Nur Rokhim
Institut Seni Indonesia (ISI) Surakarta

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Journal : Greget

MAKNA “TUJUH” DALAM TARI BEDHAYA DIRADHA META Nur Rokhim
Greget Vol 14, No 2 (2015)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (651.11 KB) | DOI: 10.33153/grt.v14i2.1709

Abstract

TheBedhaya Dirada Metadance is performed by seven male dancersand is a symbol ofrespect to soldiers who have died in battle. The number seven in the Bedhaya Dirada Meta danceis closely related to the philosophy of Mankunegara I’s struggle. The basis of Mankunegara I’sstruggle in essence cannot be separated from the concept of leadership of the knights of Mataramwhich promotes three aspects, namely religion, morality, and culture. Of these three aspects, itsseems that the main philosophy used as a basis for Mankunegara I’s struggle is the concept ofreligious Islamic teachings in order to reach a level of perfection and to draw closer to God theCreator.Keywords: meaning, seven, bedhaya dirada meta.
INOVASI KESENIAN RAKYAT KUDA LUMPING DI DESA GANDU, KECAMATAN TEMBARAK, KABUPATEN TEMANGGUNG Nur Rokhim
Greget Vol 17, No 1 (2018)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (749.835 KB) | DOI: 10.33153/grt.v17i1.2299

Abstract

Demam kesenian rakyat kolaborasi Leakan di Temanggung rupanya sudah tidak dapat dibendung lagi. Para seniman senior rata-rata menolak kehadiran kolaborasi tersebut, mereka merasa risih dengan pengembangan seni pertunjukan yang demikian. Akhirnya Dinas melarang pertunjukan kolaborasi Kuda Lumping dengan tari Leak, Pendet dan Barong Bali. Hal ini dimaksudkan untuk mengembalikan eksistensi pertunjukan Kuda Lumping seperti semula sebagai seni yang mempunyai ciri khas Temanggung. Kesenian Kuda Lumping Sri Budoyo berada pada situasi yang rumit, di tengah-tengah tuntutan selera masyarakat yang semakin beraneka ragam. Tekad masyarakat pendukung kesenian sudah bulat untuk menjaga dan melestarikan kesenian Kuda Lumping supaya tetap eksis dengan ciri khasnya. Berbagai permasalahan mitra sebagi akibat masuknya kesenian luar daerah yang mengusik eksistensi kesenian lokal sebagai ciri khas daerah, maka akan ditawarkan solusi untuk mengatasi permasalahan yang dihadapi. Inovasi adalah sebuah cara yang akan dilakukan sebagai solusinya. Inovasi yang dilakukan adalah pemberdayaan anak-anak sebagai generasi penerus kesenian Kuda Lumping di desa Gandu II, yang nantikan akan memegang kendali kesenian di desa tersebut. Anak-anak diberi pelatihan tari Geculan sebagai dasar kepenarian mereka, gerak-gerak yang disusun disesuaikan dengan usianya.Kata kunci: Inovasi, Kesenian rakyat, Kuda Lumping.Abstract The folk art fever of the Leakan collaboration in Temanggung apparently cannot be stopped anymore. The average senior artists reject the presence of the collaboration, they feel uncomfortable with the development of such performing arts. Finally the Office banned the performance of the Kuda Lumping collaboration with the Leak, Pendet and Barong Bali dances. This is intended to restore the existence of the Kuda Lumping performance as originally as an art that has a characteristic Temanggung. Sri Budoyo’s Kuda Lumping Art is in a complicated situation, amidst the increasingly diverse demands of the people’s tastes. The determination of the people supporting the arts has been unanimous to maintain and preserve the Kuda Lumping art in order to continue to exist with its trademark. Various partner problems as a result of the entry of arts outside the region that disturb the existence of local arts as a regional characteristic, will be offered a solution to overcome the problems faced. Innovation is a method that will be carried out as a solution. The innovation carried out was the empowerment of children as the next generation of Kuda Lumping art in the village of Gandu II, who were looking forward to taking control of the arts in the village. The children were given Geculan dance training as a basis for their dance, the movements arranged according to their age. Keywords: Innovation, Folk art, Kuda Lumping.
UPACARA RITUAL BELIENT SENTIU DAYAK BENUAQ DI KAMPUNG PONAK KECAMATAN SILUQ NGURAI KABUPATEN KUTAI BARAT, KALIMANTAN TIMUR Nessy Nessy; Nur Rokhim
Greget Vol 18, No 2 (2019)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (495.351 KB) | DOI: 10.33153/grt.v18i2.2874

Abstract

This paper describes the Ritual Belient Dayak Benuaq Ritual Ceremony in Kampung Ponak, Siluq Ngurai District, West Kutai Regency. This writing originated from the writer’s attention to the arts in East Kalimantan, especially in the village of Ponak, especially in the Benuaq Dayak tribe which still holds close to customs amidst the advancing era and rapidly developing medical science. BelientSentiu ritual ceremony in Ponak village is held when there are people who experience pain outside the medical. Rituals are carried out at night before midnight, according to the community if the ritual is carried out before midnight, the presence of ancestral spirits is more easily felt, and allows ritual performers to be able to communicate well with the spirits of the ruler of the upper world and the ruling spirit of the underworld. has a function that can meet the needs of the Benuaq Dayak community. In this ritual there is the Belient Sentiu dance which is a description of ceremonial activities related to the prevailing customary norms and belief in ancestral spirits. Tonyoi Dayak tribe and Benuaq Dayak tribe.ȱ Keywords:ȱ›’žŠ•ǰȱŽ•’Ž—ȱТДȱŽ—žŠšǰȱŠ—ŒŽœ›Š•ȱœ™’›’œǯ