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D. Dharsono
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Arts Humanities

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KEBERADAAN BATIK KEDIRI JAWA TIMUR M. Mujiono; D. Dharsono
Gelar : Jurnal Seni Budaya Vol 13, No 1 (2015)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1511.293 KB) | DOI: 10.33153/glr.v13i1.1535

Abstract

The article entitled “Keberadaan Batik Kediri Jawa Timur” (The Existence of Batik Kediri East Java) coversthe appearance and the development of batik in Kediri Residence. The analysis result uses qualitativemethod. Theories concerning culture and history are used to solve problems of the existence and characteristicsof batik Kediri in relation to the presence and the activities of batik making in Kediri through the culturalapproach, aesthetic approach by AAM, and Djelantik is applied to analyze the forms of batik Kediri motives.Analysis process is executed in two steps covering interactive and interpretative developed by Miles andHuberman. The characteristics of batik Kediri can be reviewed from the shape and the structure of batik withthe technique of natural and synthetic coloring. The values contained in batik Kediri show the condition ofKediri area. It can be seen from the several forms of batik pattern and motive made by batik maker in Kediri.The aesthetics of batik Kediri can be seen and felt from the pattern of tourism and local culture, abstractpattern, the creative pattern of natural suggestion, classic pattern, and the unity of classic pattern andnatural suggestion.Keywords: batik, aesthetics, motive, Kediri
KAJIAN SENI LUKIS KARYA YUNUS SUNARTO S. Suyadi; D. Dharsono
Gelar : Jurnal Seni Budaya Vol 13, No 1 (2015)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1551.233 KB) | DOI: 10.33153/glr.v13i1.1547

Abstract

The research entitled “Kajian Seni Lukis Karya Yunus Sunarto” (A Study in Paintings Arts by Yunus Sunarto)aims: to know about the background of creative process in painting arts by Yunus Sunarto; to analyze theform of paintings art by Yunus Sunarto using analysis interpretation with aesthetic approach by MonroeBeardsley; and to learn the observer’s view towards paintings art by Yunus Sunarto. Data is collected byobservation, interview, and library studies. The six paintings by Yunus Sunarto, with the studies of analysisinterpretative and aesthetic approach by Monroe Beardsley, refer to the three aesthetic characteristics ofarts: unity, there are visual and design elements well composed in the paintings; complexity, an art is not sosimple but it is rich of content and contains a smooth difference. Intensity, an art has an outstanding qualityeven in a bleak, happy, soft and rough condition. In reconstructing natural events, the aesthetic form ofYunus Sunarto’s paintings has a proportional form of anatomy, gradation, and volume in painting an object incanvas even the color sometimes seems tacky.Keywords: paintings art, works, aesthetic, creativity
PERKEMBANGAN RAGAM HIAS TENUN IKAT GEDOG BANDAR KIDUL MOJOROTO KOTA KEDIRI JAWA TIMUR Tri Atmoko; D. Dharsono
Gelar : Jurnal Seni Budaya Vol 13, No 1 (2015)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (952.92 KB) | DOI: 10.33153/glr.v13i1.1539

Abstract

This research is entitled “Perkembangan Ragam Hias Tenun Ikat Gedog Bandar Kidul Mojoroto Kota Kediri”(The Development of Ornaments Variety of Tenun Ikat Gedog in Bandar Kidul, Mojoroto, Kediri). It usesdescriptive analysis approach and quantitative data in order to learn how the existence and the developmentof tenun ikat gedog Bandar Kidul Mojoroto, Kediri, is; how the function of the tenun ikat gedog is; how theornaments variety is; and how the aesthetic value in the ornaments variety of tenun ikat gedog Bandar KidulMojoroto, Kediri. The various ornaments and their appearance are analyzed in this research. Unfortunately,tenun ikat Bandar Kidul is not very popular in Kediri especially among the young generation. It happensbecause of many factors, for example, the lack of promotion, there is not enough stock in the market, andthe high price of tenun ikat so that it influences the production. The existence of tenun ikat gedog BandarKidul is one of the cultural works of Indonesian people that has to be maintained in order to preserve thecultural heritage. Aesthetically, the creativity can be found in the beautiful patterns and ornaments variety inthe tenun, while culturally, tenun can be used as a symbol in every ceremony and in every activities of thelocal society in order to preserve Indonesia culture.Keywords: the development of ornaments variety, aesthetics
Co-Authors M. Mujiono S. Suyadi Tri Atmoko