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All Journal LINGUAL: Journal of Language and Culture EDULITE: Journal of English Education, Literature and Culture Paradigma: Jurnal Kajian Budaya Wacana: Journal of the Humanities of Indonesia Lire Journal (Journal of Linguistics and Literature)
Muljadi, Hianly
Universitas Kristen Maranatha
Arts Humanities Education Languange, Linguistic, Communication & Media Library & Information Science Social Sciences

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 1 
Discrimination in Zootopia: A critical reading Hianly Muljadi
EduLite: Journal of English Education, Literature and Culture Vol 4, No 2 (2019): August 2019
Publisher : Universitas Islam Sultan Agung

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (190.92 KB) | DOI: 10.30659/e.4.2.236-246

Abstract

This research is an analysis of an animation movie by Walt Disney Animation Studios entitled Zootopia. The story of Zootopia, just like other animation movies which can be generalized as intended for children. It contains a positive message which can be seen from the tagline of this movie; “This is Zootopia. Anyone can be Anything”. However, this research tries ascertaining the opposite as it can be seen that the message of the movie is not entirely true. It is under descriptively qualitative method supported by the Theory of Deconstruction as a framework -- that a text can betray itself and this movie is no exception. In Zootopia, just like in human world, the animals are divided into species and kinds or types. This division can clearly lead to discrimination, stereotypes and prejudice. At the end, the notion that anyone can be anything is right to some extend but there are certainly limitations and boundaries that one cannot across to avoid instability in the life of the animals. Thus, the movie can be ‘read’ as having an entirely different message. This research shows that an animation movie can also be interpreted in many ways and may indeed reflect what happens in our reality.
Christos Tsiolkas’s The Slap Multiculturalism in Australia Now Hianly Muljadi
Lingual: Journal of Language and Culture Vol 10 No 2 (2020): Lingual: Journal of Language and Culture
Publisher : English Department, Faculty of Humanities, Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/LJLC.2020.v10.i02.p08

Abstract

This study focuses on the use of narrative techniques, especially point of view, in a novel entitled The Slap written by an Australian author, Christos Tsiolkas. This novel begins with a barbeque party hosted by a couple in a suburban Melbourne. The party is attended by many of their friends, families and co-workers who come from many different ethnic backgrounds, mostly immigrants or immigrant descents in Australia. The story takes an interesting turn when a man slaps an unruly boy who is not his own. The boy’s parents become so furious and decide to report the incident to the police. The story then continues with the revelation on how the case goes. What is special about this novel is that the aftermath of the incident is written in multiple chapters, narrated by a different character for each chapter. Readers will be able to see what happen after the incident through the eyes of each character who not only talk about the incident but inform the readers also about their life and the people around them. This is very interesting considering all the characters come from different ethnics; Greek, Indian, Jew, and British Australian. Christos Tsiolkas claimed that he wanted to show the real Australia which is not often represented in other novels through this novel and he has chosen to use the 3rd person limited point of view as a means to deliver his message. At the end of the research it can be concluded that there is a shift in position between the white Australians and immigrants or immigrant descent nowadays in terms of superiority and inferiority. Keywords: narrative technique, point of view, multiculturalism, immigrant, white Australians.
The power of narrative: passion and boredom in Coelho’s Adultery Hianly Muljadi; Joanna Deborah
EduLite: Journal of English Education, Literature and Culture Vol 8, No 1 (2023): February 2023
Publisher : Universitas Islam Sultan Agung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30659/e.8.1.170-191

Abstract

Adultery is a novel written by Paulo Coelho which focuses on the story of a woman named Linda, who seems to have everything in her life. However, her perfect life seems to bore her and drive her to the brink of depression. Linda then gets involved in an affair to end her boredom. At the end of the story, Linda realizes that boredom is something which will always be a part of human’s life, and mere adventures also distraction cannot abolish it. The only thing that one can do is to live their life the way it is with passion. This research analyzes the narrative techniques used in the novel based on Eastman’s theory of narrative techniques, which include point of view, time and tempo, style, and distance. This theory will measure the distance between the readers and the story/the protagonist as well as the ability of the author in delivering the message through the very techniques he has chosen. The novel has been discussed mostly in the light of the psychological condition of the protagonist or the portrayal of the female protagonist while this research focuses specifically on the narrative techniques used by Coelho in delivering his message as the author of the novel using formalism approach. At the end of this research, it can be concluded that Coelho has successfully managed to deliver his idea about boredom and passion – which are inevitable in human’s life – through the very narrative techniques he has chosen.
Benetton’s (In)Equality: A Semiotic Reading Muljadi, Hianly; Angjaya, Sonny; Deborah, Joanna
Paradigma: Jurnal Kajian Budaya Vol. 12, No. 1
Publisher : UI Scholars Hub

