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All Journal Mozaik Humaniora Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya An-Nahdah Al-\'Arabiyah Jurnal Bastra (Bahasa dan Sastra) Jurnal Bahasa dan Sastra Pusaka Cendekia
Nuril Rinahayu
Universitas Islam Negeri Ar-Raniry Banda Aceh
Arts Humanities Education Languange, Linguistic, Communication & Media

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Institutional Racism and Black Resistance as Portrayed through Images and Narratives in American Graphic Novels Titien Diah Soelistyarini; Nuril Rinahayu; Ridha Dinauri Nuswantari
MOZAIK HUMANIORA Vol. 20 No. 2 (2020): MOZAIK HUMANIORA VOL. 20 NO. 2
Publisher : Universitas Airlangga

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20473/mozaik.v20i2.22901

Abstract

For centuries, racial discrimination and injustice have resulted in the struggle of African Americans to resist racial inequality. Nevertheless, their struggle has never been easy since racism against African Americans has long been institutionalized. In other words, any kinds of white oppression that marginalized, discriminated, and alienated African Americans have embedded in formal institutions, such as legal, educational, as well as social and political institutions. Accordingly, this study dealt with institutional racism and black resistance in the United States as portrayed through images and narratives in two American graphic novels, Octavia E. Butler’s Kindred: A Graphic Novel Adaptation and John Lewis’ March: Book Three, which depicted different ways African Americans were oppressed by and resisted against institutionalized racism. This study applied African American criticism to reveal the racism and black resistance portrayed in both graphic novels based on Feagin’s and Better’s theories of systemic racism and institutional racism. As this study focused on graphic novels, the analysis combined both narrative and non-narrative elements in making meaning through cues provided in the graphic novels, including stressed words and facial expressions. This study reveals that the whites have successfully oppressed African Americans for so long due to the white racial frame and its embedded racist ideology that enforced segregation system. Furthermore, the findings suggest that only by empowering themselves, African Americans are able to resist institutionalized racism in order to gain their freedom and equality of rights.
Konstruksi Hubungan Alam dan Manusia melalui Kerangka Maskulinitas Ekologis dalam Film Jungle (2017): Ekokritik Sastra Nuril Rinahayu; Bayu Kristianto
Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya Vol 5 No 1 (2022)
Publisher : Magister Pendidikan Bahasa dan Sastra Indonesia, Fakultas Keguruan dan Ilmu Pendidikan, Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1888.13 KB) | DOI: 10.30872/diglosia.v5i1.349

Abstract

This study examines the construction of the human-nature relationship in the Jungle (2017) movie. Jungle movie presents the mindset and behavior of men through four male characters (Yossi, Marcus, Kevin, and Karl) towards the wild (wilderness) as a masculinity framework. Using a qualitative method with an ecocriticism approach, especially related to ecological masculinity by Hultman and Pulé, this study shows how the construction of human-nature relationships through masculinity framework presents ecological masculinity as a form of hegemonic masculinity negotiation. The analysis focuses on two aspects of film studies: narrative and cinematographic by Bogss and Petrie. The results of this study indicate that in the depiction of nature through the Amazon Forest, nature is positioned as something dangerous, wild, scary, and capable of killing humans. Therefore, nature is represented as an entity that dominates humans. However, men's mindset and behavior towards nature present the illusion of a human versus nature dichotomy; in this case, the Jungle movie tries to present a critique of anthropocentrism. In addition, the mindset and behavior of male characters toward nature represent male masculinity models, especially ecological masculinity, as an alternative to hegemonic masculinity.
STRUKTUR KEPRIBADIAN TOKOH UTAMA DALAM CERPEN “SHALATUL FAJRI” KARYA ALI THANTHAWI (STUDI PSIKOLOGI SASTRA Afdzalul Pasha; Nur Chalis; Zulhelmi; Nuril Rinahayu
Jurnal Bastra (Bahasa dan Sastra) Vol. 10 No. 4 (2025): JURNAL BASTRA EDISI OKTOBER 2025
Publisher : Program Studi Pendidikan Bahasa dan Sastra Indonesia, FKIP, Universitas Halu Oleo Kampus Bumi Tridharma Andounohu Kendari, Provinsi Sulawesi Tenggara – Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36709/bastra.v10i4.1952

