Article Per Year (5 Year)
p-Index From 2021 - 2026
0.23
P-Index
This Author published in this journals
All Journal Gelar : Jurnal Seni Budaya International Journal of Visual and Performing Arts
Budi Setiyono
ISI Surakarta
Arts Humanities Education

Published : 2 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 2 Documents
Search

 1 
TARIAN RITUAL, PESTA KOLEKTIF, DAN KONSERVASI LINGKUNGAN DALAM UPACARA MANGANAN DI BLORA Budi Setiyono
Gelar : Jurnal Seni Budaya Vol 7, No 2 (2009)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (3138.306 KB) | DOI: 10.33153/glr.v7i2.1277

Abstract

What today we call as  traditional arts, is often a form of ritual in the past  or part of it. A form of ritual is not only a human  activity to make a relation to transcendental being, but also as a way to create a balance and sustainable life. Based on Roy Rappaport’s thought, stating that rituals are modes of communication which transfers the  practical information of physiological, psychological and sociological condition of a certain group, the study attempts  to explain the rationalization of dancing and fertility ritual manganan in Blora in functionalism perspective. To Blora community, manganan ritual and buoh tradition that to be at its peak on tayuban performances are social and symbolic ways to perpetuate the natural as well as economic, and also to maintain  their  social resource  Key words : ritual, conservation, social resource, natural recourse
Political aestheticization in the representation of Balinese selonding gamelan: between cultural practices and identity strategies Setiyono, Budi
International Journal of Visual and Performing Arts Vol 7, No 1 (2025)
Publisher : ASSOCIATION FOR SCIENTIFIC COMPUTING ELECTRICAL AND ENGINEERING (ASCEE)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31763/viperarts.v7i1.1796

Abstract

Selonding Gamelan in Tenganan Pegringsingan Village, Bali, plays an important role in the traditional Mekaré-kare ritual and represents the close relationship between art and the social structure of the local community. This study aims to reveal how the aesthetics of Selonding Gamelan are mobilized as a symbolic strategy in responding to external influences on the local cultural order. Using ethnographic and participatory observation methods, especially in the context of the Mekaré-kare ritual, this study finds that Selonding Gamelan not only functions as a musical instrument, but also as a cultural medium that dampens elements of violence, negotiates identity, and strengthens social cohesion. Gamelan aesthetics are used consciously as a mechanism for protecting customary values against external cultural intervention. The conclusion of this study shows that ritual art has a transformative power in shaping the collective identity and cultural sovereignty of traditional communities. These findings open up new space for studying the relationship between art, ritual, and politics in the study of Nusantara performing arts.
Co-Authors