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Abstract

United Colors of Benetton, or UCB, has been using its advertisements to deliver positive messages and values that the clothing company represents. This article analyzes one of the photographs in Benetton’s campaign for their Spring Summer Collection of 2018. The campaign, which consists of some photographs by Oliviero Toscani, raises the theme of equality of gender and ethnicity. It shows various photographs of both female and male models from different ethnicities. However, it is found that there is one photograph that shows inconsistency with the very value that Benetton wants to convey through their campaign. Based on the semiotic analysis, the study shows that the photograph can be read as having an entirely different message that the company intends to voice. This article proves that multiple interpretations can be applied to a text, and a text can betray itself.
"Factory Outlet" Budaya Produksi dan Produksi Budaya Muljadi, Hianly
Wacana, Journal of the Humanities of Indonesia Vol. 4, No. 2
Publisher : UI Scholars Hub

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Abstract

This article examines factory outlet as a cultural phenomenon in Indonesia. It specifically focuses in the shift in FO meanings. Through observation, bibliographic study and critical critique, it is shown that FO has been perceived differently from a place to get "branded products" for the lower middle class in order to increase their social status to a shopping heaven for the upper class
BEAUTY STANDARDS AS SYMBOLIC VIOLENCE AGAINST WOMEN IN IMPERFECT: KARIER, CINTA, & TIMBANGAN (2019) Muljadi, Hianly; Angjaya, Sonny; Deborah, Joanna
Paradigma: Jurnal Kajian Budaya Vol. 14, No. 3
Publisher : UI Scholars Hub

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Abstract

Beauty is often perceived as a neutral concept; however, perceptions of beauty vary across different societies. In Indonesia, for instance, beauty is frequently associated with having fair skin and a slim physique. Consequently, women who do not meet these criteria are often deemed unattractive. Furthermore, beauty is commonly linked to a woman's success. This issue is critically examined in the 2019 film in Ernest Prakasa, Imperfect: Karier, Cinta & Timbangan, which centers on the life of a young woman named Rara, who is depicted as dark-skinned and slightly overweight. The societal pressures she faces to conform to prevailing beauty standards in pursuit of her dreams highlight the problematic nature of these standards. Additionally, the film portrays how even characters like Lulu and Debby, who fit the conventional beauty mold, are not immune to criticism. This study aims to explore the problematic nature of beauty standards and their impact on women, employing Pierre Bourdieu’s theory of capital and symbolic violence. The research concludes that beauty standards create unfair situations for women, perpetuating unattainable ideals that disproportionately affect them.
EXAMINING POWERS THROUGH SURYANI’S REPRESENTATION AGAINST SEXUAL VIOLENCE IN WREGAS BHANUTEJA’S PHOTOCOPIER Angjaya, Sonny; Muljadi, Hianly; Deborah, Joanna
Lire Journal (Journal of Linguistics and Literature) Vol. 8 No. 2 (2024): Lire Journal (Journal of Linguistics and Literature)
Publisher : Elite Laboratory Jurusan Sastra Inggris Universitas Bangka Belitung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33019/lire.v8i2.297

Abstract

This study examines the representation of woman against sexual violence in Photocopier, an Indonesian film directed by Wregas Bhanuteja. In film, women as sexual violence victims are often misrepresented through stereotyping as the helpless victims who need men’s help to deal with the situation or showing extreme violence against their perpetrators to exact revenge. If not stereotyped, women as sexual violence victims also tend to be fetishized as their victimized body often sexualized for erotic pleasures. In its protagonist, Sur, Photocopier took different approach by representing the victim as a woman with powers to fight against the sexual violence she experienced. This study focuses in examining how Sur exerts her powers and how those powers impacted the sexual violence case that she experienced. The study is conducted qualitatively using content analysis method which examines the visual aspects as well as dialogues from the film and applying Amy Allen’s theory of feminist power relation. The analysis identifies that Suryani possesses and exercises all three types of feminist power posed by Allen, which are “power-to,” “power-over,” and “power-with,” as a sexual violence victim. The study reveals that while the film tries to represent Sur as a powerful woman, she is also adjacently represented as a stereotypical powerless sexual violence victim who is helpless to fight against her perpetrators even after exercising all her powers both personally and collectively. However, such stereotypical representation may be necessary to show the reality of sexual violence victims and as a form of criticism against the mishandling of sexual violence case.
Co-Authors Joanna Deborah Sonny Angjaya