the quality of our body in old age. Therefore, this research supports the role of video campaigns about sports on a person's mental health. Through visual analysis such as visual composition, color, typography or text, and graphic elements that strengthen the message in the video campaign that sport can affect mental health. It is hoped that through this video campaign, people will be more aware and understand the importance of exercise not only for physical health but also for mental health and as part of an overall lifestyle.
Analisis Peran Tipografi dalam Membangun City Branding Jakarta: Studi Kasus Plus Jakarta Sans Qinthara Yasyfa Dasha; Inko Sakti Dewanto
Jurnal Riset Multidisiplin Edukasi Vol. 2 No. 9 (2025): Jurnal Riset Multidisiplin Edukasi (Edisi September 2025)
Publisher : PT. Hasba Edukasi Mandiri

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.71282/jurmie.v2i9.910

Abstract

City branding adalah strategi penting dalam membangun identitas kota yang kuat, terutama di era digital. Tipografi sebagai elemen desain visual berperan besar dalam merepresentasikan nilai dan karakter sebuah kota. Tulisan ini bertujuan untuk mengeksplorasi peran tipografi dalam city branding Jakarta dengan fokus pada Plus Jakarta Sans, font sans-serif geometris yang dirancang khusus untuk mendukung identitas visual kota. Metodologi yang digunakan mencakup analisis visual dan studi literatur. Penelitian ini menegaskan bahwa tipografi adalah elemen penting dalam membangun city branding yang kuat, relevan, dan kompetitif di tingkat global.
Analisis Visual Sampul Album Trio Bimbo 1971 raihan, Mochammad Raihan Lazuardi Imani; Inko Sakti Dewanto
Ar-Rasyid: Jurnal Publikasi Penelitian Ilmiah Vol. 1 No. 3 (2025): Ar-Rasyid: Jurnal Publikasi Penelitian Ilmiah (Bulan September 2025)
Publisher : PT. Saha Kreasi Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.64788/ar-rasyid.v1i3.12

Abstract

Bimbo is one of Indonesia's legendary pop bands, known for infusing meaningful life lessons into every piece of their work, including their 1971 album Trio Bimbo. This study analyzes the cover of Trio Bimbo's 1971 album as a representation of the visual identity of Indonesian pop music in the 1970s, comparing it to the cover design of Koes Plus's album from the same period. The methods used include visual-descriptive analysis to examine typography, illustrations, colors, and layout, as well as historical analysis to contextualize the work within the development of Indonesian music. The results show that the Trio Bimbo 1971 album cover features a minimalist visual style with strong cultural symbols, reflecting the simplicity and religious values characteristic of Bimbo. Theoretically, this research contributes to enriching graphic design studies from the perspective of Indonesian popular music history. Practically, the results of this research can serve as a reference for graphic designers and music curators in developing designs rooted in cultural identity.
Repetisi Simbol Lingkaran Pada Pembuka Ke 25 Anime One Piece Inko Sakti Dewanto
de-lite Vol. 5 No. 2 (2025): December 2025
Publisher : Universitas Pelita Harapan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37312/de-lite.v5i2.10439

Abstract

One Piece merupakan mahakarya komikus Jepang, Eichiiro Oda, yang telah meraih kesuksesan global sejak awal perilisannya pada tahun 1997. Kejeniusan Oda dalam meramu jalan cerita merupakan kunci sukses dari serial One Piece sehingga masih berlangsung hingga kini. Serial anime One Piece telah bekerjasama dengan banyak musisi yang menyumbangkan lagu untuk pembukaan dan penutupnya. Pada episode 1074, pembuka anime One Piece menggunakan lagu "Saiko Totatsuten" (yang berarti “Titik Tertinggi”) karya band Jepang "Sekai No Owari". Pembuka ke-25 ini terasa spesial karena menjadi pengantar menuju akhir petualangan kru bajak laut Topi Jerami di Negeri Wano (negeri para samurai). Peneliti mengangkat topik ini karena dalam pembuka anime tersebut menyisipkan banyak simbol lingkaran yang muncul dari awal hingga akhir. Lingkaran atau dalam budaya Jepang disebut “Enso”, dijelaskan sebagai simbol integritas, ketidakterbatasan, dan keabadian yang merepresentasikan dewa matahari. Berdasarkan teori Image of Time, lingkaran mencerminkan perjalanan waktu dan peristiwa-peristiwa kronologis. Landasan teori inilah yang membagi pembahasan artikel ini ke dalam tiga bagian utama yaitu sejarah dan penjajahan negeri Wano, perjuangan pembebasan negeri Wano, hingga perayaan kemenangan perjuangan di negeri Wano. Hasil kajiannya bahwa pembuka ke 25 anime One Piece memuat banyak nilai mitos primitif, seputar hidup-mati, manusia-dewa/dewi, serta baik-jahat/buruk. Maka demikian, sebegitu menariknya simbol-simbol lingkaran dalam pembuka anime ke-25 One Piece untuk dikaji, karena kandungan makna-makna simbolik yang tersembunyi di baliknya.
Co-Authors Ikhsan Nurfaisal Qinthara Yasyfa Dasha raihan, Mochammad Raihan Lazuardi Imani Reza Gamas Firdansyah