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PENCIPTAAN KOMIK BEBER Indiria Maharsi
DeKaVe Vol 2, No 4 (2012): DeKaVe Vol. 02 No. 04 2012 Juli- Desember 2012
Publisher : Institut Seni Indonesia Yogyakarta

Beber Comic isa comic that combine the concept of modern comic and Wayang Beber as theembryo of the embryo of the modern comic. It is an innovation considering that in the development ofmodern comic it has never been noted such a form/style of comic. This combination is a credit for WayangBeber as a magnificent cultural inheritance of Indonesia. It is also an effort revitalize Wayang Beber.The title of the Beber Comic created is PangeranAntaguna. It is a story of a man's hard journey infinding who he really is and the meaning of life. The visual concept is combining the elements ofWayangBeber and of modern comic. It results in a unique comic form/ style. HopefUlly, the innovation of BeberComic will stimulate comic creators and will positively support the development of comic in the fUture.Keywords: Beber comic, new innovation.

BERMAIN HURUF DENGAN ELEMEN LOKAL Indiria Maharsi
DeKaVe Vol 10, No 1 (2017): Jurnal DeKaVe Vol. 10 No. 1 2017
Publisher : Institut Seni Indonesia Yogyakarta

PENCIPTAAN ILUSTRASI BUKU “WAYANG BEBER WONOSARI” Indiria Maharsi
DeKaVe Vol 11, No 2 (2018): Jurnal DeKaVe Vol. 11 No. 2 2018
Publisher : Institut Seni Indonesia Yogyakarta

Abstract.Wayang Beber Wonosari is one of the cultural heritages created by the ancestors of Indonesians. It has exsisted for so long time, but many people have not known it yet. In the effort to preserve it, it is urgent to informed people about it, especially its latest development. To invite their attention to this content, illustration book can be effectively used to deliver the information.Keywords:Wayang Beber Wonosari,illustration book.

Ilustrasi Dalam Bingkai Tipografi Indiria Maharsi
DeKaVe Vol 8, No 1 (2015): DeKaVe Vol. 8 No. 1 Januari-Juni 2015
Publisher : Institut Seni Indonesia Yogyakarta

PENCIPTAAN MOTION COMIC WAYANG BEBER JAKA KEMBANG KUNING Indiria Maharsi
DeKaVe Vol 11, No 1 (2018): Jurnal DeKaVe Vol.11 No.1 2018
Publisher : Institut Seni Indonesia Yogyakarta

KOMIK “KEMBALI KEPADA TUHAN” SEBUAH UPAYA PEMBELAJARAN MORAL SPIRITUAL BAGI REMAJA Indiria Maharsi
DeKaVe Vol 1, No 2 (2011): DeKaVe Vol. 1 No. 2 2011 Juli-Desember 2011
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/dkv.v1i2.157

Comic is one of the mass communication media that is encased and presented uniquely by combining texts and images. This combination may eventually create a plot which has a very broad effect because of the ability of this media to transform itself into various kinds of forms even for readers from various kinds of backgrounds. The application of the universal language of images makes the value of comics enhance into a kind of means to convey various kinds of messages, both simple and complex. With its flexible visual and verbal language comics can create an aesthetical visualization towards a current issue that is happening in the society. The comic Kembali Kepada Tuhan (Returning to God) is a comic title which is made based upon the social and spiritual conditions that occurs in Indonesia nowadays, about the habits of praying to other entities other than God. This comic is to make the youths nowadays not to follow such wrong example. Furthermore, it is hoped through this comic that the youths today understand the consequences if they follow that incorrect model. The reason of why this creation is targeted for today's youngsters is because of the nature of adolescents where they are vulnerable towards any bad external influences. Therefore, constant positive information and messages that deals with the moral and spiritual conditions during this period is necessary. This story is taken from many true stories that have ever happened in the society with the alteration of plots, settings, and characters; whereas, the idea is a combination from the visual reality and the enigma. The visual realities are to describe the human characters in the story. Meanwhile, the supernatural beings are derived enigmas that are caught from the spiritual realism. This comic gives a clear image for the targeted viewers if such habit is carried out. The comic itself uses the combination between digital coloring using Adobe Photoshop and manual drawing by using poster paint. Whereas, the images utilizes the realist style in order to emphasizes the reality aspect, an aspect that cannot beobtained using the cartoon style.Keyword : comics, adolescent, visualization

Perancangan E-Book Ilustrasi Karakter Tokoh Wayang Beber Remeng Mangunjaya Maharsi, Indiria
DeKaVe Vol 17, No 1 (2024): DeKaVe Vol. 17 No. 1 2024
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/dkv.v17i1.10289

ABSTRACTWayang Beber of Wonosari staging the Remeng Mangunwijaya story is a really rare heritage from the ancestors of Indonesian people. At this moment, there are only three wayang beber left that can be found at three places, namely Wonosari and Pacitan, both in Indonesia and the other one is in Leiden, Netherlands. Instead of its priceless importance and existence, there is only very little number of Indonesian people know the ins and outs about this wayang, such as the illustrated sheet as wayang beber’s tangible object and also the performed story. The characters in the story that actually were drawn in unique interesting visuals are not popular too among people. This condition entails the need of a medium to introduce and inform Wayang Beber Wonosari to the audiences. This research aimed at designing an illustrated e-book about the characters in Wayang Beber Wonosari ‘Remeng Mangunwijaya’ and their roles in the story. The design thinking method was employed in the design process covering these five stages: empathizing, defining, ideating, prototyping, and testing. The method was used to identify the users’ needs, define the design problems, and finding the best solutions for those problems. Each stage consisted of several steps to create the most appropriate e-book for the targeted audiences. The designed book presented knowledge about the characters in the story in the form of illustration. This e-book design was one of the methods used to preserve wayang beber known as informational preservation method that would be disseminated online so that the audiences could access it easily. It was also an effort to introduce Wayang Beber of Wonosari to wider target audiences Keywords: Wayang Beber, Remeng Mangunwijaya, Preservation, Illustration, E-book@font-face {font-family:"Cambria Math"; panose-1:2 4 5 3 5 4 6 3 2 4; mso-font-charset:0; mso-generic-font-family:roman; mso-font-pitch:variable; mso-font-signature:-536870145 1107305727 0 0 415 0;}p.MsoNormal, li.MsoNormal, div.MsoNormal {mso-style-unhide:no; mso-style-qformat:yes; mso-style-parent:""; margin:0cm; margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:12.0pt; font-family:"Times New Roman",serif; mso-fareast-font-family:"Times New Roman"; mso-ansi-language:EN-US;}.MsoChpDefault {mso-style-type:export-only; mso-default-props:yes; font-family:"Calibri",sans-serif; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:Calibri; mso-fareast-theme-font:minor-latin; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi;}div.WordSection1 {page:WordSection1;}

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