Article Per Year (5 Year)
p-Index From 2021 - 2026
0.23
P-Index
This Author published in this journals
All Journal Dewa Ruci : Jurnal Pengkajian dan Penciptaan Seni Jurnal Riset Rumpun Seni, Desain dan Media (JURRSENDEM)
Kadek Indra Wijaya
Unknown Affiliation
Arts Education Languange, Linguistic, Communication & Media Other

Published : 2 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 2 Documents
Search

 1 
“TANGLED IN MUSICAL MANGROVES” Kadek Indra Wijaya
Dewa Ruci: Jurnal Pengkajian dan Penciptaan Seni Vol 8, No 1 (2012)
Publisher : Pascasarjana Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1911.253 KB) | DOI: 10.33153/dewaruci.v8i1.1095

Abstract

The realization of awork of artmust go through a process, namely thework of art. Processes in question are the stages of thework done since getting the idea to claimthat happen. In order for this processwentwell, it needs sincerity andmaturity of theconcept. The concept ofmusical Tangled inMangroves is howmusic can be presentedwhen themangroves began to tanglewith an array of abrasion is performed by humans.With the perspective of building the complex,which is processed into themangroves, then the author has a sense of hope that nature will stay in touch. Always accompany themusic flowing greenleaves and strong roots ofmangrove trees that gave birth to human social relationswith the natural harmony among fellowwill stay in touch.Keywords: concepts, processes,mangroves,music
Strategi Budaya Sonorik Reflektif dalam Komposisi Musik Rene Hu: Representasi Identitas Institusional melalui Autoetnografi Artistik Kadek Indra Wijaya; Esyaf Sedik; Noak Msen; Yohana Mikaela Kelanit; Thobias Rumbino Fonataba; Steven Lazareth Kawer; I Putu Agus Eko Sattvika
Jurnal Riset Rumpun Seni, Desain dan Media Vol. 5 No. 1 (2026): April : Jurnal Riset Rumpun Seni, Desain dan Media
Publisher : Pusat Riset dan Inovasi Nasional

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55606/jurrsendem.v5i1.8594

Abstract

The creation of institutional signature music is typically understood as a technical compositional process intended to accompany a performance. This study aims to elucidate how the music of the Rene Hu dance is constructed as a medium for representing institutional identity through the integration of local wisdom and organizational values. Utilizing an artistic autoethnographic approach, this research positions the creative experience of the composer as a reflective data source analyzed through both thematic and conceptual lenses. The findings indicate that the composition of Rene Hu music emerges from the interaction of cultural, ecological, and institutional dimensions, all mediated by the composer’s reflection as a strategic agent. The integration of Sentani traditions, the soundscape of Mount Cycloop, and digital technology forms a sonoric identity that represents both cultural legitimacy and the vision of the Papua Province Language Center. This study formulates the Reflective Sonoric Cultural Strategy Model, which explains the mechanisms of identity negotiation within the composition of such signature music. The novelty of this research lies in its conceptualization of institutional music as an arena for identity negotiation analyzed through the composer’s creative journey. This research offers a conceptual framework applicable to the creation of similar representational musical works.
Co-Authors Esyaf Sedik I Putu Agus Eko Sattvika Noak Msen Steven Lazareth Kawer Thobias Rumbino Fonataba Yohana Mikaela Kelanit