Abstract

Penelitian ini bertujuan untuk menganalisis struktur kepribadian tokoh utama Rajib Effendi dalam cerpen “Shalatul Fajri” dengan pendekatan teori kepribadian psikologi sastra Carl Rogers. Metode yang digunakan pada penelitian ini adalah metode deskriptif kualitatif. Penelitian ini menggunakan data-data tertulis yang terdapat dalam cerpen “Shalatul Fajri” karya Ali Thanthawi yang menunjukkan kecocokan analisis struktur kepribadian perspektif Carl Rogers. Adapun metode pengumpulan data dalam penelitian ini adalah teknik baca catat dan studi kepustakaan. Data dalam penelitian ini dianalisis mengunakan teknik analisis data dengan mengidentifikasi, mengklasifikasi, menganalisis dan penarikan kesimpulan. Hasil penelitian ini menunjukkan bahwa terdapat tiga analisis struktur kepribadian menurut Carl Rogers pada tokoh Rajib Effendi dalam cerpen “Shalatul Fajri” karya Ali Thanthawi yaitu: konsep self (diri), medan fenomenal, dan organisme. Peneliti berharap agar penelitian ini bisa menjadi masukan untuk penelitian lainnya berkenaan dengan teori psikologi sstra Carl Rogers.
Modernisme as a Movement in Arabic Literature Dedi Saputra; Anshar Zulhelmi; Salsabiela Syifa Anies; Nuril Rinahayu
Jurnal Bahasa dan Sastra Pusaka Cendekia Vol. 1 No. 2 (2025)
Publisher : Pusaka Cendekia Indonesia Foundation

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.65427/puscen.v1i2.14

Abstract

This research aims to explain modernism as one of the genres in Arabic literature, which has been more often understood in the framework of periodization than as a literary genre. This study uses a descriptive qualitative method with a literature study approach. Data was obtained from various written sources in the form of books and scientific articles that discuss literary genres, modernism, and the development of modern Arabic literature. The results of the study show that modernism is a literary school that was born in response to social, political, and intellectual changes, especially after World War I, which was marked by a humanitarian crisis and a shift in traditional values. In the context of Arabic literature, modernism developed along with the revival (nahḍah), the intensity of contact with the West, the advancement of education, and the role of the press in spreading new ideas. Modernism in Arabic literature is characterized by characteristics such as individualism, experimentation with form, absurdity, symbolism, and formalism. Thus, modernism reflects not only the renewal of literary forms and styles, but also the change in the way Arab writers view the function of literature in modern society. Penelitian ini bertujuan untuk menjelaskan modernisme sebagai salah satu aliran dalam sastra Arab, yang selama ini lebih sering dipahami dalam kerangka periodesasi dibandingkan sebagai aliran sastra. Penelitian ini menggunakan metode kualitatif deskriptif dengan pendekatan studi pustaka. Data diperoleh dari berbagai sumber tertulis berupa buku dan artikel ilmiah yang membahas aliran sastra, modernisme, serta perkembangan sastra Arab modern. Hasil kajian menunjukkan bahwa modernisme merupakan aliran sastra yang lahir sebagai respons terhadap perubahan sosial, politik, dan intelektual, khususnya pasca Perang Dunia I, yang ditandai oleh krisis kemanusiaan dan pergeseran nilai-nilai tradisional. Dalam konteks sastra Arab, modernisme berkembang seiring dengan kebangkitan (nahḍah), intensitas kontak dengan Barat, kemajuan pendidikan, dan peran pers dalam menyebarkan gagasan-gagasan baru. Modernisme dalam sastra Arab ditandai oleh karakteristik seperti individualisme, eksperimen bentuk, absurditas, simbolisme, dan formalisme. Dengan demikian, modernisme tidak hanya mencerminkan pembaruan bentuk dan gaya sastra, tetapi juga perubahan cara pandang sastrawan Arab terhadap fungsi sastra dalam masyarakat modern.
Representing Post-Tsunami Acehnese Identity in Tere Liye’s Hafalan Shalat Delisa: a Stuart Hall Perspective : Tamthīl al-Huwiyyah al-Ashīhiyyah ba‘da at-Tsūnāmī fī Riwāyat Ḥafalan Shalat Delisa li Tere Liye: Manẓūr Stuart Hall Syarifuddin; Fahmi Sofyan; Ivan Aulia Trisnady; Nuril Rinahayu; Al Farahil A'la; Cut Ririn Soraya
An-Nahdah Al-'Arabiyah Vol. 6 No. 1 (2026)
Publisher : An-Nahdah Al-'Arabiyah is published by Department of Arabic Language and Literature in cooperation with The Center for Research and Community Service (LP2M)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22373/nahdah.v6i1.8675

