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All Journal Poetika: Jurnal Ilmu Sastra Jurnal Gramatika MEDAN MAKNA: Jurnal Ilmu Kebahasaan dan Kesastraan Jurnal Gramatika: Jurnal Penelitian Pendidikan Bahasa dan Sastra Indonesia
Lastry Monika
Universitas Gadjah Mada
Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences

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Lacan dan Cermin Hasrat 'Aku' Lirik dalam Kumpulan Sajak Aku Ini Binatang Jalang Karya Chairil Anwar Lastry Monika
POETIKA Vol 8, No 1 (2020): Issue 1
Publisher : Literary Studies, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v8i1.56534

Abstract

Pembahasan dalam tulisan ini bertujuan untuk mengungkapkan cermin hasrat “aku” lirik yang terdapat dalam kumpulan sajak Aku Ini Binatang Jalang karya Chairil Anwar. Pembahasan dalam hal ini mengacu pada mekanisme pembentukan subjek “aku” lirik, ketaksadaran, dan cermin hasrat “aku” lirik yang terdapat dalam beberapa puisi. Penelitian ini menggunakan perspektif dan metode psikoanalisis yang dikemukakan oleh Lacan. Analisis dalam hal ini dilakukan berdasarkan data-data yang diperoleh melalui kata, frasa, bait, dan larik yang terdapat dalam puisi untuk menemukan subjek, ketaksadaran, dan cermin hasrat “aku” lirik sebagai upaya menemukan keutuhan diri melalui mekanisme metafora dan metonimia. Hasil dari pembahasan ini menunjukkan bahwa “aku” lirik memiliki kecendrungan hasrat yang bertumpu pada kebebasan dan individualitas. Ketika “aku” lirik menyadari diri berada pada tatanan yang tidak sesuai dengan yang ia kehendaki, “aku” cenderung merasakan ketidakpuasan, ketakutan, dan kesepian sehingga “aku” lirik mengkonstruksi diri menjadi individu yang bebas, mandiri, dan tidak terikat dalam membangun identifikasi tentang dirinya sendiri. Kata kunci: Lacan, cermin hasrat, puisi
Posisi dan Pencapaian Wisran Hadi dalam Arena Sastra Indonesia Lastry Monika
MEDAN MAKNA: Jurnal Ilmu Kebahasaan dan Kesastraan Vol 19, No 2 (2021): Medan Makna Desember
Publisher : Balai Bahasa Sumatera Utara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26499/mm.v19i2.3513

Abstract

Wisran Hadi is known as a man of letters and an expert in culture who has produced works in various genres. During his career, the works he produced not only received a number of awards, but also caused controversy from his own community group in the Minangkabau. In this regard, this research tries to examine the position and achievements of Wisran Hadi in the arena of Indonesian literature. The discussion includes the efforts made by the author to achieve a position, to operate in the literary arena, and to maintain his position. Based on Pierre Bourdieu's theory of genetic structuralism, the results of the analysis show the following. First, the position of the literary arena occupied by Wisran Hadi is dominantly on the principle of an autonomous hierarchy, so that it tends to contradict the laws that apply in the arena of power The structure of the literary arena is a limited production arena. Second, the achievement of positions based on habitus, artistic practice, the acquisition and exchange of symbolic capital, the acquisition of awards, and the survival of the Bumi Teater group. Third, practices and strategies in maintaining position are by producing works in various genres, prioritizing exploration of words and languages, and elaborating classic works such as kaba, tambo, and history. In addition, the work is positioned based on various elements such as habitus, the structure of the arena occupied, the position in the arena, to the situation and conditions of social reality that are the source and target of the work.
CULTURAL PRODUCTION STRATEGIES THROUGH LOCAL WISDOM ORAL TRADITIONS PERDUKUHAN NGINO XII SLEMAN YOGYAKARTA (STRATEGI PRODUKSI KULTURAL MELALUI KEARIFAN LOKAL TRADISI LISAN MASYARAKAT PERDUKUHAN NGINO XII SLEMAN YOGYAKARTA) Lastry Monika; Nur Ahmad Salman Herbowo
Jurnal Gramatika Vol 6, No 1 (2020)
Publisher : Universitas PGRI Sumatera Barat

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (715.636 KB) | DOI: 10.22202/jg.2020.v6i1.3892

Abstract

This study uses oral traditions contained in Ngino XII hamlet, Margoagung, Seyegan District, Sleman Regency, Yogyakarta as material objects and Pierre Bourdieu's genetic structuralism theory as formal objects. This research is based on the assumption that the oral traditions that exist in the Ngino XII hamlet are seen as legitimating tools to realize the cultural identity of the people concerned. Therefore, the analysis in this study aims to determine and analyze the local wisdom of the oral tradition as a cultural production strategy in realizing the cultural identity of the Ngino XII hamlet. The results showed that the Ngino XII hamlet community was a dominated agent to carry out the traditions they had inherited. This tradition lasts from generation to generation because the habitus of each dominant agent is the same. In addition, the existence of cultural capital and social capital serve as a cultural production strategy that makes Ngino XII has its own unique cultural traditions or identities that are unique and different from the traditions of other regions. Using the theory put forward by Bourdieu about the arena of cultural production, it can be found that a subculture exists with certain goals, one of which is to form cultural identity. This indicates that research on oral traditions or oral literature is becoming more diverse.
CULTURAL PRODUCTION STRATEGIES THROUGH LOCAL WISDOM ORAL TRADITIONS PERDUKUHAN NGINO XII SLEMAN YOGYAKARTA (STRATEGI PRODUKSI KULTURAL MELALUI KEARIFAN LOKAL TRADISI LISAN MASYARAKAT PERDUKUHAN NGINO XII SLEMAN YOGYAKARTA) Lastry Monika; Nur Ahmad Salman Herbowo
Jurnal Gramatika Vol 6, No 1 (2020)
Publisher : Universitas PGRI Sumatera Barat

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22202/jg.2020.v6i1.3892

Abstract

This study uses oral traditions contained in Ngino XII hamlet, Margoagung, Seyegan District, Sleman Regency, Yogyakarta as material objects and Pierre Bourdieu's genetic structuralism theory as formal objects. This research is based on the assumption that the oral traditions that exist in the Ngino XII hamlet are seen as legitimating tools to realize the cultural identity of the people concerned. Therefore, the analysis in this study aims to determine and analyze the local wisdom of the oral tradition as a cultural production strategy in realizing the cultural identity of the Ngino XII hamlet. The results showed that the Ngino XII hamlet community was a dominated agent to carry out the traditions they had inherited. This tradition lasts from generation to generation because the habitus of each dominant agent is the same. In addition, the existence of cultural capital and social capital serve as a cultural production strategy that makes Ngino XII has its own unique cultural traditions or identities that are unique and different from the traditions of other regions. Using the theory put forward by Bourdieu about the arena of cultural production, it can be found that a subculture exists with certain goals, one of which is to form cultural identity. This indicates that research on oral traditions or oral literature is becoming more diverse.
Co-Authors Nur Ahmad Salman Herbowo