Article Per Year (5 Year)
p-Index From 2021 - 2026
0
P-Index
This Author published in this journals
All Journal Jurnal Pemuda Jurnal Studi Pemuda
Jagat Hidayat Jati
Departemen Sosiologi, Fakultas Ilmu Sosial dan Politik, Universitas Gadjah Mada
Arts Humanities Social Sciences

Published : 2 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 2 Documents
Search

 1 
Karier Subkultural dan Kritisisme Street Artist Yogyakarta Jagat Hidayat Jati; Derajad Widhyharto
Jurnal Studi Pemuda Vol 9, No 1 (2020): Kaum Muda dan Karier Subkultural
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/studipemudaugm.54831

Abstract

This article is based on research in 2017 about street artists in Yogyakarta. The study uses qualitative method with following issue and visuals approach on six street artists to extract 3 aspects: issue, medium, and actor.  Street artist as subcultural career is a process of creating space and efforts to maintain it. Street artists is mentally affected through perception of surroundings, then their awareness of reality and hopes for public spaces collide so that alternative spaces are created in the street walls, in the end the walls become space wich symbolically interpreted by the viewer. To be able to create space and maintain it, street artists have a side of criticism. Starting from the awareness of differences in public space, selection of street as a core element in the city, as well as accuracy in momentum. Criticism is carried out repeatedly and build a resistance identity. Each street artist is in a position to oppose and criticize the various problems that surround them through two work patterns, issue first or place first. The pattern is also carried out together to form a collective identity. 
Karier Subkultural dan Kritisisme Street Artist Yogyakarta Jagat Hidayat Jati; Derajad Widhyharto
Jurnal Studi Pemuda Vol 9, No 1 (2020): Kaum Muda dan Karier Subkultural
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/studipemudaugm.54831

Abstract

This article is based on research in 2017 about street artists in Yogyakarta. The study uses qualitative method with following issue and visuals approach on six street artists to extract 3 aspects: issue, medium, and actor.  Street artist as subcultural career is a process of creating space and efforts to maintain it. Street artists is mentally affected through perception of surroundings, then their awareness of reality and hopes for public spaces collide so that alternative spaces are created in the street walls, in the end the walls become space wich symbolically interpreted by the viewer. To be able to create space and maintain it, street artists have a side of criticism. Starting from the awareness of differences in public space, selection of street as a core element in the city, as well as accuracy in momentum. Criticism is carried out repeatedly and build a resistance identity. Each street artist is in a position to oppose and criticize the various problems that surround them through two work patterns, issue first or place first. The pattern is also carried out together to form a collective identity. 
Co-Authors Derajad Widhyharto