Abstract

This study examines the representation of Acehnese cultural identity in Tere Liye’s Hafalan Shalat Delisa through Stuart Hall’s theory of representation within the context of post-tsunami Aceh. Using a qualitative descriptive-analytical approach, the study combines textual analysis of the novel with interview and field observation data from Aceh. The findings show that the novel constructs Acehnese identity primarily through religiosity, spiritual resilience, and social solidarity, positioning faith as the main source of cultural endurance after disaster. However, this representation is selective, privileging moral and religious unity while downplaying the social, ethnic, and cultural plurality of Acehnese society. From a constructionist perspective, the study demonstrates that literary representation does not simply mirror reality but actively produces meaning through processes of inclusion and exclusion. Unlike previous studies that focus mainly on moral or educational aspects of the novel, this research highlights how post-disaster identity is discursively shaped, contributing to a more critical understanding of cultural representation in Indonesian literature.   تتناول هذه الدراسة تمثيل الهوية الثقافية الأتشية في رواية حفظ صلاة دليسا للكاتب تيري لييه من خلال نظرية التمثيل لستيوارت هول في سياق آتشيه بعد كارثة التسونامي. وباستخدام المنهج الوصفي-التحليلي النوعي، تجمع الدراسة بين تحليل النص الأدبي وبيانات المقابلات والملاحظات الميدانية التي أُجريت في آتشيه. وتُظهر النتائج أن الرواية تبني الهوية الأتشية أساسًا من خلال التدين، والقدرة الروحية على الصمود، والتضامن الاجتماعي، حيث يُصوَّر الإيمان بوصفه المصدر الرئيس لاستمرار الثقافة بعد الكارثة. ومع ذلك، فإن هذا التمثيل انتقائي، إذ يبرز الوحدة الأخلاقية والدينية على حساب التنوع الاجتماعي والإثني والثقافي في المجتمع الأتشي. ومن منظور بنائي، تبيّن الدراسة أن التمثيل الأدبي لا يعكس الواقع الاجتماعي فحسب، بل يشارك في إنتاج المعنى من خلال آليات الإدراج والإقصاء. وعلى خلاف الدراسات السابقة التي ركزت غالبًا على البعد الأخلاقي أو التربوي، تبرز هذه الدراسة كيفية تشكّل الهوية بعد الكارثة بشكل خطابي داخل النص الأدبي، مما يسهم في تعميق فهم تمثيل الثقافة في الأدب الإندونيسي.   Penelitian ini mengkaji representasi identitas budaya Aceh dalam novel Hafalan Shalat Delisa karya Tere Liye dengan menggunakan teori representasi Stuart Hall dalam konteks Aceh pascabencana tsunami. Dengan pendekatan kualitatif deskriptif-analitis, penelitian ini menggabungkan analisis teks novel dengan data wawancara dan observasi lapangan di Aceh. Hasil penelitian menunjukkan bahwa novel tersebut membangun identitas Aceh terutama melalui religiositas, ketangguhan spiritual, dan solidaritas sosial, dengan menempatkan iman sebagai sumber utama ketahanan budaya setelah bencana. Namun, representasi ini bersifat selektif karena lebih menonjolkan kesatuan moral dan religius serta menyederhanakan keragaman sosial, etnis, dan budaya masyarakat Aceh. Dari perspektif konstruksionis, penelitian ini menunjukkan bahwa representasi sastra tidak sekadar mencerminkan realitas sosial, melainkan secara aktif membentuk makna melalui proses inklusi dan eksklusi. Berbeda dari penelitian sebelumnya yang umumnya menekankan aspek moral dan pendidikan, studi ini menyoroti bagaimana identitas pascabencana dikonstruksi secara diskursif dalam teks sastra, sehingga memperkaya kajian representasi budaya dalam sastra Indonesia.
Co-Authors Afdzalul Pasha Al Farahil A'la Bayu Kristianto Cut Ririn Soraya Dedi Saputra Fahmi Sofyan Ivan Aulia Trisnady Nur Chalis Ridha Dinauri Nuswantari Salsabiela Syifa Anies Syarifuddin Titien Diah Soelistyarini Zulhelmi Zulhelmi, Anshar