Alvanita Alvanita
Universitas Gadjah Mada

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The Character Development of Neville Longbottom in the Harry Potter Series Alvanita Alvanita
Lexicon Vol 1, No 3 (2012)
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/lexicon.v1i3.42080

Abstract

This graduating paper examines the novel series Harry Potter by J.K. Rowling. There are seven series telling about the journey of Harry Potter in Hogwarts school of witchcraft and wizardry. The objectives of this paper are to study the character development of Neville Longbottom, a minor character in Harry Potter, and to find his significance in the Harry Potter series. The analysis is conducted with objective approach, focused on changes in Neville’s character. The result of this research shows that Neville character changes significantly during the series. Moreover, his development becomes very significant to the plot of Harry Potter. At first, he is obedient and shy, but finally in the end of series he becomes a hero. He is a minor character, yet he has a significant role.
Motif Structure and the Liminal Function of Death in The Milk-White Doo, A Scottish Folktale Alvanita Alvanita
Anaphora : Journal of Language, Literary, and Cultural Studies Vol. 8 No. 2 (2025): DECEMBER
Publisher : Universitas 17 Agustus 1945 Surabaya, Prodi sastra Inggris, Fakultas Ilmu Budaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30996/anaphora.v8i1.10864

Abstract

Although Scottish folktales form part of the broader European tradition, they remain underrepresented in global folklore studies. Meanwhile, Scottish tales are rich with cultural traditions and national identity, which tend to be marginalized by the British tales. This article examines the portrayal of death in The Milk-White Doo, a Scottish fairy tale, using an interdisciplinary approach that combines folkloristics and literary analysis. Drawing on the Thompson Motif-Index, Propp’s Morphology of the Folktale, and Victor Turner’s theory of liminality, the study identifies four dominant motifs: unnatural cruelty, animal transformation, reincarnation, and reward and punishment. In addition, it also discusses how death functions structurally through the narrative roles of absentation, villainy, victory, and wedding. The analysis highlights how death is depicted not as an end, but as a liminal process marked by separation, transition, and incorporation. This transformation serves to restore moral and familial order, which reflects historical beliefs in death as a just consequence for wrongdoing. By situating death within a ritual and symbolic framework, the study contributes to broader discussions on justice, grief, and renewal in folklore. It also encourages further research into how modern adaptations reshape traditional death motifs to align with modern cultural values.