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Journal : Texture : Art and Culture Journal

KAJIAN SIMBOL VISUAL PAWUKON Mutiara Putri Dhamastuty; Wisnu Adisukma
TEXTURE : Art and Culture Journal Vol 1, No 1 (2018)
Publisher : Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1338.591 KB) | DOI: 10.33153/texture.v1i1.2234

Abstract

Culture is dynamic in the form of humans and vice versa with a value system. One of them is Pawukon, originating from the science of titen and then manifested in the manuscript. In the case of the RadyaPustaka Museum’s collections, inseparable from the history and myths of Watugunung. Interaction and interpretation of analysis are used in historical studies, influences on Javanese people, symbols of Pawukon in the manuscript and the importance of its presence in contemporary society. Mandhasiya and Kuruwelut were chosen as sample of 30 wuku and provided guidance on the existence of the manuscript.Keywords: Kuruwelut, Mandhasiya, Symbol, Wuku
REPRESENTASI BADUT PADA KARYA SENILUKIS BUDI “UBRUX” HARYONO Harun, Hamdan; Adisukma, Wisnu
Texture: Visual Art and Culture Journal Vol. 7 No. 1 (2024)
Publisher : Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/texture.v7i1.6083

Abstract

The process of creating Budi'spainting"Ubrux"emphasizes that social reality is the main basis for the inspiration for its creation.Direct involvement with social,political and cultural issues is reflected in the themes raised in his work, such as the figure of the clown which is used as a critique of the abuse of power by government officials. This research uses a descriptive qualitative approach with in-depth interview methods, observation and document analysis. The analysis was carried out by applying StuartHall's theory of representation,especially the encoding and decoding approach, to understand how the meaning in Budi's work "Ubrux" is produced and received by the audience.This study reveals the complexity of visual messages through symbols such as clown faces,haircolor,and facial expressions.The representational analysis approach makes it possible to explore the symbolic meaning and social context in these works,enriching our understanding of the social,political and cultural criticism conveyed by Budi "Ubrux" through the clown theme
REPRESENTASI BADUT PADA KARYA SENILUKIS BUDI “UBRUX” HARYONO Harun, Hamdan; Adisukma, Wisnu
TEXTURE Art and Culture Journal Vol. 7 No. 1 (2024)
Publisher : Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/texture.v7i1.6083

Abstract

The process of creating Budi'spainting"Ubrux"emphasizes that social reality is the main basis for the inspiration for its creation.Direct involvement with social,political and cultural issues is reflected in the themes raised in his work, such as the figure of the clown which is used as a critique of the abuse of power by government officials. This research uses a descriptive qualitative approach with in-depth interview methods, observation and document analysis. The analysis was carried out by applying StuartHall's theory of representation,especially the encoding and decoding approach, to understand how the meaning in Budi's work "Ubrux" is produced and received by the audience.This study reveals the complexity of visual messages through symbols such as clown faces,haircolor,and facial expressions.The representational analysis approach makes it possible to explore the symbolic meaning and social context in these works,enriching our understanding of the social,political and cultural criticism conveyed by Budi "Ubrux" through the clown theme