I Nengah Muliana
ISI Surakarta

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PERKEMBANGAN GENJEK DI DESA SRAYA BALI I Nengah Muliana
Gelar : Jurnal Seni Budaya Vol 10, No 1 (2012)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2889.148 KB) | DOI: 10.33153/glr.v10i1.1369

Abstract

The object of this paper is Genjek in the village of Sraya, Karangasem regency. The focus is on the development of form and function. The aim is to uncover why art Genjek at Sraya village had been developed, and what factors are causing.  This paper begins with an overview of data about the digging community, especially those related to regional situation, livelihood, education, and arts potential. This is done to get an idea of   the extent to which it affects the development of Genjek.  Genjek existence before 1996 and after 1996 are described in detail so clearly visible changes. This method can be known who is responsible, why the change was made  , how the impact of those changes on the form and functionGenjek in Sraya village. The data obtained for this paper using interviews, audio visual recordings, and writings in the form of a book or otherwise. The data is then broken down, identified, classified, and analyzed, so it gets a conclusion. Appropriate perspective of this paper, it is used to analyze the data change theory.                                                                     Changes will occur in any art when assessed was no longer relevant to society. Society as the owner arts have a considerable role to the process of change. Changes in the arts because of certain impulses both from within and from outside the arts are the arts. Encouragement of the arts can be extremely diverse forms ranging from the influence of individuals in the group, to the desire or communal group. The results of the analysis conducted in this study concluded that the changes in the village Sraya Genjek occurs because growth mindset people are influenced by internal and external factors. Key words : Genjek, development, community Pengantar
REMBANG DAN BUMBANG I Nengah Muliana
Gelar : Jurnal Seni Budaya Vol 9, No 2 (2011)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (3228.504 KB) | DOI: 10.33153/glr.v9i2.1393

Abstract

Basically, this paper aims to describe the motive behind the creation Bumbang made by Rembang. The scope of this paper focuses on Bumbang creation process, which begins by exploring data on family background, education, learning how musicians, both regard as a musician and instrument maker from bamboo material particular. This is done to get an idea of the extent to which it affects the creation motives of Bumbang itself. In this paper also describes the artistry and his works, in order to get a clear description of the things that encourages creative Rembang of Bumbang. That way, I can know what things are, who contributed so Rembang successfully create new gamelan Bumbang named. To obtain the necessary data, the authors use some method such as: observation, interviews, audio visual recordings, as well as in writing, either in the form of books and others. The collected data were analyzed using the theory proposed by Abraham Maslow who said that the motive for someone doing the activity is to meet their needs.Key words : Rembang, Process, Bumbang