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Utan Parlindungan
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Law, Crime, Criminology & Criminal Justice Social Sciences

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Mitos Genjer-Genjer: Politik Makna dalam Lagu Utan Parlindungan
Jurnal Ilmu Sosial dan Ilmu Politik Vol 17, No 3 (2014): Maret
Publisher : Faculty of Social and Political Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2783.496 KB) | DOI: 10.22146/jsp.13083

Abstract

Merely based on the ideological struggle, the arts play an important role, especially as a means of forming unisonality, group identifi cation and emotional bridge between individuals in bringing “sense” that the goals of power may easily be achieved. No exception of music; it deliberately created and disseminated for the sake of its own nature. However, power is not as universal as music; making a claim toward music (songs) in the risk of political contestation may produce ambivalence meanings (ambiguity). In one hand, music tends to be sacred, but a moment later, it is more vulnerable to be alienated or marginalized. In some cases, the practice of politicization oft en ends up banning music and tragedy.
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